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The Complete Studio Recordings
(2000)
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Mississippi John Hurt
Although not as consistently magnificent as Hurt's 1928 recordings, the performances the artist recorded for Vanguard in the mid 1960's would be the zenith of many blues artist's entire careers. Songs like the opening "Payday" and "Poor Boy, Long Ways From Home" rank with any folk-blues song ever recorded. This fantastic set collects the three ...
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The Essential Collection
(2004)
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Bill Morrissey
Rounder's celebration of Bill Morrissey's 20th anniversary as a recording artist, dubbed The Essential Collection, is a hearty 20-track collection culling at least one track from each record he's released over the years, except for the duet album with Greg Brown, Friend of Mine. The label did a fine job assembling the tracks with a comfortable ...
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Kansas City Shout
(1980)
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by
Count Basie
This session from 1980 helps to recreate the atmosphere of '30s Kansas City. Featured are the great blues singer Joe Turner and the strong singer and altoist Eddie "Cleanhead" Vinson, along with the Count Basie Orchestra. "Just a Dream," "Everyday I Have the Blues," "Cherry Red" and "Stormy Monday" receive very spirited renditions, as do some ...
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Southern Journey, Vol. 8: Velvet Voices
(1997)
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by
Various Artists
Recorded mostly in Virginia in 1960 (two recordings were made in St. Simon's Island, Georgia), this documents African-American folk musics of the region, focusing mostly on gospel quartets, although there are also some fife-and-banjo tunes. This has to count as one of the more accessible installments in the Southern Journey series; the singing is ...
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King of Chicago Blues [Proper]
(2006)
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by
Muddy Waters
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D.C. Blues: Library of Congress Recordings
(2004)
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by
Mississippi John Hurt
Mississippi John Hurt was easily the most accessible of all the 1920s bluesmen rediscovered still alive and in playing condition in the early 1960s. His easy, gentle singing voice and deft guitar picking abilities were still intact and undiminished, and where some of his hard-living contemporaries suffered from alcoholism, Alzheimer's, or just ...
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Nat King Cole at the Sands [Reissue]
(2002)
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Nat King Cole
A year after Nat King Cole's death, Capitol Records released this "live" album, recorded at the Sands Hotel in Las Vegas on January 14, 1960. There is a historical interest, in that this is the only Cole concert recording, and it's an enjoyable performance, with more up-tempo numbers than ballads and a piano solo on "Where or When" that ...
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Breaking Out of New Orleans 1922-1929
(2004)
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by
Various Artists
JSP's Breaking Out of New Orleans compiles four CDs with 101 tracks containing a mixture of both rare and classic jazz from the '20s, including the Original Tuxedo Jazz Band, Piron's New Orleans Orchestra, Red Onion Jazz Babies, Cookie's Generals, New Orleans Wanderers, and Chicago Footwarmers. While this set excludes solo recordings by Louis ...
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Savoy Blues Legends: Candy!
(1956)
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by
Big Maybelle
The belter moved over to Newark, NJ-based Savoy midway through the decade and continued to prosper: "Candy," "Ramblin' Blues," and the intense "Blues Early, Early" rate with her finest cuts. "Ring Dang Dilly" and "Tell Me Who" rock with the seemingly effortless swing peculiar to New York's R&B scene at the time, thanks to the presence of saxists ...
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Texas Songster, Vol. 2: You Got to Reap What You Sow [Bonus Tracks]
(1993)
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by
Mance Lipscomb
Mance Lipscomb was a great songster, someone who knew hundreds of songs and could deliver any and all of them in different but effective ways. He sang blues, spirituals, old folk numbers, and his own tunes. Lipscomb had few rivals when it came to telling stories, setting up situations, creating characters, and depicting incidents. This 24-song ...
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Mr. Rhythmist Goes to Town
(1999)
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Mora's Modern Rhythmists
Mora's Modern Rhythmists stand out from the retro-swing field both in their very high quality and the fact that the group sounds like a fairly original big band from 1932-1935 rather than looking toward Louis Prima for inspiration. On its second CD, the ten-piece group (six horns and four rhythm with Dean Mora, trumpeter Jim Ziegler, guitarist ...
