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American V: A Hundred Highways
(2006)
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by
Johnny Cash
American V: A Hundred Highways is the long-awaited album of Johnny Cash's final recordings, the basic tracks for which (i.e., Cash's vocals) were recorded in 2002-2003, with overdubs added by producer Rick Rubin after his death on September 12, 2003, at age 71. Between 1994 and 2002, Cash and Rubin had succeeded in fashioning a third act for the ...
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Frank Sinatra's Greatest Hits, Vol. 2
(1972)
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Frank Sinatra
Much like its predecessor, Frank Sinatra's Greatest Hits, Vol. 2 is more effective as a portrait of Sinatra at a particular stage in his career than as a comprehensive collection. Like Greatest Hits, the album mainly consists of pop hits and songs pulled from movie soundtracks, adding in a pair of pop/rock hits for good measure. Although "My Way" ...
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A Single Woman
(1993)
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Nina Simone
Vocalist, composer and pianist Nina Simone returned from a lengthy self-imposed exile in 1993 with an autobiography and outstanding CD highlighting her still impressive singing and interpretative skills in an intriguing context, surrounded by strings and guitars. While the backdrops were lush and occasionally corny, Simone's deep, penetrating ...
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A Man Alone & Other Songs of Rod McKuen
(1969)
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by
Frank Sinatra
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My Way: The Best of Frank Sinatra [1 CD]
(1997)
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by
Frank Sinatra
Although there are many who feel that Frank Sinatra's greatest material was recorded in the 1950s, there are others who hold that his best studio singing really came during his time with Capitol and with his own label, Reprise, in the '60s and '70s. It is probably an unsolvable debate, but as this 24-track set of key cuts from his Capitol and ...
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Bobby Sherman/Portrait of Bobby
(2001)
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Bobby Sherman
In 2001, Collectables released Bobby Sherman/Portrait of Bobby, which combined two albums by teen heartthrob Bobby Sherman on one compact disc: Bobby Sherman (1969, originally issued on CBS) and Portrait of Bobby (1971, originally on Metromedia). Tim Sendra, All Music Guide
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The Best of the Decca Years
(1998)
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by
The Kingston Trio
By the time the Kingston Trio ended up on Decca in early 1964, they were already established stars of the folk music set. But as a commercial entity, they had arguably peaked, losing original member Dave Guard and replacing him with John Stewart. But the group soldiered on for four more studio albums and the best of it is collected here on this 16 ...
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Golden Classics: Arizona/Silverbird
(1996)
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by
Mark Lindsay
A 21-song collection drawn from the Arizona and Silverbird albums. The material is quite pop-oriented, and very pretty pop music -- there's not much rock here apart from "Arizona" and "Silverbird," and there are lots of string and brass sections at work, but Lindsay's voice is an extremely expressive instrument, and he gives some powerful ...
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One More Round
(1964)
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by
Glenn Yarbrough
For his second RCA Victor long-player, former Limeliter Glenn Yarbrough is accompanied by conductor/arranger Perry Botkin Jr. on a dozen sides following closely in the style of his previous outing, Time to Move On (1963). Again, the vocalist lends his distinct tenor to a variety of selections -- including a trio of Rod McKuen offerings and another ...
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Greatest Hits
(2003)
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by
Rod McKuen
Oh my. This has to be the largest Rod McKuen's "greatest-hits" package ever assembled. No; it's not that he didn't have them. Who could forget the croaking glory of his voice in "I'll Catch the Sun," or his turgid collaboration with French Schlockmeister Francis Lai on "I Think of You"? But then there are his wonderfully honorable tunes, the ones ...
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October's Hill
(2000)
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by
Bill Staines
Combining beautifully crafted originals with a handful of well-chosen covers, Bill Staines' 22nd album is rife with the kind of warm vocals and endearing tales that we've come to respect from the folk master. Staines has always been the author of songs that quickly grow on his listeners, and tracks like "Old City Jail" with themes of hard labor, ...
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Arizona [Collectables]
(2003)
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by
Mark Lindsay
Collectables Records' ten-track, budget-priced 2003 Mark Lindsay compilation album Arizona is not to be confused with Lindsay's 1970 regular Columbia Records LP of the same title. Nor is it to be confused with Sony Music Special Products' 1998 compilation Arizona and Other States of Mind, even though it shares eight out of ten tracks with that ...
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The Rod McKuen Collection 1956-1994
(1990)
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by
Rod McKuen
The Rod McKuen Collection 1956-1994 is an inexpensive box set that packages together five CDs that are otherwise available individually: At Carnegie Hall, Speaking of Love, At the Movies, The French Connection, and Early Harvest. The collections are unusually well done by Laserlight's standards; each disc has a generous number of original ...
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The Kingston Trio (Nick-Bob-John)
(1965)
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The Kingston Trio
The Kingston Trio spent their most influential years, 1958-64, on Capitol Records and, in fact, even many fans may not realize that they subsequently jumped to Decca Records for the final three years of the original group's history. This, their Decca debut, demonstrates that their abilities were undiminished amid the British Invasion. Indeed, The ...
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Country Love [Spectrum]
(2001)
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by
Various Artists
Country Love features a number of popular country artists performing some of their better-known ballads. There's no shortage of highlights here, for sure. Some of the more noteworthy moments include Kenny Rogers & the First Edition's "But You Know I Love You," Patsy Cline's "True Love," Johnny Cash's "I Love You Love You," and Loretta Lynn's ...
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The Greatest Hits
(2001)
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by
Foster & Allen
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Arizona
(1970)
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by
Mark Lindsay
When Mark Lindsay of Paul Revere & the Raiders fame made his solo debut in 1969, he explained that the album did not reflect "a change in [his] musical tastes, but rather an extension of them." Arizona, produced by Jerry Fuller, moved in the direction of adult pop, with songs by John Denver ("Leaving on a Jet Plane") and Rod McKuen ("Love's Been ...
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Love Songs [1995 Laserlight]
(1995)
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by
Various Artists
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For the People in the Last Hard Town
(1973)
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by
Tom T. Hall
There are many listeners who hate "I Love." At the height of the song's popularity, it was probably responsible for nearly as many incidents of rapid station-changing as the name "Jesus." That "I Love" was such a huge hit for Tom T. Hall, perhaps his biggest affair with the hit parade ever, shouldn't really be that hard to reconcile with the sheer ...
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Let It Be
(1969)
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by
Bud Shank
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