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What's New

What's New (1983) more music like this

by Linda Ronstadt & the Nelson Riddle Orchestra

Instead of trying to compete with a newer, fashion-conscious pop marketplace, Linda Ronstadt removed herself from the rat race, recording an album of traditional pop standards with Nelson Riddle. Ronstadt's voice isn't always showcased to a fine effect on these songs, but the record is an interesting change of pace. And it would have been more ...

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To Love Again: The Duets

To Love Again: The Duets (2005) more music like this

by Chris Botti

Trumpeter Chris Botti's To Love Again: The Duets picks up where his stellar 2004 release When I Fall in Love leaves off, with more gorgeously lush and heartfelt orchestral jazz via the London Session Orchestra. This time showcasing guest vocalists -- as well as a handful of instrumental tracks -- Botti takes an even more classicist approach than ...

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Round Midnight with Nelson Riddle and his Orchestra

Round Midnight with Nelson Riddle and his Orchestra (1986) more music like this

by Linda Ronstadt w/ Nelson Riddle & His Orchestra

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Lady Sings the Blues [Original Soundtrack]

Lady Sings the Blues [Original Soundtrack] (1972) more music like this

by Diana Ross/Original Soundtrack

Her biggest album as a solo act, Diana Ross forever ended any association with the Supremes after this film. She not only got an Oscar nomination and more roles, she really did capture the spirit and flavor, if not the sound and timbre, of Billie Holiday's music; her performance was the film's only saving grace. Ron Wynn, All Music Guide

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Blossom Dearie

Blossom Dearie (1956) more music like this

by Blossom Dearie

Other than a pair of sessions for the French Barclay label during 1955-1956, this set (which has been reissued on CD) has pianist-vocalist Blossom Dearie's first recordings as a leader. Teamed up with bassist Ray Brown and drummer Jo Jones, Dearie is heard in her early prime. Although her voice has always been an acquired taste, its sincerity and ...

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Compact Jazz: Sarah Vaughan

Compact Jazz: Sarah Vaughan (1954) more music like this

by Sarah Vaughan

The Compact Jazz budget series offers jazz newcomers an ideal way to sample some of best material from the post-bop years. The vocal titles are especially impressive, with nicely selected discs featuring Anita O'Day, Helen Merrill, Ella Fitzgerald, Dinah Washington, and Arthur Prysock. The Divine One, Sarah Vaughan, is appropriately given the best ...

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Easy to Love

Easy to Love (2006) more music like this

by Roberta Gambarini

Roberta Gambarini was a virtual unknown outside of Europe before coming to the United States and dazzling both seasoned jazz musicians and critics alike. Under the wing of Benny Carter for several years prior to his death in 2003, the Italian singer with an expressive, clear, and consistently swinging vocal style has seen her reputation spread ...

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Ballad of the Blues

Ballad of the Blues (1959) more music like this

by Jo Stafford

Jo Stafford's Ballad of the Blues is a concept album showcasing the influence of the blues through a story told in song, primarily in a pop setting with a full orchestra. Accompanied by her husband Paul Weston and his orchestra, along with the backing vocals of the all-male quartet the Starlighters, Stafford explores traditional fare such as "John ...

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Walk, Don't Run!

Walk, Don't Run! (2005) more music like this

by Johnny Smith

While the tune "Walk, Don't Run" was such a smash for the Ventures it became synonymous with their name, the version by its composer, jazz guitarist Johnny Smith, is well-worth a listen itself. This Roulette album taking its name from the song came out in 1954, after Smith had become well-established as a NBC Studios staff guitarist who could be ...

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Golden Hits [Mercury/PolyGram]

Golden Hits [Mercury/PolyGram] (1958) more music like this

by Sarah Vaughan

Concept work. Songs are certainly great, CD has six bonus cuts. Caveat is you can get it all elsewhere, in its rightful context. Ron Wynn, All Music Guide

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Songs That Got Us Through WW2, Vol. 2 (1994) more music like this

by Various Artists

Songs That Got Us Through WW2, Vol. 2 collects more early-'40s pop favorites like Dinah Shore's "You'd Be So Nice to Come Home To," Roy Rogers' "San Fernando Valley," and Johnny Mercer's "On the Atchison, Topeka and the Santa Fe." More overtly war-themed songs such as Buddy Johnson & His Orchestra's "When My Man Comes Home," Louis Jordan's "Ration ...

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Jazz a Saint Germain (1998) more music like this

by Various Artists

This compilation of jazz and pop with a Continental flair includes two of the most famous French female pop stars, Jane Birkin and Françoise Hardy, in duets with Jimmy Rowles and Iggy Pop, respectively. Elsewhere, great tracks are turned in by Angélique Kidjo, the Jazz Passengers with Debbie Harry, and Catherine Ringer & the Renegade Brass Band. ...

