Starring Fred Astaire [Columbia] (1989) more music like this

by Fred Astaire

This 36-track album traces Fred Astaire's recordings from June 1935 to September 1940, including his number one hits with "Cheek to Cheek," "I'm Putting All My Eggs in One Basket," "The Way You Look Tonight," "A Fine Romance," "They Can't Take That Away From Me," "Nice Work If You Can Get It," and "Change Partners." In addition to his movie ...

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Rarities 1940-1942 (1997) more music like this

by Benny Goodman

This Goodman collection includes only ten tracks, with a scattering of film songs and more obscure titles like "The Birth of the Blues," "If You Build a Better Mousetrap," "If I Had You" and "When the Roses Bloom Again." Keith Farley, All Music Guide

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The Cream of Fred Astaire (1993) more music like this

by Fred Astaire

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Frenesi: 1940 (2000) more music like this

by Various Artists

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Plays Henderson, Vol. 2 (1936-41) (1999) more music like this

by Benny Goodman

Benny Goodman's 14-piece band plays music from the repertoire and arranged by Fletcher Henderson; there's only one Henderson original, "Henderson Stomp." Of the 27 tracks, most are standards, upbeat, and feature some vocal cameos along with solos from Gene Krupa, Vido Musso, and Harry James. Goodman sounds marvelous, and the remastered sound ...

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Astairable Fred (1987) more music like this

by Fred Astaire

This compilation brings together recordings made by Fred Astaire late in his career, most of them studio tracks originally released on singles, most of them between 1955 and 1957. Of the 16 tracks, eight were released on four Verve singles, with two each released on singles by RCA Victor, Choreo, and Ava, and the remaining two tracks, "Let's Kiss ...

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Top Hat, White Tie & Tails [ASV/Living Era] (2002) more music like this

by Fred Astaire

Nominally speaking, Fred Astaire's studio recordings, most of which consist of songs he also sang in his movies, are the property of such major labels as BMG (which owns RCA Victor, for which he recorded in early '30s), Sony (which controls his mid-'30s Brunswick sides), and Universal (which owns his '40s Decca recordings). But in Europe, any ...

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