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The Best of Clarence Carter: The Dr.'s Greatest Prescriptions [Koch]
(2001)
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Clarence Carter
Bawdy Clarence Carter at his braggadocios best. These 13 tracks include the edited single version of "Strokin'" and the unedited, long, and dirty (six minutes and 23 seconds) rendition. Other double entendres and nastys are "Grandpa Can't Fly His Kite," "I'm Not Just Good, I'm the Best," and "Dr. CC." The rest feature Carter displaying his ...
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Messin' with My Mind
(1985)
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Clarence Carter
Light, humorous Southern soul from Clarence Carter, who can sing with passion when he wants to, as evidenced by "So You're Leaving Me," and can also get his groove on with speedier numbers like "Fast Young Lady" and "It Ain't What You Do." A rap introduces Spooner Oldham and Dan Penn's "Wrong Too Long," and the lyrics of "I Was in the Neighborhood ...
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Talk to Me
(2003)
by
Barbara Carr
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Let's Pick It
(1984)
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by
Eddie C. Campbell
Recorded while Eddie Campbell was on a European sojourn that lasted a decade or so, this disc, cut back in 1984 for Black Magic with an overseas combo, is a very convincing effort mixing Campbell's own "Cold and Hungry," "Dream," and "Messin' with My Pride" with songs by Albert King, Jimmy Reed, Jimmie Lee Robinson, and Magic Sam. Bill Dahl, All ...
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She Knocks Me Out!
(1985)
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by
Anson Funderburgh & the Rockets
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Texas Blues Guitar
(1997)
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by
Various Artists
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Up a Lazy River
(1999)
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by
Sidney Bechet
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An Introduction to Magic Sam
(2007)
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Magic Sam
Magic Sam waxed some fantastic sides in his tragically short career, and they've been anthologized many different ways. An Introduction to Magic Sam is Fuel 2000's (newest) version, and collects tracks from his early years recording for the Cobra and Chief labels with an extra mid-'60s Crash single thrown in for good measure. It's a solid ...
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Mercy!
(1997)
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by
Marla BB
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With a Feeling 57-67: The Cobra, Chief & Crash Recordings
(2001)
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by
Magic Sam
This set basically apes the Fuel 2000 set issued in 2001 and the Paula set from 1999 but adds a few tracks -- six to be exact -- from early 1967, making it identical to the P-Vine collection from Japan released in 2003. In other words, these recordings that Magic Sam made between the years of 1956-1967 are pure, unadulterated Chicago blues gold. ...
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Midnight Blues
(2004)
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by
Smokey Hogg
Texas bluesman Andrew "Smokey" Hogg's greatest talent was his dogged persistence, since he couldn't keep a steady rhythm to save his life, and paired as he usually was with professional rhythm sections who were understandably baffled by Hogg's sonic detours, it is truly a miracle that he recorded as much and as long as he did. Calling Hogg's style ...
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Strike Two
(2003)
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by
Allan Vache Big Four
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Blind Boy Fuller, Vol. 2
(2006)
by
Various Artists
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Doctor of Love
(2001)
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by
The Love Doctor
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Easy Baby
(1990)
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by
Magic Sam
Here are all the issued recordings Magic Sam made between his debut on Cobra in 1957 all the way up to just before signing with Delmark and releasing the epochal West Side Soul album. In addition to Cobra masterpieces like "All Your Love" and the title track, it also includes "Magic Rocker" and "Love Me This Way" (both not originally issued as ...
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Tribute to Magic Sam
(1997)
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by
Various Artists
A tribute to Magic Sam Maghatt assembles three separate bands, two of which are fronted by musicians who played with the legendary Chicago blues guitarist in the fifties and sixties. The disc encompasses songs either written by or associated with the West Side Soul of Magic Sam. Highlights include Magic Slim (christened with that moniker by Magic ...
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Bob Wilber and His Famous Jazz Band
(1949)
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Bob Wilber
This LP brings together two related sessions. Bob Wilber (doubling on clarinet and soprano), who had first recorded two years earlier with his youth group (the Wildcats), was 21 at the time and Sidney Bechet's protege. Wilber is teamed up with pianist Dick Wellstood and a variety of top veterans (trumpeter Henry Goodwin, trombonist Jimmy Archey, ...
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Out of Bad Luck: The Cobra, Chief & Crash Sessions, 1957-1966
(2003)
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by
Magic Sam
A striking tremolo-driven guitarist with a more than competent vocal presence, Mississippi-born Magic Sam hit Chicago in 1950, but instead of falling in with the predominate Chicago blues style of the era, he veered more to the R&B side of things and became a major player in Chicago's so-called West Side Sound. His debut release for Cobra Records, ...
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