Your search: Music » Song title: Lonesome Tears [Holly]
(12 matching music titles)
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Sugar Shack
(1963)
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Jimmy Gilmer & the Fireballs
Issued in the wake of the number one title track, Sugar Shack is light, inoffensive, and, for the most part, insubstantial late-period Tex-Mex rockabilly. There's not much original material, although Fireballs guitarist George Tomsco co-wrote "I Wonder Why." The influence of Buddy Holly is pervasive (his "Lonesome Tears" and "Little Baby" are ...
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Runaway Boys
(1997)
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Stray Cats
Recall's Stray Cats compilation Runaway Boys, not to be confused with EMI's superior Runaway Boys: A Retrospective '81-'92 is a two-disc collection that features tracks from 1994's over-produced comeback album Choo Choo Hot Fish and 1996's collection of rockabilly covers Original Cool on disc one, and an eighteen track live set on disc two. This ...
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Dear Companion
(1995)
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Carolyn Hester
Two-CD, 60-song compilation of 1960s recordings including both of her Columbia albums, her 1965 Dot album That's My Song, a couple of 1962 cuts ("My Love Is a Rider" and "Gregorio Cortez") whose initial release is unhelpfully unidentified in the liner notes, her two 1966-67 folk-rock Columbia singles, and no less than 18 Columbia outtakes and ...
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The Best of the Fireballs' Vocals
(1995)
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The Fireballs
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The Singles +
(2001)
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by
Buddy Holly
This collection starts deeper and more interesting than its title would lead one to expect, and for 29 of its 45 songs, it's also wonderfully enjoyable. Assembling all of the Buddy Holly singles and B-sides issued in America and Europe between April of 1956 and September of 1964, it covers Holly's music and career the way the ordinary listener ...
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Single Collections
(2003)
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by
The Crickets
The Crickets will always be best known as Buddy Holly's backup band, but they had a long, if somewhat less successful career on their own following Holly's death in 1959. This collection is somewhat confusing since it splits things between classic Crickets tracks with Holly and later pieces without him (when for all practical purposes, they were a ...
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Sugar Shack/Buddy's Buddy
(1997)
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Jimmy Gilmer & the Fireballs
This import two-fer collects the Dot albums Sugar Shack (1963) and Buddy's Buddy (1965) on one CD. Sugar Shack includes the title track, a giant hit for Gilmer, and mostly covers of others' hits, rendered as slightly more rock-oriented teen idol pop. Buddy Holly's "Lonesome Tears" was recorded for both albums, but the earlier version on Sugar ...
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Love Songs
(1981)
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Buddy Holly
A 20-song compilation of Buddy Holly's more romantic ballads. (Reissued in 1982 by Music For Pleasure under the title 20 Love Songs.) William Ruhlmann, All Music Guide
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From These Hills
(1996)
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Carolyn Hester
On her first newly recorded album since 1986's Warriors of the Rainbow, Carolyn Hester sums up her life and career so far and looks to the future. "Flatlands of Texas," one of five songs she wrote herself, comments autobiographically on her childhood. Buddy Holly's "Lonesome Tears" recalls one of her early musical associations, and Richard Farina ...
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Remember
(1971)
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Buddy Holly
Remember was the last of the posthumous Buddy Holly albums to grace record stores before the revival of interest in his work that swept a new generation, comprised of millions of new listeners, into his orbit and provided the impetus for the wave of historical reissues that followed over the next thirty years. Not surprisingly, as with those early ...
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Fine and Dandy: The Complete Recordings
(2004)
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by
Everpresent Fullness
The story of the Everpresent Fullness is one of record company politics, missed opportunities, and -- above all -- good music. Rev-Ola's Fine and Dandy: The Complete Recordings presents the music as the band intended for the first time, and in the process unearths a darn good group that played a high-energy blend of folk, jug band, and pop music ...
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That'll Be the Day/Remember
(2002)
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Buddy Holly
This disc is an interesting pairing, combining the contents of two LPs from opposite ends of the efforts to tap into Buddy Holly's catalog. That'll Be the Day, released in April of 1958, was Decca Records' first attempt to give a boost to the available Buddy Holly material, assembling 11 of the songs that he'd cut for the label during his four ...
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