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Blues Spoken Here
(1998)
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by
Dave Specter & Lenny Lynn
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Classic Blues from Smithsonian Folkways, Vol. 2
(2003)
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by
Various Artists
Like the first volume, this brings together a lengthy single-disc program of blues of various shades from the vaults of Folkways. Most, though not all, of these 22 tracks are acoustic, with acoustic guitar blues being well represented with selections from Leadbelly, Pink Anderson, Son House, Honeyboy Edwards, Big Bill Broonzy, Lightnin' Hopkins, ...
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Nothin' But the Blues
(1983)
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by
Joe Williams
Sticking to blues, Joe Williams is in prime form on this special session. His backup crew includes such all-stars as tenor-saxophonist Red Holloway, organist Brother Jack McDuff and (on alto and one lone vocal) the great Eddie "Cleanhead" Vinson. The many blues standards are familiar but these versions are lively and fresh. Scott Yanow, All ...
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Cleanhead & Cannonball
(1988)
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Eddie "Cleanhead" Vinson With the Cannonball Adderley Quintet
A plethora of "lost" recording dates have popped up since the dawn of the compact disc, especially in the jazz world. Unfortunately, most of them haven't been worth the wait and, indeed, as underwhelming as some of them have been, it might -- at least aesthetically speaking -- have been better had they not been unearthed. Happily, this isn't one ...
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The Folkways Years: 1959-1973
(2000)
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by
Memphis Slim
These 21 tracks, selected from the recordings Memphis Slim did for Folkways, tend to be in solo piano or sparsely accompanied arrangements, as one would figure since Folkways was a traditionally oriented label. Still, it doesn't sound like a forced or awkward attempt to steer the pianist toward an outdated approach. It's just on the quiet and ...
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Waiter, Ask the Man to Play the Blues
(2004)
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by
Freddy Cole
Freddy Cole may not have been as well known or quite as gifted as his brother Nat, but that doesn't mean he's not a brilliant singer and pianist. This 1964 date for Dot, with bassist Milt Hinton, Sam Taylor on tenor, Osie Johnson on drums, and alternating guitarists Barry Galbraith and Wally Richardson, is a case in point. This is Cole just ...
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Roots
(1962)
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by
Jimmy Witherspoon
Jimmy Witherspoon laid out two great records in 1962 on Reprise, Spoon and this one. Roots places the great blues singer and guitarist in the company of saxophonist Ben Webster, trumpeter Gerald Wilson, and a rhythm section consisting of pianist Ernie Freeman and drummer Jim Miller. The mood is laid-back, down-home, and full of emotion and ...
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Big Blues
(1981)
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by
Jimmy Witherspoon
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Amsterdam Live Concerts 1953
(2006)
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by
Big Bill Broonzy
There's no shortage of live and studio recordings from Big Bill Broonzy's European appearances during the '50s -- if not as common as Sonny Terry and Brownie McGhee live sets, they are out there. That said, this two-CD set is still a dazzling addition to Broonzy's discography, on technical as well as musical grounds. It not only captures him on ...
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Best of Big Bill Broonzy
(2004)
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by
Big Bill Broonzy
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Boppers and the Blues
(2003)
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by
Various Artists
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Blues Legends in London
(2003)
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by
Various Artists
In many respects, England was a more hospitable home for the blues in the mid-/late-1950's than America was -- where even labels such as Chicago's Chess usually limited their blues LPs to collections of singles. In England it was possible for artists such as Big Bill Broonzy, Josh White, and Sonny Terry & Brownie McGhee to record entire LPs while ...
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Blues Singer
(2003)
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by
Various Artists
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Legends of the Blues
(2000)
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by
Jimmy Witherspoon & Champion Jack Dupree/Eddie Cleanhead Vinson
This slightly odd three-disc set collects work from Jimmy Witherspoon, Champion Jack Dupree, and Eddie Cleanhead Vinson, giving each artist a disc each. Each disc has its merits, and Witherspoon's in particular includes many of his finest recordings. Bill Dahl provides excellent liner notes, but one gets the feeling that Legends of the Blues isn't ...
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Chicago Calling
(1999)
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by
Big Bill Broonzy
Before the rise of Muddy Waters in the 1940s, no artist was more important to the Chicago blues than Big Bill Broonzy. His roots were the country blues of the Mississippi Delta, but when he moved to the Windy City, the singer/guitarist developed a tougher, more muscular and robust approach that had a major impact on Waters and many other Chicago ...
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Complete Recorded Works, Vol. 12 (1945-1947)
(1995)
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by
Big Bill Broonzy
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Complete Recorded Works, Vol. 8 (1938-1939)
(1992)
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by
Big Bill Broonzy
Big Bill Broonzy's popularity continued to rise during the five months covered by this CD (the eighth of 11) in Document's "complete" Broonzy series. In addition to 21 studio sides (five previously unissued) made in Chicago, Broonzy is heard performing "Done Got Wise" and "Louise, Louise" at John Hammond's "Spirituals to Swing" concert at Carnegie ...
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Harmonica Man: Anthology
(2003)
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by
Paul Lamb & The King Snakes
Harmonica Man: Anthology is the first compilation that covers Paul Lamb's entire recording career. This two-CD set collects tracks recorded with the Blues Burglars in the mid-'80s on the Blues Burglars Whoopin' sessions, and material Lamb recorded with his ever-changing lineup, the the King Snakes. His 1994 UK chart single, "Harmonica Man," and ...
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Golden Greats: Greatest Blues
(2002)
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by
Various Artists
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She's a Killer
(1996)
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by
Paul Lamb & the King Snakes
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Slowburn
(1997)
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by
Various Artists
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Where the Blues Began
(2000)
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by
Big Bill Broonzy
Where the Blues Began is an excellent compilation of Big Bill Broonzy's greatest sides from the early to middle years. This Recall set assembles 40 tracks ranging from the late '20s to the late '40s. While sound quality is a little dodgy, it is at least as good as some of the Robert Johnson and Son House sides to be issued officially. In addition ...
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On Tour in Britain, 1952: Live in England and Scotland
(2002)
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by
Big Bill Broonzy
There are plenty of Big Bill Broonzy albums on the market, but this one is definitely a little special, as it's taken from his first trip to England, where a small but enthusiastic group of fans saw him play on tour. For most, it was their first live exposure to real American blues, certainly of the Mississippi Delta variety, and Broonzy didn't ...
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Everyday I Have the Blues
(1957)
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by
Joe Williams/Count Basie
Joe Williams had enlivened the Count Basie band for so long that it was natural for Basie and company to return the favor on his 1959 solo LP for Roulette. And with a trio of Basie arrangers -- Frank Foster, Ernie Wilkins, Thad Jones -- providing charts for a rather small group here, the results are excellent. Williams focuses in by opening with ...
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