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The Essential Charlie Parker (1992) more music like this

by Charlie Parker

Another anthology that has less value due to the exploding reissue market. These cuts were among Parker's most influential compositions and performances, but they've been reissued many times, both in anthology packages and on re-releases of their original albums. But it's part of the Essentials sampler line, and if you only want a little Parker, ...

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Sketches on Standards (1953) more music like this

by Stan Kenton

This LP contains six Bill Russo arrangements, five from Stan Kenton, and one by Lennie Niehaus. The repertoire features many songs not associated with Kenton (such as "Sophisticated Lady," "Pennies from Heaven," and "Over the Rainbow"), but the inventive yet melodic treatments certainly sound like the Kenton band. The main soloists are altoist Lee ...

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Greatest Hits [RCA] (1928) more music like this

by Duke Ellington

Unlike some of the entries in RCA Victor's beginners' introduction to jazz CD series, this collection does contain quite a few "hits." Other than 1928's "I Can't Give You Anything but Love" and a 1967 rendition of "Lotus Blossom," the music on the set dates from 1941-46. The performances (available in more coherent and complete form elsewhere) are ...

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The Complete Decca Recordings (1944) more music like this

by Billie Holiday

Billie Holiday is heard at her absolute best on this attractive two-CD set. During her period on Decca, Lady Day was accompanied by strings (for the first time), large studio orchestras, and even background vocalists, so jazz solos from her sidemen are few. But her voice was at its strongest during the 1940s (even with her personal problems) and ...

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Living Proof (1979) more music like this

by Sylvester

Rockers who dismissed disco in general as cold and mechanical never seriously listened to Sylvester, a passionate, captivating singer who had a magnificent range and was consistently mindful of disco's soul and gospel roots. In the late '70s, disco-oriented artists generally shied away from live albums because of their lack of dance club appeal. ...

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Mystery Lady: Songs of Billie Holiday (1994) more music like this

by Etta James

The popular Etta James usually performs raunchy single-entendre blues so this surprisingly subtle outing is a real change of pace. She sounds quite laidback on a set of ballads associated with Billie Holiday and utilizes a jazz rhythm section led by pianist Cedar Walton plus three horn players including the great Red Holloway on tenor and alto. ...

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Sonny Meets Hawk! [9 Tracks] (1963) more music like this

by Sonny Rollins & Coleman Hawkins

This is a truly strange (but, ultimately, pretty great) conglomeration of material: tracks one through six comprise a tenor saxophone summit meeting of sorts between bebop master Sonny Rollins and pre-bop elder statesman Coleman Hawkins, with Paul Bley on piano, drummer Roy McCurdy and the bass chair alternating between Henry Grimes and Bob ...

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Ken Burns Jazz (2000) more music like this

by Billie Holiday

In conjunction with the release of Ken Burns' ten-part, 19-hour epic PBS documentary Jazz, Columbia issued 22 single-disc compilations devoted to jazz's most significant artists, as well as a five-disc historical summary. Since the individual compilations attempt to present balanced overviews of each artist's career, tracks from multiple labels ...

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Lady in Autumn: The Best of the Verve Years (1946) more music like this

by Billie Holiday

There are many jazz lovers, even dedicated ones, who cannot afford to part with the 150 dollars or so that the ten-disc Complete Billie Holiday on Verve commands, so this two-disc distillation will do very nicely as a detailed summary of her troubled, soulful Verve period. Set out in chronological order with a mighty overreaching sweep, this mini ...

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House Party (1957) more music like this

by Jimmy Smith

In 2000 when Blue Note upgraded 1958's House Party as part of the label's superior Rudy Van Gelder series, they augmented the title with a ten-plus minute driving blow of Charlie Parker's "Confirmation" as a well-chosen bonus track. Now the effort is bookended by some primal Bird, which was always a forte of the assembled coterie. In addition to ...

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Whisper Not (1966) more music like this

by Ella Fitzgerald

Whoever decided to put pianist Marty Paich and Ella Fitzgerald together in the studio in 1966 deserves a bit of credit for the great music on Whisper Not. Together, Fitzgerald and Paich deliver a dozen beautifully sung, carefully arranged standards. An orchestra tastefully backs Fitzgerald's vocals, offering cushy support without overdoing it. ...

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Swingin' Easy (1954) more music like this

by Sarah Vaughan and Her Trio

This Trip recording of Swingin' Easy has two of Sarah Vaughan's better jazz dates from her years on Mercury and EmArcy. Accompanied by just a trio (with Jimmy Jones or John Malachi on piano) rather than her usual string orchestra, Sassy really swings hard on some of these numbers. Highlights include "Shulie a Bop," "I Cried for You," "Prelude to a ...

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The Romantic Moods of Jackie Gleason (1996) more music like this

by Jackie Gleason

This is a fine compilation of Jackie Gleason's output for Columbia. Gleason's objective was to make "musical wallpaper" that should never be intrusive, but rather conducive. He was not musically literate, but never had a problem articulating what he wanted to hear from his orchestra. The music here is quiet, melancholy, and often somber, played at ...

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