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Jobim
(1972)
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by
Antonio Carlos Jobim
Though this is one of the more obscure Jobim albums, it did introduce what some believe is Jobim's masterpiece, the hypnotically revolving song "Aguas de Marco" (heard here in Portuguese and English versions). Mostly, however, the record lets listeners in on another side of Jobim, the Debussy/Villa-Lobos-inspired creator of moody instrumental tone ...
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Compact Jazz: Antonio Carlos Jobim
(1991)
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Antonio Carlos Jobim
One of the first CD compilations of Jobim's music, yet it doesn't scrimp on the time too much (nearly an hour) and it hits mostly all the right marks. The selection varies between Jobim's versions of his compositions (taken mostly from the 1963 The Composer of Desafinado Plays album), the Stan Getz versions that brought them to America's attention ...
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Intimo
(2007)
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by
Hamilton de Holanda
The Brazilian mandolin master follows his masterful quintet date Brasilianos with a more intimate (hence the title) and plucky solo affair on the ten-string mandolin that he says uses "road technology"--that is, a good mike, his laptop, and an MBox. Rhythmically diverse and intricately rendered, the session sounds like a one-take affair, with him ...
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Mood Ingenuo: Pixinguinha Meets Duke Ellington
(1999)
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by
Paulo Moura & Cliff Korman
Many of the seemingly dozens of "Ellington Meets..." albums out there are specious, cynical attempts to cash in on the Duke's good name. This is not one of them. Pianist Cliff Korman and alto saxophonist Paulo Moura are savvy interpreters of Ellington's coolly sophisticated tunes, and the decision to pair them with those of Brazilian composer ...
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We Could Make Such Beautiful Music Together
(2004)
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by
Bebo Valdes/Federico Britos
The piano and violin have been well matched and married in a variety of musical settings, from small ensembles to orchestral, classical, jazz, Latin, and to a lesser degree other genres. For veteran Cubans Valdes and Britos, the combination could not be more heartwarming, effusive, bright and yes, beautiful. This recording of 14 duets between ...
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Passion Flower
(2002)
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by
Jackie Ryan
The 2002 vocal jazz scene shifts back to what it must have been like during Duke Ellington's highly successful residency at the Cotton Club with the debut of Jackie Ryan's Passion Flower. The sultry vocalist debuted with 14 tracks that exude style, class, and sensuality and a true knowledge of the jazz vocals idiom. Ryan has a marvelous voice, and ...
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A Man and His Music
(2004)
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by
Claus Ogerman
There are plenty of jazz fans who can't stand the lush and lazy sentimentality of arranger Claus Ogerman. They think he's ruined it for every artist he's worked with -- Frank Sinatra and Diana Krall to name two -- but they always seem to ignore that he was an integral part of at least one accepted classic, Antonio Carlos Jobim's Wave. He's also ...
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Silver Solstice
(2005)
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by
Paul Winter
A live recording of the 25th annual Winter Solstice concert from Paul Winter and a remarkable cast at St. John's Cathedral in New York. It's become a vital seasonal tradition, with music spanning the globe (and the addition of a DVD in the package), from gospel to the Balkans, Irish to new age. In many ways it defies description, being so eclectic ...
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When Baden Meets Trane
(2004)
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by
Glauco Sagebin Trio
Glauco Sagebin may be a Brazilian pianist, but don't let that fact fool you into thinking that you know what this album is going to sound like. Bossa nova and samba rhythms are more of an influence than an explicit factor in this music, and instead of fronting a large band rich with Latin percussion, on When Baden Meets Trane he leads a standard ...
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The Other Side of Jobim
(1992)
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by
Ana Caram
Exalted as "The George Gershwin of Brazil," Antonio Carlos Jobim was an incredibly prolific composer who wrote many songs that became standards in Brazilian and jazz circles. But in fact, Jobim also composed many great songs that aren't standards, and on this absorbing CD, Ana Caram insightfully spotlights some of the Jobim pearls that aren't ...
