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Art Pepper Meets the Rhythm Section
(1957)
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Art Pepper
By the time of this, Art Pepper's tenth recording as a leader, he was making his individual voice on the alto saxophone leave the cozy confines of his heroes Charlie Parker and Lee Konitz. Joining the Miles Davis rhythm section of pianist Red Garland, bassist Paul Chambers, and drummer Philly Joe Jones made the transformation all that more ...
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The Bix Beiderbecke Story [Proper]
(2003)
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Bix Beiderbecke
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Swingin' Blues
(1990)
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by
Pete Fountain
Clarinetist Pete Fountain interacts with musicians from both the Dixieland and country music worlds on the OK effort, Swingin' Blues. Most of the selections on the CD are the usual Dixieland standards, but the disc also includes "Walking the Floor over You," "Honky Tonk," and "Amazing Grace." This is fairly predictable but reasonably pleasing ...
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Chicago Jazz
(1999)
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by
Muggsy Spanier
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Bix & Tram
(1927)
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Bix Beiderbecke/Frankie Trumbauer
This newly appended collection encompasses most every record that these two men made together, augmented by the Bix & His Gang sessions and a handful of uncommon sides from both 1924 and 1934, which pre- and post-date Tram's involvement with Bix. Three of the four discs each contain no less than 13 instrumentals, ranging from solid to positively ...
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16 Dixieland Favorites
(1958)
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Firehouse Five Plus Two
This CD reissues the complete set originally titled Dixieland Favorites plus adds five other selections from other dates. Most of the music dates from 1958-60 when the Firehouse Five Plus Two was at the peak of its popularity. Unlike most of their other releases, all of the selections on this CD are dixieland standards including such songs as ...
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Bix Beiderbecke, Vol. 2: At the Jazz Band Ball
(1927)
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Bix Beiderbecke
This second installment into Bix's recorded career focuses on the sides he made while working as a member of Paul Whiteman's band. Cutting dates with old friends and bandmates like Frank Trumbauer, Adrian Rollini, Pee Wee Russell, Bill Rank, Eddie Lang, and drummer Chauncey Morehouse, these sides chronicle Bix's activities in the studios away from ...
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Bix Beiderbecke & the Chicago Cornets
(1924)
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Bix Beiderbecke & the Chicago Cornets
Not only does this superior double-LP set contain all of cornetist Bix Beiderbecke's recordings with the Wolverines in 1924 (much of which is classic), but it features him with the Sioux City Six and his Rhythm Jugglers (highlighted by the original version of "Davenport Blues"), the two titles cut by the Wolverines after Beiderbecke departed (with ...
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Dixieland Greatest Hits [RCA]
(1997)
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by
Various Artists
This fine Dixieland collection includes the Original Dixieland Jazz Band's "Tiger Rag," "Broadway Rose" and "Jazz Me Blues." Also featured are the New Orleans Feetwarmers' "Maple Leaf Rag," Jelly Roll Morton's "High Society," and Sidney Bechet's "Indian Summer" and "Twelfth Street Rag." Jason Ankeny, All Music Guide
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How High the Moon [Essential Gold]
(2004)
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by
Les Paul & Mary Ford
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Toots Blues 1950-1952
(2004)
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by
Toots Thielemans/Les Thompson
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The Sidney Bechet Story [Proper]
(2001)
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Sidney Bechet
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Breezin' Along
(1996)
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by
Kenny Davern
By the time of this 1996 CD, Kenny Davern already had a full career of accomplishments, and for years, he had had his own sound and a technique that allowed him to hit very high notes with ease. For this set, he is joined by two masterful guitarists (Howard Alden and Bucky Pizzarelli) in a pianoless rhythm section that also includes bassist Greg ...
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New Orleans Jazz
(2003)
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by
Pete Fountain & Al Hirt
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Kings of Swing [Laserlight Single Disc]
(1990)
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by
Various Artists
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Makin' Whoopee [Magnum]
(2001)
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by
Count Basie
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Blueberry Hill [Milan]
(1962)
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by
Louis Armstrong
An obscure concert performance, probably from around 1961-63 (no date is given), the erratic recording quality and somewhat typical repertoire keep this from being highly recommended but it has its strong moments, most notably a beautiful version of "That's My Home" and a relaxed run-through of "Jazz Me Blues." Scott Yanow, All Music Guide
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Newton Boys
(1998)
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Newton Boys
The soundtrack to Richard Linklater's period crime drama The Newton Boys contains excerpts from Edward D. Barnes' songs and new interpretations of classic '20s jazz from the likes of Abra Moore, Bad Livers and Patty Griffin. Many of the new versions are quite good, breathing new life into the songs, and Barnes' first-rate score evokes the period ...
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The Very Best of Pete Fountain
(1998)
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by
Pete Fountain
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At the Jazz Band Ball
(1991)
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by
Bix Beiderbecke
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Jazz Me Blues [Jazz Hour]
(1995)
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by
Bix Beiderbecke
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Jazz at Storyville
(1953)
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by
Sidney Bechet
Taken from Sidney Bechet's last major tour of the United States, this live session teams his passionate soprano with the subtle wit of trombonist Vic Dickenson and a fine rhythm section (including George Wein on piano). This set may only contain familiar standards, but the general enthusiasm and the interplay between Bechet and Dickenson makes the ...
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Georg Brunis and His Rhythm Kings
(1964)
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by
Georg Brunis
Trombonist George Brunies (who in later years shortened his name to Georg Brunis) led record dates in 1943 and 1946 for the Commodore label, four numbers for Southland in 1955, and in 1973 was the leader of a live set for the Fat Cat label. Otherwise, the only albums that Brunies headed were two records for the Jazzology label in 1964 and 1965, ...
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Club Hangover Broadcasts with Jackie Coon
(1954)
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by
Jack Teagarden
This double-CD from Arbors contains four half-hour broadcasts by the Jack Teagarden sextet during its stay at the Club Hangover in San Francisco. At the time the trombonist's band featured trumpeter Jackie Coon, the obscure but talented clarinetist Jay St. John, Jack's sister Norma Teagarden on piano, bassist Kas Malone and drummer Ray Bauduc. ...
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The Legendary Duo at Their Best
(2001)
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by
Les Paul & Mary Ford
The silky smooth vocals of Mary Ford blended with the brilliant playing skills of Les Paul produced some of the best pop music of the '50s. On the Legendary Duo at Their Best box set, six of the albums they released between 1950 and 1957 are represented on three CDs. This is a high point for both musicians, as their work together was a perfect fit ...
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