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Atlantic Rhythm & Blues 1947-1974 [Box]
(1991)
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Various Artists
This eight-CD set should be a part of any collection that presumes to take American music -- not just rock & roll or rhythm & blues -- seriously. Atlantic Records was one of dozens of independent labels started up after the war by neophyte executives and producers, but it was different from most of the others in that the guys who ran it were ...
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Golden Era of Rock 'n' Roll: 1954-1963
(2004)
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Various Artists
You'd need a wall full of early rock & roll records to get a truly definitive summary of the best sounds from the music's first decade. That qualification noted, this is about as good a sampling of the most important early rock & roll hits and performers as could be stuffed into a three-CD, 62-song set, and deserves the highest rating even if it ...
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High on the Hog
(1973)
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Black Oak Arkansas
This is probably the best-known album in the Black Oak Arkansas catalog, thanks in large to part to its hit cover of the LaVern Baker R&B classic "Jim Dandy." This effective update combines a countrified touch, some electric guitar fireworks, and a frenetic double-time tempo with the inimitable hillbilly vocals of Jim "Dandy" Mangrum to create a ...
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The Definitive Rock Collection
(2006)
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Black Oak Arkansas
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This Is Southern Rock
(2005)
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by
Various Artists
The three-disc This Is Southern Rock opens with a song that is probably everyone's definition of Southern rock, Lynyrd Skynyrd's epic "Free Bird," then follows it with a song that is probably no one's definition of Southern rock, .38 Special's "Hold on Loosely," illustrating that what seems obvious when looking at any musical genre is quite likely ...
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Guitar Rock: Classic 70s
(2003)
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Various Artists
We can argue all we like over these "guitar rock classics" all we want, as to whether some of them really showcase the '70s style electric guitar, on this uber-budget Rhino Flashback compilation, but the fact remains that these cuts all represent the '70s well. Sure, "Bang a Gong (Get It On)," by T. Rex may not have had any hot solos in it, but ...
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Shakin' a Tailfeather
(1997)
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by
Taj Mahal/Linda Tillery/Eric Bibb
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Great Ladies of Rock & Roll: The '50s
(2002)
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by
Various Artists
Including 25 tracks of the biggest female-fronted pop of the decade, Great Ladies of Rock & Roll: The '50s is a good compilation choice for fans attempting to fill in the gaps, as well as those who are simply historically curious. It must be granted that a gaping stylistic chasm separates some of the material here; after all, the same disc takes ...
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The Platinum Collection
(2007)
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Lavern Baker
One of R&B's earliest divas, LaVern Baker could grab hold of a song and belt it out with the best of them, whether she was singing bouncy, up-tempo rock & roll or bluesy torch ballads. Baker's contributions to the rockin' and rollin' wing of '50s R&B were in a class with Atlantic labelmates Ruth Brown and the Clyde McPhatter-era Drifters, as the ...
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Super Hits of the '70s: Have a Nice Day, Vol. 12
(1990)
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Various Artists
For their 12th go at '70s hits and kitsch, Rhino delivers a beefy selection of indelible radio fare to prove just how strange and wide-open that decade's music was. From the MOR pop end of things, smashes like Terry Jacks' "Seasons in the Sun" and Blue Swede's "Hooked on a Feeling" qualify as prime examples of the one-hit wonder retirement plan, ...
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Atlantic R&B Box Set
(2006)
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by
Various Artists
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King Biscuit Flower Hour Presents Black Oak Arkansas
(1998)
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Black Oak Arkansas
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Best of Southern Rock [Rhino Flashback]
(2003)
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by
Various Artists
Rhino Flashback's Best of Southern Rock may seem diminutive (ten songs), but it successfully represents the genre that spawned the term boogie rock. There's no "Sweet Home Alabama" or "Ramblin' Man" here; instead the compilers have chosen to include works from some of the '70s lesser known acts like Black Oak Arkansas, Molly Hatchet, Blackfoot and ...
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Hot and Nasty
(2004)
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Black Oak Arkansas
The Collectables compilation Hot and Nasty is a ten-track budget-priced set that contains some of Black Oak Arkansas' well-known boogie rock tracks from the early to mid-'70s, including "When Electricity Came to Arkansas," "Jim Dandy," and "Hot and Nasty." As budget-line collections go, Hot and Nasty isn't bad, especially since it contains the ...
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Jim Dandy
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by
LaVern Baker
Sexy, sensual, and a dynamite singer, LaVern Baker brought style and substance to her jazzy jump blues material, transforming it to the edge of rock & roll and paving the way for the pop-soul styles of the 1960s. Her best work was on Atlantic Records, the label she signed with in 1953 after first recording as Little Miss Sharecropper for RCA ...
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Live! Mutha
(1976)
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by
Black Oak Arkansas
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Heart & Soul Fifties
(1993)
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by
Various Artists
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Live
(2000)
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by
Black Oak Arkansas
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The Legend at Her Best
(2000)
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by
LaVern Baker
One of the founding ladies of rock & roll, LaVern Baker's hits "Jim Dandy" and "Tri La La" helped propel her to legendary status. This two-CD compilation features four complete albums recorded by Baker for Atlantic Records during the height of her popularity in the late '50s and early '60s. While she had big sellers with rock oriented tunes, her ...
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Pure Swamp Pop Gold
(2002)
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by
Various Artists
The Pure Swamp Pop Gold compilation of Louisiana artists gathers the usual suspects from the CSP label, including Van Broussard, Wayne Foret, and Crosscut, whose amped-up version of "I Hear You Knocking" shows the swamp pop genre to be more R&B than anything else. Steve Leggett, All Music Guide
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Hot & Nasty & Other Hits
(1997)
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by
Black Oak Arkansas
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Roots of Rock: Southern Rock
(1998)
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by
Various Artists
If the titles are taken seriously, Rebound's Roots of Rock series asserts that rock began in the early '70s, and while it can be argued that that's when "rock," as opposed to "rock & roll," was born, it's still a silly conceit. The damned thing is, the discs are really good budget-line discs, despite their titles. For instance, Roots of Rock: ...
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All Their Hits & Much More
(2001)
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The Dovells
Philadelphia's Dovells, led by singer Len Barry, grafted a doo wop vocal approach to light frat rock/R&B backing to create their own little genre, fueled by their ability to come up with a song to fit just about any dance craze that hit in the early '60s. Their biggest hits, "Bristol Stomp" and "You Can't Sit Down," are instantly recognizable, ...
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Ultimate Southern Rock
(2003)
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by
Various Artists
The word "ultimate" in this compilation is highly suspect since most of the key jams of this genre are missing, but there are two discs of Southern rock to be sure. The bands are all here and some weird choices as well -- the Vaughan Brothers? Waylon Jennings? Johnny Winter? -- but the tunes are secondary for the most part; still it's a nice ...
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Six-Shooter
(1991)
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Six Shooter
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