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Leave the Light On

Leave the Light On (2006) more music like this

by Chris Smither

Chris Smither doesn't do much here that he hasn't done throughout his long career, but there's no crime in consistent excellence. That career, launched during the Boston folk revival of the late '60s, has now encompassed a dozen albums, with a lengthy hiatus throughout most of the '70s and '80s as Smither battled the demons of alcoholism and ...

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Anthology of American Folk Music, Vol. 1-3

Anthology of American Folk Music, Vol. 1-3 (1997) more music like this

by Various Artists

Originally released in 1952 as a quasi-legal set of three double LPs and reissued several times since (with varying cover art), Anthology of American Folk Music could well be the most influential document of the '50s folk revival. Many of the recordings that appeared on it had languished in obscurity for 20 years, and it proved a revelation to a ...

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The Carter Family: 1927-1934

The Carter Family: 1927-1934 (2002) more music like this

by The Carter Family

Fans looking for more than ASV/Living Era's Wildwood Flower collection but scared off by Bear Family's massive 12-disc box could comfortably pick up this five-disc budget compilation. At 126 songs, it covers all of their RCA Victor recordings in chronological order, omitting only alternate takes. The remastering isn't necessarily better than other ...

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The Essential Earl Scruggs

The Essential Earl Scruggs (2004) more music like this

by Earl Scruggs

"The Paganini of the banjo"'s finest moments are collected on Columbia/Legacy's aptly named Essential Earl Scruggs. Unlike many other "best-of" collections, this two-disc set gathers tracks from nearly all of the stages of Scruggs' career, from his early days as one of Bill Monroe's Blue Grass Boys, through his genre-defining work with Lester ...

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No Depression [Bonus Tracks]

No Depression [Bonus Tracks] (2003) more music like this

by Uncle Tupelo

Within what would come to be known as the "alt-country" scene, Uncle Tupelo's first album, 1990's No Depression, was the shot heard around the world; they most certainly weren't the first band to fuse the heartache of country with the brains and brawn of punk rock, but they managed to bring the two styles together without camp or gimmicks, in a ...

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The Wayfaring Stranger

The Wayfaring Stranger (1959) more music like this

by Burl Ives

The Wayfaring Stranger was the name of the CBS radio program on which Burl Ives first achieved lasting fame in broadcast circles and the name of Ives' autobiography as well, so it was also a natural for his Columbia Records debut. Ives' definitive Columbia album, The Wayfaring Stranger was also one of the bright spots in the very early folk ...

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The Willies

The Willies (2002) more music like this

by Bill Frisell

Echoing his 1995 release, Nashville, Bill Frisell's The Willies revisits the auburn sounds of American roots music. Although he has dipped into folk music in prior efforts, these songs follow the traditional mode even more faithfully than any of his previous releases, with only minor shifts into his familiar dissonant explorations. Assisted by ...

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Front Porch Pickin': 24 Great Bluegrass Instrument

Front Porch Pickin': 24 Great Bluegrass Instrument (2001) more music like this

by Various Artists

Front Porch Pickin' features a wealth of bluegrass performances by a variety of performers. There's a total of 24 instrumental songs on this album -- none particularly long, all very much grounded in the bluegrass idiom. Some of the selections include Raymond Fairchild's "Cripple Creek"; Earl Taylor, Jim McCall, and the Stoney Mountain Boys ...

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His Folkways Years (1963-1968)

His Folkways Years (1963-1968) (1998) more music like this

by Dock Boggs

After Boggs, the Appalachian singer/banjoist who had released a dozen sides in the late '20s, was rediscovered by Mike Seeger in 1963, he did some recording for Folkways Records. This double-CD, 50-song set contains the material from three Boggs LPs for Folkways: Legendary Singer & Banjo Player (1963), Vol. 2 (1965), and Vol. 3 (1970). The ...

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Miami

Miami (1982) more music like this

by Gun Club

The sophomore record by the Gun Club bore the curse of having to follow a monolith of their own making. Fire of Love sold extremely well for an independent; it was a favorite of virtually every critic who heard it in 1981. Miami showcased a different lineup as well. Ward Dotson replaced Congo Powers (temporarily, at least) on guitar, and there ...

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Down the Road Apiece: Their EMI Recordings 1963-1966 (2007) more music like this

by Manfred Mann

It's hard to call a band with one of the biggest songs in oldies radio underappreciated, but it's hard to dispute that Manfred Mann are a band ignored. Alone among all major (and not so major) British Invasion bands, they have never experienced a revival, perhaps because their influence was not lasting. Few bands covered them and although the ...

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Petra Haden & Bill Frisell (2003) more music like this

by Petra Haden/Bill Frisell

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Never No Lament: The Blanton-Webster Band (2003) more music like this

by Duke Ellington

Never No Lament: The Blanton-Webster Band, covering the years 1939-1942 in the great composer and bandleader's career, is essentially the third time that RCA has issued this material on CD. The first was a botched job, appalling even, with its flattened-out, compressed sound, along with a chopped version of "Take the A-Train" and other sonic and ...

