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Lotte Lenya Sings American & Berlin Theater Songs of Kurt Weill
(1988)
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Lotte Lenya/Maurice Levine/Roger Bean
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September Songs: The Music of Kurt Weill
(1997)
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by
Various Artists
German-born composer Kurt Weill's music has aged quite well through the years and has been rediscovered and reinterpreted by such diverse artists as Louis Armstrong, Bobby Darin, Willie Nelson, the Doors, and Teresa Stratas. Just prior to the 70th anniversary of the classic Three Penny Opera, which made its debut in 1928, producer Hal Wilner, who ...
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Complete A Capella Sessions
(2006)
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by
The Singers Unlimited
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Broadway: The American Musical
(2004)
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by
Various Artists
This five-CD box set, containing 106 tracks and running six-and-one-third-hours, is an audio companion to the six-part PBS documentary series Broadway: The American Musical, but not the soundtrack to that series. Rather, it is a sampler covering 84 years of recordings and 99 years of show tunes. One song has been chosen from each of 102 musicals. ...
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What Kind of Fool Am I and Other Show-Stoppers [Reprise/Collector's Choice]
(1962)
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by
Sammy Davis, Jr.
After scoring some significant notice on Sammy Belts the Best of Broadway (1962), Sammy Davis, Jr. (vocals) returns to the Great White Way for inspiration and material. Containing a dozen show tunes, What Kind of Fool Am I (1962) would go on to become one of Davis' most revered and highest-charting long-players during the 1960s. Under the ...
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Broadway Unplugged, Vol. 1
(2007)
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by
Various Artists
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On the Street Where You Live/The Liveliest
(2003)
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by
Vic Damone
While Vic Damone was always a pleasant and talented singer, he wasn't particularly hip or jazz-influenced in the way Frank Sinatra was. That said, he always surrounded himself with excellent musicians and swinging arrangements that made the best of his abilities. EMI's two-fer On The Street Where You Live/The Liveliest combines two of Damone's ...
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A I Wish It So
(1995)
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by
Dawn Upshaw
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God Bless the Child [Bonus Track]
(2002)
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by
Kenny Burrell
Kenny Burrell's guitaristry is well-documented in his years with Oscar Peterson and on his first dates as a leader on the Blue Note label, but God Bless the Child, his only date for CTI in 1971, is an underheard masterpiece in his catalog. Burrell's band for the set includes bassist Ron Carter, percussionist Ray Barretto, Richard Wyands on piano, ...
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Havana Candy
(1977)
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by
Patti Austin
CTI was having its troubles financially at the time. They recycled arrangements for all their artists and limited their budgets. Austin sang this undistinguished material with as much conviction as she could muster, but the general pallid air lingering over the production also affected her vocals. Ron Wynn, All Music Guide
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My Kind of Broadway
(1965)
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by
Frank Sinatra
Pieced together from a variety of sessions and soundtracks, My Kind of Broadway is an uneven record, featuring a handful of gems among a bunch of competent, but undistinguished performances. Most of the songs -- from "Luck Be a Lady" and "Hello, Dolly!" to "I'll Only Miss Her When I THink of Her," "They Can't Take That Away From Me," "Yesterdays," ...
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Stolen Moments: Tin Tin Deo/Moon and Sand
(2002)
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by
Kenny Burrell
Two Concord LPs by Kenny Burrell from the late '70s, Tin Tin Deo and Moon and Sand are featured in their entirety on this two-CD reissue. The first session finds the guitarist in a rather subdued setting, with bassist Reggie Johnson and drummer Carl Burnette. Highlights include a slow, simmering "Tin Tin Deo" and his boppish blues "The Common ...
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Forty Years: The Artistry of Tony Bennett
(2003)
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Tony Bennett
When this impressive box set was first released in 1991, it put the capstone upon Tony Bennett's remarkable return to prominence by looking back at a legacy that had been overshadowed by that of the colossus Sinatra. The collection methodically traces his career from his first Columbia record, "Boulevard of Broken Dreams," in 1950, through the hit ...
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Strange Weather
(2004)
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by
Jack Donahue
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At Carnegie Hall June 9, 1962: Complete Concert
(1997)
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by
Tony Bennett
This two-CD set is recorded concert performance at its best. Originally recorded in 1962, Tony Bennett at Carnegie Hall is a testament to Bennett's live vocal ability. Backed by the Ralph Sharon Orchestra, Bennett moves far beyond his standard musical catalogue. Along with standards like "I Left My Heart in San Francisco" and "Just in Time," ...
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Magic Voices
(1998)
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by
Singers Unlimited
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The Essence of Frank Sinatra [Sony]
(1994)
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by
Frank Sinatra
The Essence of Frank Sinatra is a 12-track budget-priced collection that culls highlights -- not necessarily hits -- from Sinatra's early years at Columbia. There are several classic moments here ("Nancy," "The Coffee Song," "I've Got a Crush on You," "Autumn in New York"), but the selection is too haphazard to make the collection a good ...
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Good Vibes For Kurt Weill
(1977)
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by
Warren Chiasson
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Mighty Lights
(1982)
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by
Jane Ira Bloom
This was, in a way, soprano saxophonist Jane Ira Bloom's debut, in that it was the first of her albums to be put out by a label she did not herself own -- her first two records were self-produced. Even at such an early stage in her development one can hear the attention to craft that would always characterize her work, though her skills at this ...
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Mr. Spock's Music from Outer Space
(1967)
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by
Leonard Nimoy
No television series has ever enjoyed success equal to the original Star Trek. This fanaticism has turned off many to anything involving the series, but what they are missing can be truly entertaining. Leonard Nimoy's first solo album is a prime example; his serious tone and refusal to break character makes this a first rate experiment in comedy. ...
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Art & Aviation
(1992)
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by
Jane Ira Bloom
Art & Aviation is not only one of Jane Ira Bloom's finest albums, it is also a remarkably successful (and fairly early) attempt to bring electronic influences to bear on acoustic jazz. Bloom's writing is strongly infused with a straightahead jazz aesthetic. But she veers left on many cuts, altering her soprano sax sound with live electronics and ...
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Here's to the Miracles
(1996)
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by
Vince Jones
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Moon and Sand
(1979)
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by
Kenny Burrell
This is a surprising release from Kenny Burrell, for the veteran guitarist plays half of the selections on acoustic guitar and does a very effective job giving a bossa nova rhythm (a la Laurindo Almeida and Charlie Byrd) to some of the tunes. The CD reissue, which also features bassist John Heard, drummer Roy McCurdy and percussionist Kenneth Nash ...
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O Moon of Alabama: Historische Aufnahmen 1928-1944
(1994)
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by
Kurt Weill
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Naked Beauty
(2004)
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by
Patricia O'Callaghan
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