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Second Wind/Keeper of the Flame
(2002)
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by
Delbert McClinton
This two-fer represents both albums Delbert McClinton cut for Capricorn Records, which was to close its doors for the first time in 1979. Esteemed producer Johnny Sandlin was on board for both recordings and brought unique touches to each. On Second Wind he brought the entire Muscle Shoals rhythm and horn sections from Alabama to Macon and ...
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Steaming Hot
(2004)
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by
Monty Alexander
Steaming Hot serves as an appropriate title for the repackaging of two of pianist Monty Alexander's albums from 1985 and 1995, Full Steam Ahead and Steamin'. Both are trio sets, the first with bassist Ray Brown and drummer Frank Gant, the latter with bassist Ira Coleman and drummer Dion Parson, and serve as a complementary pair. These nice, spare ...
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Organ-Ized: All-Star Tribute to the Hammond B3 Organ
(2000)
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by
Various Artists
High Street/Windham Hill's Organ-Ized is nothing less than a salute to the classic Hammond B3 organ by some of the preeminent mainstream practitioners of the instrument in the late '90s. Surprises are hardly the modus operandi here -- it's all soul-jazz, performed with love but not a lot of risk. While this might not showcase the idiosyncrasies of ...
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Rowena Said...
(1999)
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by
Doņa Oxford
This is a keyboard-dominated blues disc, which makes sense, as Doņa Oxford is a keyboard player who has toured with Shemekia Copeland's (daughter of the late Texas blues guitar legend Johnny Copeland) band. Her playing is very strong and she and her chosen instrument push the band along to great levels of energy. She comes from a musical family ...
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Natasha
(1990)
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by
Natasha
Chesky Records was best known for jazz and classical in the early 1990s, but the New York label dabbled in New Orleans-influenced R&B, roots-rock and blues with this little-known CD by singer Natasha Turner (who simply went by Natasha). This isn't strictly a blues album -- most of the tunes don't have a 12-bar blues structure -- but because it's ...
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The Complete Trix Recordings
(2003)
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by
Robert Lockwood Jr.
The Savoy Jazz issue of Robert Lockwood Jr.'s legendary Trix recordings is a gift for anyone interested in the immediacy of raw, wide-open blues with no regard for convention or trend. Lockwood's music could have been recorded anytime between 1950 and the present. His production techniques are plaintive and serve to equalize everything at the same ...
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The Rich Records Story
(2007)
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by
Various Artists
In the 1950s, John R. Richbourg was a disc jockey at Nashville's WLAC, then one of the biggest R&B radio stations in the South, and like many successful disc jockeys of the day he decided to put his knowledge and reputation to use and started a record company. Rich Records only lasted a few years in the early '60s, but they managed to put out a ...
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The Louisiana Tradition
(1999)
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by
Rod Bernard
Rod Bernard is one of the few Louisiana swamp pop musicians to have ever made the hit parade. His record, "This Should Go on Forever," made the Top 20 chart in 1959 and won the young musician an appearance on American Bandstand. Popular hits may come and go, but Bernard's position as one of the driving forces in the idiom has remained a constant. ...
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Southern Roots/Boogie Woogie Country Man
(2004)
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by
Jerry Lee Lewis
Raven Records have done it again, pairing of two of Jerry Lee Lewis' best albums of the '70s into one hot CD, well over an hour of pounding, rippling rock & roll, with salaciousness and a sense of humor to spare. Some of what's here is laugh-out-loud funny and a lot else is openly lewd, but Lewis keeps the ivories so busy -- in tandem with an ...
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Driven by the Blues
(2000)
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by
Jimbo Ross
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Bootleg
(2007)
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by
Downchild Blues Band
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Toot Blues
(2006)
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by
Guitar Gabriel & the Brothers in the Kitchen
One thing that serious blues collectors absolutely love is obscurity; they love to find a recording by an obscure, little-known bluesman and tell other blues collectors about it. There is nothing wrong with looking for recordings by obscure bluesmen as long as they are good, solid recordings, and Toot Blues is a good, solid recording. Guitar ...
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25 Years of Stony Plain
(2001)
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by
Various Artists
Canada's Stony Plain Records specializes in roots rock, folk, country and blues. This two-disc sampler indicates the quality of their catalog, including fine tracks from artists as diverse as Steve Earle,Ian Tyson, Doug Sahm, the Holmes Brothers, Lowell Fulson, and Professor Longhair. Steve Leggett, All Music Guide
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Houston's Third Ward Blues
(2006)
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by
Joe Doucet
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Sixties Downunder, Vol. 1
(1997)
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by
Various Artists
Raven Records' ambitious four-volume Sixties Downunder series, which collects singles released between 1964 and 1970 by Australian and New Zealand pop bands, is a Nuggets for the Fosters crowd, and illustrates once again how pervasive the Beatles and the other British Invasion groups were in a post-1963 world. Nothing here puts a revelatory new ...
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Verité
more music like this
by
Earl Seratte & the Blues Kings
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Southern Roots
(1974)
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by
Jerry Lee Lewis
Southern Roots is commonly acknowledged as Jerry Lee Lewis' comeback, or at least his last great gasp. And, to a certain extent, that prevailing opinion is correct, since after this 1974 release, the quality of the Killer's releases fluctuate, but this attitude also implies that the Mercury records that preceded it were weak, which they were not ...
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Memories
(2008)
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by
Johnnie Allan
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I Got to Make This Money, Baby
(2008)
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by
Eddie Taylor Jr.
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6 Blues Giants Live, Vol. 1 [6 Discs]
(2007)
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by
Various Artists
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Best of the Liverpool Five
(2008)
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by
Liverpool Five
First off, the Liverpool Five weren't from Liverpool, although they were British and they played the same tough German and U.K.R&B clubs as the Beatles and the rest of the so-called British Invasion groups from the early 1960s. The Liverpool Five went a step further, though, and actually relocated to the United States in 1965, landing in Spokane, ...
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Back on Track
(2007)
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by
Van Broussard
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Dave Berry/One Dozen Berrys
(2004)
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by
Dave Berry
This CD is a wonderful surprise from Beat Goes On. Not that Dave Berry didn't deserve the reissue of his first two albums, but neither Dave Berry nor its follow-up, One Dozen Berrys, was remotely the best album -- or even among the better albums -- to come out of the mid-'60s British beat boom. Berry's heart was in the right place when it came to ...
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