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Time for Two
(1962)
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by
Anita O'Day
In another experiment, producer Creed Taylor teams O'Day with the alternately Latin and bop-grounded quartet of vibraphonist Cal Tjader -- and he gets some amazing performances from this team. O'Day sounds as if she is delighted with Tjader's polished Afro-Cuban grooves, gliding easily over the rhythms, toying with the tunes, transforming even a ...
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When Lights Are Low
(1978)
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by
Kenny Burrell
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The Essential Sarah Vaughan: The Great Songs
(1992)
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by
Sarah Vaughan
Drawn from Sarah Vaughan's first round with Mercury Records (and its EmArcy Records subsidiary) between 1954 and 1964, this fine selection features the singer in a variety of settings ranging from intimate trios to bopping big bands and smooth, silky orchestras, all of it showcasing Vaughan's lush tone and playful phrasing. Among the many ...
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Sunset Stomp
(1999)
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by
Larry Eanet Quartet & Ron Hockett
This quartet is based in the Washington, D.C. area, where pianist Larry Eanet has been playing swing and traditional jazz for most of his life. He began recording in earnest as a bandleader in 1997, upon retiring from his medical practice. The quartet includes bassist Tommy Cecil, drummer Harold Sumney, Jr., and the very fine clarinet and ...
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Verve Jazz Masters 18
(1994)
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by
Sarah Vaughan
Vol. 18 of the Verve Jazz Masters series features Sarah Vaughan for the most part singing bop and swinging pretty hard. Though not known at all as a Verve artist (only At Mister Kelly's), these tracks were mined from her dates in the '50s and '60s for Mercury/EmArcy and Roulette. Of the 16 selections, there's a good mix of small-group sessions ...
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By Himself: Arbors Piano Series, Vol. 3
(1998)
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by
Dave Frishberg
Dave Frishberg had not recorded a strictly instrumental solo piano record in many years when he cut this 1997 Arbors set. Actually he does vocalize on four numbers (most memorable is his classic "I Want To Be A Sideman" and a remake of "Can't Take You Nowhere"), the other ten songs put the focus purely on his underrated but swinging mainstream ...
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How About Me
(2006)
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by
Ernie Andrews
The irrepressible Ernie Andrews continues his late-career renaissance with How About Me. Produced by saxophonist Houston Person, Andrews fronts a quintet with Person, guitarist Terry Evans, pianist and arranger Phil Wright, Richard Simon on bass, and Frank Wilson on drums. The material ranges from all over the place, but most comes from the 1940s ...
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The Beginning Years
(1945)
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by
Lucky Thompson
The first CD put out by the collectors IAJRC label was a big success, a collection of some of tenor saxophonist Lucky Thompson's mid-'40s West Coast recordings. Thompson cut an enormous amount of sides while in Los Angeles during 1945-47 and some of the cream is on this CD. The skilled tenor (whose transitional style fell between swing and bop) is ...
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Jeep Is Jumpin' [Proper Box Set]
(2003)
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by
Johnny Hodges
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Ultimate Carmen McRae
(1964)
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by
Carmen McRae
A slightly misleading title, but very nice. Ron Wynn, All Music Guide
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Who Struck John?: The Best of the Duke's Men, Vol. 2
(2000)
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by
Johnny Hodges
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Haven't We Met?
(1965)
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by
Carmen McRae
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