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W.C. Handy's Beale Street: Where the Blues Began
(2003)
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by
Carl Wolfe & Orchestra
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Avalon Blues
(1963)
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by
Mississippi John Hurt
This is the first in a multiple-volume series devoted to the Piedmont recordings Hurt made upon his rediscovery in the early '60s. They capture him with his playing and singing still intact, untouched by the world around him, a world that had changed so much since he initially recorded back in the '20s. Many of his best-known tunes are here -- ...
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The Long Road to Freedom: An Anthology of Black Music
(2001)
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by
Various Artists
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The Big Band, Vol. 1
(1992)
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by
Milt Jackson/Count Basie
Producer Norman Granz conceived the pairing of Milt Jackson with Count Basie, first on stage at Montreux in a small group, then in the studio with the pianist's full band for this 1978 session, which produced two albums' worth of music. Although Basie had never before used a vibraphonist with his band, Jackson proves to be an excellent fit. In ...
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Nat King Cole at the Sands
(1960)
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by
Nat King Cole
A year after Nat King Cole's death, Capitol Records released this "live" album, recorded at the Sands Hotel in Las Vegas on January 14, 1960. There is a historical interest, in that this is the only Cole concert recording, and it's an enjoyable performance, with more up-tempo numbers than ballads and a piano solo on "Where or When" that ...
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Joe Turner's Blues
(1938)
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by
Big Joe Turner
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Songs of Mississippi John Hurt
(1999)
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by
Bill Morrissey
As Morrissey's rep is built solidly on the fine storytelling abilities so well-crafted in his original songs, it may come as a surprise to hear him in this setting, turning in equally compelling takes on Mississippi John Hurt material. Utilizing various settings and lineups to recast the material in terms other than the typical solo-acoustic ...
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Shoutin' the Blues [Catfish]
(2000)
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by
Big Joe Turner
This is an excellent collection of Big Joe Turner's early blues sides from the '40s. Cut before Turner gained widespread fame scoring rock & roll hits for Atlantic, the 26 cuts here were recorded on both coasts while the singer notched up a slew of gigs nationwide. Working for several labels, including RPM, Aladdin, and MGM, Turner waxed immortal ...
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Western Swing and Country Jazz
(2005)
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by
Various Artists
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Let the Good Times Roll, 1948-1963
(1997)
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by
Link Davis
Given the sheer length of Link Davis' career, it's surprising that this 20-track CD, covering highlights across 15 years of recording, is the only compilation out on him -- on the other hand, the diversity of his music also makes it difficult to quantify in a single survey. The selection covers Davis' own recordings, done for Gold Star, Nucraft, ...
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Really Blue
(1998)
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by
Tom Principato
Principato's seventh album continues the tradition of strong guitar work coupled with vocals that are less than scintillating but never offensive, wedded to material that's more of a showcase for his playing than it is actual songs. He gives his blues-shuffle-in-E chops a workout on Johnny Jones' "Sweet Little Woman" (a cleaned-up version of the ...
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The Muddy Waters Story
(2000)
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by
Muddy Waters
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Golden Greats: Greatest Dixieland Jazz
(2002)
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by
Various Artists
This is a three-CD budget collection of some of the best in Dixieland jazz performed by many of its biggest stars. The sound quality and performances are quite good, but the lack of discographical information could be discouraging for serious fans. Sean Westergaard, All Music Guide
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Rockin' Boppin' and Blues
(2000)
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by
Nat King Cole
Rockin, Boppin and Blues features Nat King Cole's Capitol recordings that were not exclusively focused on the popular romantic music, which often overshadowed the majority of these jazz, blues, and up-tempo tunes. These 18 tracks include "Route 66," "Straighten Up and Fly Right," "Joe Turner Blues" (live), "Send For Me," and "Gee Baby, Ain't I ...
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