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Personalidade
(1991)
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by
Antonio Carlos Jobim
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Quiet Now: Nights of Quiet Stars
(1999)
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by
Antonio Carlos Jobim
Antonio Carlos Jobim's Quiet Now: Nights of Quiet Stars is probably the most successful entry in this series of Polygram reissues, because the Brazilian composer's music is so blissfully suited to compilations that focus on the gentle, romantic side of jazz. Perhaps it's his sleepy, low-key voice, which makes Perry Como sound like Darby Crash, or ...
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Leny Andrade
(2003)
by
Leny Andrade
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For Lovers
(2007)
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by
Antonio Carlos Jobim
On the back of this Verve compilation, it reads, " Everything Antonio Carlos Jobim wrote, played, or sang was for lovers." This is a true fact, but the compilers chose to present a very balanced look at Jobim's career, grabbing songs from the '60s, '70s, and '80s instead of zeroing in on the time of his greatest accomplishments, the early to mid- ...
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E Convidados
(1985)
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by
Antonio Carlos Jobim
When the listening world begins to reflect on the beauty of bossa nova, they dare not forget the achievements of Portugal's Antonio Carlos Jobim, short for Antonio Carlos Brasileiro de Almedia Jobim. This unique musician and composer brought a new revolution of sound and soul to the Latin American public, and is well known for introducing the ...
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Matita Pere
(1973)
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by
Tom Jobim
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Antonio Carlos Jobim and Friends
(1996)
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by
Antonio Carlos Jobim
Jobim made his last Brazilian concert appearance -- and the penultimate one of his life -- at this warm, star-studded affair in which American jazz musicians jetted down to the Free Jazz Festival in São Paulo to pay effusive homage. The miracle is how easily the jazzers were able to capture the yearning essence of Jobim's idiom without really ...
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Serenata: "Choros & Waltzes of Brazil"
(1993)
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by
Paulo Bellinati
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Wake Up! (To What's Happening)
(2004)
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by
Matt Wilson's Arts and Crafts
Drummer Matt Wilson refuses to be pigeonholed into any one category on this wide-ranging CD. With keyboardist Larry Goldings, bassist Dennis Irwin and trumpeter Terell Stafford (who doubles on flugelhorn), Wilson and company obviously enjoyed themselves in the studio. Goldings' quirky post-bop "Sticky Mack" inspires some of the best solos of the ...
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Cantar Do Jobim
(2006)
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by
Dirindi
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3 and 1
(1999)
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by
Dave Peck Trio
One of the enduring instrumental combinations for musical expression, whether jazz or classical, is the piano trio. The great jazz pianists from Teddy Wilson and Art Tatum through Bill Evans and Oscar Peterson to Brad Mehldau and Keith Jarrett have used this vehicle for their personal jazz expressions. With this offering, Seattle-based Dave Peck ...
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Romantica
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by
Zizi Possi
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Renewal of the Spirit
(2005)
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by
Vince Ector
Percussionist-drummer Vince Ector put a lot of work into this project, and it shows. He wrote five of the 11 selections, takes "For Our Fathers" as an unaccompanied feature, duets with guest altoist Bobby Watson on "The Call," and leads his band through a variety of Afro-Cuban and hard bop performances. Although four horn players appear on this ...
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Live at Birdland
(2000)
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by
Holly Hofmann/Ray Brown/Bill Cunliffe
Holly Hofmann's seventh CD as a leader was recorded during an extended live engagement at Birdland, with frequent collaborators Bill Cunliffe on piano and Victor Lewis on drums, as well as a special guest, bassist Ray Brown. The diverse program includes the bassist's upbeat "Brown Bossa," a lyrical treatment of Mal Waldron's "Soul Eyes," creative ...
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Signature
(2005)
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by
Roni Ben-Hur
With Signature, Roni Ben-Hur releases his fourth and most compelling CD as a leader. The guitarist, composer, arranger, educator, and author won high praise from jazz critics around the world for his three previous recordings, Backyard, Sofia's Butterfly, and Anna's Dance. His jazz guitar eloquence, diverse material, and ingenious guitar solos and ...
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