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Brian Wilson

Brian Wilson (1988) more music like this

by Brian Wilson

Brian Wilson's first solo album created a good share of media hoopla upon its release. This was not necessarily because of the music, but simply because his very existence -- or, at least, proof of his existence via his first fully engaged recording project in about a decade -- was greeted as a cause for celebration. Although it did not shift tons ...

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Just Say Sire: The Sire Records Story

Just Say Sire: The Sire Records Story (2005) more music like this

by Various Artists

Asking a dozen music fans about their impressions of Sire, a label founded by Seymour Stein and Richard Gottehrer in 1966, would likely yield several dissimilar responses. Sire was the label to boost American punk bands like Ramones, Talking Heads, and Richard Hell & the Voidoids, only to call them new wave in an effort to make them seem less ...

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Making God Smile

Making God Smile (2002) more music like this

by Various Artists

A gaggle of alternative CCM artists cover the music of the Beach Boys -- that sunniest of pop groups -- with unpredictable results that, surprisingly, tend toward the tastes of record collectors, as well as inspirational audiences. For one thing, executive producers Steve West and Tony Shore amply display their familiarity with what made the Beach ...

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Live at the Roxy Theatre

Live at the Roxy Theatre (2000) more music like this

by Brian Wilson

As if to emphasize that Brian Wilson is really in charge of his solo career, Live at the Roxy Theatre, his first live solo album, begins with him instructing to his band and halting a false start before launching into "The Little Girl I Once Knew." And the choice of that leadoff song, a relative commercial disappointment in 1965, alerts listeners ...

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New Dawn

New Dawn (2008) more music like this

by Libera

In the same way that the Kronos Quartet redefined the chamber quartet as a classical crossover concept, Robert Prizeman's Libera attempts to chart a new course for the traditional boys choir sound. Gathering boys seven to 14 from South London schools, Prizeman has molded them and employed them to perform his own adaptations of classical themes and ...

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