Your search: Music » Song title: Jesus Make up My Dying Bed [Johnson Traditional]
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Dark Was the Night
(1998)
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Blind Willie Johnson
Even in the blues, a style capable of wrenching unexplainable emotions from its audience, Blind Willie Johnson has few equals. With a voice capable of alternating effortlessly between sublime, trembling tenor and the sound of pure gravel, and unparalleled skill with the bottleneck (and knife), Johnson recorded 30 sides for Columbia (1927-1930) ...
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Blind Willie Johnson and the Guitar Evangelists
(2005)
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Blind Willie Johnson/The Guitar Evangelists
There is only a slight difference between a street-corner blues singer and a sanctified street singer, since both need to hold a crowd and make a few bucks (no matter what they do with the money when the day is done), and as this four-disc collection of so-called guitar evangelists from the 1920s, '30s, and early '50s makes clear, playing slide ...
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Praise God I'm Satisfied
(1989)
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Blind Willie Johnson
Yazoo's Praise God I'm Satisfied is an excellent collection of 14 tracks Blind Willie Johnson recorded in the '30s, including such numbers as "Jesus Make Up My Dying Bed," "Praise God I'm Satisfied," "Rain Don't Fall on Me" and "Jesus Is Coming Soon." These are excellent, haunting recordings, boasting some stellar guitar work, but everything that ...
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Lead Me On
(1995)
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Kelly Joe Phelps
This is the real deal -- Phelps performs with the full authority and authenticity of the Delta bluest tradition without ever once sounding like a Folkways museum piece. There's nothing more to it than the 34-year-old's raspy, swamp-infused vocals, lapstyle acoustic guitar played using fingerpicking and slide, and self-accompanied stomp-box ...
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Early Blues Roots of Led Zeppelin
(2007)
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Various Artists
This was a great idea. Certainly Led Zeppelin's Jimmy Page made no secret of the fact that he had been deeply influenced by blues and that Led Zep was going to be a modern day outlet for the form of American music that inspired him to become a guitarist in the first place. And early Zep certainly borrowed deeply from both blues and folk traditions ...
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Soul of a Man [Snapper]
(2004)
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Blind Willie Johnson
Blind Willie Johnson wasn't a blues singer in the generally accepted sense. He was really a singing preacher with a killer slide guitar style and a guttural voice that indicated clearly that he wasn't about to mess around with the small stuff. While many blues singers woke up in the morning wondering where their women went, Johnson woke up ...
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The World of Gospel, Vol. 2
(1997)
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Various Artists
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The Early Blues Roots of Bob Dylan
(2000)
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Various Artists
The Blues Roots of Bob Dylan collects Dylan's early heroes of the genre, including Sleepy John Estes, Blind Willie McTell, Mississippi John Hurt, Leadbelly, and Bo Carter. These 20 remastered tracks are an excellent sampling of predominantly country blues from the '30s. While listening to these originals, it becomes obvious that Dylan didn't ...
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Down Home Slide
(1998)
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Various Artists
Although slide guitar compilations at times seem to proliferate like kudzu, this particular collection has much to recommend adding it to the collection. For openers, there's the inclusion of three previously unreleased live performances from Robert Nighthawk. Playing in a 1964 Chicago concert accompanied by Johnny Young on guitar and mandolin, ...
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The Best of Josh White [Elektra]
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Josh White
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Nobody's Fault But Mine
(2007)
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Blind Willie Johnson
Not a blues singer in the generally accepted sense, Blind Willie Johnson was really a singing preacher with a killer slide guitar style and a guttural voice that indicated clearly that he wasn't about to mess around with the small stuff. While many blues singers woke up in the morning wondering where their lovers went, Johnson woke up wondering ...
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Gospel, Vol. 3: Guitar Evangelists and Bluesmen 1927-1944
(2002)
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Various Artists
Where the first collection in Fremeaux & Associes' gospel series, Gospel, Vol. 1: 1926-1942, was a nice overview of many different styles of gospel and the second edition, Gospel, Vol. 2: Gospel Quartets 1921-1942, focused solely on vocal quartets, the third collection enjoys many of the benefits of diversity featured on volume one, while ...
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Blues: 1932-1945
(2002)
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Josh White
Josh White had a remarkable talent for self-reinvention, and his career -- which began in the 1920s and stretched essentially uninterrupted all the way into the '60s -- is an amazing story of adaptability and survival. Slick, sly, and fiercely intelligent, White became a sort of pre-Harry Belafonte black sex idol, complete with a leftist social ...
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