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Best of the Vanguard Years (2000) more music like this

by Cisco Houston

Of the singers who brought folk into the modern era around World War II, Cisco Houston seems to have less name recognition than either Woody Guthrie or Leadbelly. Not a songwriter himself, Houston did a great deal to promote the songs and legacy of Guthrie during the mid- to late-'50s, and a number of songs on this recording come from Cisco ...

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Cold on the Shoulder (1984) more music like this

by Tony Rice

Bela Fleck, Vassar Clements and Jerry Douglas are just a few of the guests on Cold on the Shoulder, on which Rice performs songs by Bob Dylan, Randy Newman and Rodney Crowell. Jason Ankeny, All Music Guide

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On the Road (And More) (2001) more music like this

by The Country Gentlemen

Continuing in their now feverish quest to reissue every single thing Moses Asch ever released on CD, the folks at Smithsonian have pulled from the catalog a true gem, added six more tracks, and given it to listeners to marvel over. The Country Gentlemen were the inspiration for pickers from Norman Blake to Clarence White to Tony Rice and every ...

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Strictly Instrumental (1967) more music like this

by Flatt & Scruggs With Doc Watson

Strictly Instrumental is a delightful duet album between Flatt & Scruggs and Doc Watson, giving the three musicians an opportunity to flaunt their exceptional instrumental talents. Sticking to a selection of songs that is traditional in approach, but are not played frequently ("John Hardy Was a Desperate Little Man," "Pick Along," "Spanish Two ...

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Remembering Leadbelly (2001) more music like this

by Long John Baldry

Long John Baldry came of age as a singer during the British blues boom, and it's obvious that his love of the music hasn't left him. As he explains in the interview track at the end, Leadbelly was his first musical inspiration, and here he has his chance to pay homage to the man. In his sixties at the time of this recording, Baldry's voice has ...

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Absolutely the Best (2000) more music like this

by Leadbelly

Leadbelly stands like a cornerstone in modern folk music. He showed that folk songs didn't have to be 300 years old and originate from the British Isles; instead they could be born out of American experience. Absolutely the Best offers a number of Leadbelly classics including "Roberta," "Midnight Special," and "In New Orleans (House of the Rising ...

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Dueling Banjos/Live at Kansas State (2000) more music like this

by Lester Flatt & Earl Scruggs

Putting together one of Scruggs' best albums (Live at Kansas State) with one of his less interesting (Dueling Banjos) made good marketing sense, but it makes for an uneven CD. Tracks 11-22 are the real treats here, off the live album, and the price is low enough that one can regard the other ten songs as a bonus, with some occasionally brilliant ...

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Fiddle Tunes for Banjo (1981) more music like this

by Tony Trischka w/ Keith & Fleck

What unites these three banjo players -- Tony Trischka, Bill Keith, and Béla Fleck -- is their shared status as stylistic innovators on an instrument that, to most people, embodies strict traditionalism. There's still debate as to whether Trischka or Keith originated the "melodic" style of bluegrass banjo playing, one which tends to follow the ...

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Return of Koerner, Ray & Glover (1966) more music like this

by Koerner, Ray & Glover

The last in a series of three reissues of classic folk-blues albums from Koerner, Ray & Glover, this beautifully remastered 1965 collection is filled with the humor, rhythm, soulful vocals and top-notch material that made the outfit such a standout. Among the best of the 15 tracks: a reading of Leadbelly's "Titanic," about how boxer Jack Johnson ...

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The Stuff That Dreams Are Made Of (2006) more music like this

by Various Artists

For anyone who's collected 78-rpm records, enjoyed Harry Smith's Anthology of American Folk Music, or expressed interest in the great missing old-time and blues records of yesteryear, The Stuff That Dreams Are Made Of will be the Holy Grail. Whereas it isn't unusual for Yazoo to place a rarity on a new collection by Blind Blake or Blind Lemon ...

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Righteousness and Humidity (2003) more music like this

by Martin Simpson

Martin Simpson might have made his reputation as a folk guitarist, but blues has been a part of him since he was young, and he plays it -- as he plays everything -- with both incredible technique and driving passion. And while his roots might be far from the Mississippi Delta, his heart is right there. To be fair, he can't hold a candle to the ...

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No Depression (1990) more music like this

by Uncle Tupelo

Uncle Tupelo's landmark opening salvo is the group's most rock-oriented album, steeped more in breakneck speed, punk crunch, and guitar dissonance than any of their subsequent efforts. Indeed, despite the presence of mandolins, fiddles, and banjos -- as well as inclusion of the title track, a faithful cover of the A.P. Carter classic -- the trio's ...

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