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Groove Brothers

Groove Brothers (1960) more music like this

by Wes Montgomery

Although this is billed to Wes Montgomery, it is in fact a combination of two early-'60s LPs by the Montgomery Brothers -- The Montgomery Brothers and The Montgomery Brothers in Canada -- onto one disc. (Also note that it's almost entirely different from the Montgomery Brothers' Milestone double LP that also bears the name Groove Brothers, which ...

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Them Dirty Blues

Them Dirty Blues (1960) more music like this

by Cannonball Adderley

Recorded in early 1960, Them Dirty Blues contains two classic jazz compositions: Nat Adderley's "Work Song" and Bobby Timmons' "Dat Dere," the sequel to "This Here." This was alto saxophonist Cannonball Adderley's second quintet with brother Nat Adderley (cornet), and features Bobby Timmons on piano (who plays on four tracks and was replaced by ...

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Past Present & Future

Past Present & Future (1996) more music like this

by Primary Colours

Primary Colours is a piano trio consisting of pianist Gerard D'Angelo, bassist Frank Wagner and drummer Dave Meade. Their debut release finds the group improvising together as near-equals in the manner of the Bill Evans Trio. D'Angelo has been clearly touched by the latter's chord voicings (Evans, who passed away in 1980, is still the biggest ...

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This Can't Be Love

This Can't Be Love (2006) more music like this

by Max Wagner

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California Cooking

California Cooking (1991) more music like this

by Rickey Woodard

Tenor saxophonist Rickey Woodard's first CD as a leader is a swinging quartet set with pianist Dwight Dickerson, bassist Tony Dumas and drummer Harold Mason. Woodard, who plays alto on three of the ten selections, is heard at his best on such numbers as Hank Mobley's "This I Dig Of You," "Jeannine" and Oscar Brashear's "Sashay." Uncomplicated ...

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Syncopate

Syncopate (1997) more music like this

by Stoker

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Sophisticated Swing: The EmArcy Small Group Sessions

Sophisticated Swing: The EmArcy Small Group Sessions (1956) more music like this

by Cannonball Adderley

Reissued in this two-CD set are all of the recordings from the first Cannonball Adderley Quintet, a group that despite its talents failed commercially. With Cannonball on alto, cornetist Nat Adderley, pianist Junior Mance, bassist Sam Jones, and drummer Jimmy Cobb, it is surprising that the group did not make it, but the Adderleys were fairly ...

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My Museum

My Museum (2006) more music like this

by Phil Kelly & the SW Santa Ana Winds

Switching from his usual partners, the NW Prevailing Winds, Phil Kelly takes on a new collective of musicians here, the SW Santa Ana Winds. The move is from Seattle to Los Angeles physically, and similarly for the musical aesthetic. Despite the core sound being determined by Kelly's arrangements, the players surrounding him (with the exception of ...

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Goodbye

Goodbye (1974) more music like this

by Gene Ammons

It is ironic that on tenor saxophonist Gene Ammons' final recording date, the last song he performed was the standard "Goodbye." That emotional rendition is the high point of this session, a septet date with cornetist Nat Adderley, altoist Gary Bartz, pianist Kenny Drew, bassist Sam Jones, drummer Louis Hayes, and Ray Barretto on congas. In ...

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Paris, 1960

Paris, 1960 (1960) more music like this

by Cannonball Adderley

Norman Granz was on hand to record music from Cannonball Adderley's first European tour in 1960, but he and the Adderley estate have been parsimonious in dealing out the goods. It took 24 years for Part One, What Is This Thing Called Soul to emerge, and another 13 years passed before this follow-up album came out. But better late than never, as ...

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So Many Stars (2007) more music like this

by Jon Mayer

Jon Mayer has long been a superior modern mainstream pianist based in the Los Angeles area. While he gained his initial recognition in the late 1950s when he recorded with John Coltrane and Jackie McLean, ever since his return to the scene in 1992, he has far surpassed his earlier abilities, recording quite a few rewarding CDs for Reservoir. So ...

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Uh-Huh (1996) more music like this

by Tod Vullo

It does not take an expert to quickly figure out who Texas guitarist Tod Vullo's main influences are: Wes Montgomery and George Benson. Vullo mostly performs music quite reminiscent of the organ combos of the 1960s and he comes up with consistently creative solos within the idiom without breaking any new ground. Rick Jackson's organ is a key voice ...

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Cannonball Adderley (2000) more music like this

by Various Artists

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Back to Balboa: Tribute to Stan Keaton, Vol. 6 (2001) more music like this

by Various Artists

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Time Through the Ages (1997) more music like this

by Ahmad Aladeen

The second CD by saxophonist Ahmad Alaadeen features the versatile soloist mostly in a quintet with trumpeter Danny Campbell and a variety of rhythm sections. The Kansas City-based tenor and soprano saxophonist has a warm tone and a lyrical style. He performs four of his originals, one song by pianist Reggie Thomas, and Duke Pearson's driving ...

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Danny D'Imperio Sextet (1988) more music like this

by Danny D'Imperio

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In My Dreams (1999) more music like this

by Frank Potenza

Frank Potenza has spent most of his musical career teaching, although he's performed with George Van Eps, Bud Shank and Eddie Harris and took over as the guitarist in the Gene Harris Quartet in the mid-1990s. A protégé of Joe Pass, Potenza's duets with bassist Bob Magnusson are lyrical, swinging and concise with a diverse program that includes Lee ...

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A Tribute to Cannonball (1961) more music like this

by Don Byas

The title of this album is misleading for, although Cannonball Adderley produced the session, no "tribute" takes place. Adderley could always recognize talent and he was wise to get the veteran tenor Don Byas (who had not recorded since 1955) back on record. Teamed in Paris with trumpeter Idrees Sulieman, pianist Bud Powell, bassist Pierre ...

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Roarin' (1961) more music like this

by The New Don Rendell Quintet

Billed to "the New Don Rendell Quintet," this 1961 album was an important document of early-'60s British jazz, proving that U.K. jazz musicians could play well in the hard bop style that had been pioneered in the United States. It's not incredibly distinctive or innovative when measured against the best American music in the style, particularly ...

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Alone Together (2002) more music like this

by Tim Cummiskey

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Steppin' Out (2000) more music like this

by Jazz Heritage Orchestra

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Thought Lines (2001) more music like this

by Steve Herberman

In the tradition of pioneers Les Paul and George Van Eps, Steve Herberman, like many of his contemporaries, has moved to the seven-stringed guitar, allowing him to play chords and basslines as well as avoiding using a pick. Herberman lives and performs in the jazz-fertile Washington, D.C., area. The play list he has chosen for his initial album is ...

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People Music (1997) more music like this

by James Weidman

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Debut of a Legend (1994) more music like this

by Johnny Frigo

Violinist Johnny Frigo's third album as a leader (he had previously made a forgotten date for Mercury in 1957 and a Chesky CD in 1988) is his definitive set, even though he was 77 at the time. With a good supporting cast (guitarist Gene Bertoncini, Bob Kindred on tenor and clarinet, pianist Joe Vito, bassist Michael Moore, and drummer Bill Goodwin ...

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Bulbous Garlic Blues (1991) more music like this

by Ladd McIntosh Big Band

Arranger Ladd McIntosh's big band of 1991 is full of solo talent, technically skilled musicians, and players who are both distinctive and expert at blending together in ensembles. Performing a two-song medley, eight originals, and three standards, the band (which has three potential lead trumpeters) excels. The key soloists are pianist Geoff ...

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