The Best of James Taylor [2003] (2003) more music like this

by James Taylor

To compile a comprehensive one-disc best-of James Taylor album is a daunting task in and of itself. To compile it from material from three labels is a gutsy thing for David McLees and Warner Bros. to do and expect to make fans -- let alone pompous critics (no exception here) -- happy. Over 20 tracks, Warner has succeeded -- with full cooperation ...

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Finger Paintings (1978) more music like this

by Earl Klugh

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The Best of Earl Klugh, Vol. 1 (1991) more music like this

by Earl Klugh

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Music for Lovers (2006) more music like this

by Earl Klugh

Music for Lovers is a nice 12-track collection that covers several of Earl Klugh's laid-back, romantic tunes recorded for Blue Note Records, including "If You're Still in Love With Me," "Long Ago and Far Away," and "Livin' Inside Your Love." Though it isn't a comprehensive retrospective of his greatest hits, Music for Lovers is a decent ...

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Romantic Nights (2001) more music like this

by David Osborne & Robin Spielberg

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Sweet Baby James/Mud Slide Slim and the Blue Horizon (1971) more music like this

by James Taylor

Warner Brothers combined two of James Taylor's best albums, Sweet Baby James and Mud Slide Slim and the Blue Horizon, on one cassette in the early '80s. The heart of James Taylor's appeal is that you can take him two ways. On the one hand, his music, including that warm voice, is soothing; its minor key melodies and restrained playing draw in the ...

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Fire & Rain (1998) more music like this

by Common Ground

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Sketches of James (2001) more music like this

by Various Artists

Jazz tributes to pop and rock giants continue to crop up, and they always walk an uncomfortable tightrope between artistic exploration and commercial palatability. Sure enough, that tension plays itself out on producer Tim Weston's polyglot tribute to James Taylor. (In 1997 Weston similarly took on the work of Brian Wilson, much as Bob Belden has ...

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Tim Weisberg (1971) more music like this

by Tim Weisberg

Tim Weisberg plays pleasant instrumental pop music. This, his debut recording, establishes his mellow style, staying primarily in the lower registers of the flute, embellished with alto and bass flutes. His improvisations rarely stray far from the melody or betray much imagination. Consequently, the listener hoping to find another Herbie Mann will ...

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Ashes to Ashes (1972) more music like this

by Ronnie Stoots

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