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The State of the Tenor, Vols. 1 & 2
(1985)
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by
Joe Henderson
Blue Note's Doubletime series combines live sessions previously issued on two single albums onto one double CD. One of the first releases was Joe Henderson's brilliant tenor sax recital recorded live at the Village Vanguard in 1985. The State of the Tenor, Vols. 1 & 2 features Henderson backed only by bass and drums in a setting that pays homage ...
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Inner Urge
(1964)
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by
Joe Henderson
This early recording by Joe Henderson is not only one of the finest of all of his fine recordings, but is also a high point for 1960s jazz. At this point in his career, Henderson was a full-time member of Horace Silver's combo and did not yet have a steady band in his hire. He is joined on Inner Urge by veterans of other combos: McCoy Tyner and ...
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Power to the People
(1969)
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by
Joe Henderson
This album (which has been included in Joe Henderson's complete, eight-CD Milestone Years box set) has quite a few classic moments. At that point in time, tenor saxophonist Henderson was a sideman with Herbie Hancock's Sextet, so Hancock was happy to perform as a sideman, doubling on piano and electric piano, with the all-star group, which also ...
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Live at the Monterey Jazz Festival: Highlights, Vol. 1
(2007)
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by
Various Artists
This sampler is comprised of performances from several different Monterey Jazz Festivals, spanning 41 years. Some of the selections (those featuring Louis Armstrong, Miles Davis, Thelonious Monk, and Sarah Vaughan) were released elsewhere in the first batch in this series of previously unavailable Monterey performances. One can assume that the ...
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Joe Henderson Quintet at the Lighthouse
(1970)
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by
Joe Henderson
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First Avenue
(2004)
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by
Tineke Postma Quartet
In 2003, a British publication ran an article claiming that the future of jazz lies in Europe, and that the United States is no longer the jazz Mecca it once was. While it's premature and shortsighted to write off the U.S. where jazz is concerned -- the U.S. is still the home of countless major-league improvisers -- there is no denying the ...
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Big Band
(1992)
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by
Joe Henderson
On this 1996 recording, improbably the first to ever feature him leading a big band, the inimitable Joe Henderson assembled nine compositions (seven of which were self-penned) and a topnotch band for a very interesting record. Volumes have been written about Henderson as a soloist but, on Big Band, even the longest-term Henderson fan gets to hear ...
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The Copenhagen Connection
(2006)
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by
Tomas Franck
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Thank You, Joe!: Our Tribute to Joe Henderson
(2000)
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by
Arkadia Jazz All-Stars
This 2000 release titled Thank You, Joe! Our Tribute to Joe Henderson represents Arkadia's fourth in a series of "tributes" to jazz artists who have made a conspicuous difference to this constantly evolving musical art form. On this recording, seasoned veterans such as trumpeter Randy Brecker and pianist Joanne Brackeen coalesce with some of the ...
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The New Young Lions of Jazz
(2001)
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by
Various Artists
On The New Young Lions of Jazz, noted Arkadia and Postcard bandleaders present songs as showcases for solo forays by a different featured performer on each track. Leading off the disc, James Carter works out elegantly on the tenor sax on "My Favorite Things," led by Benny Golson. On one of the few vocal selections in this four-CD series, Kurt ...
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Blue Note
(2000)
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by
Various Artists
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Jazz Monterey: 1958-1980
(2001)
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by
Various Artists
Prior to its reissue by Quicksilver, this two-CD anthology was briefly available as a two-LP set from the long defunct Palo Alto label in the early '80s. The tracks cover a wide range of artists in concert at the Monterey Jazz Festival between 1958 and 1980, though the recording quality varies widely. Highlights include Cannonball Adderley's funky ...
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Introducing Three for All & One
(1993)
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by
Craig Handy
The trio of Craig Handy (on tenor and soprano), bassist Charles Fambrough, and drummer Ralph Peterson lives up to its potential during a wide-ranging set. The improvisations are explorative yet melodic and logical, while the interplay between these talented players is consistently impressive. Together they explore tributes to Clifford Jordan and ...
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Seven Steps to Heaven
(2005)
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by
Gordon Beck
British pianist Gordon Beck has had a wide-ranging career, playing with everyone from Tubby Hayes to Allan Holdsworth, the Phil Woods European Rhythm Machine to Helen Merrill. On Seven Steps to Heaven, he teams up with three excellent if obscure French jazz musicians, stretching out on Billy Childs' "Backwards Bop" and six jazz standards. Four of ...
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Complete Concert: Live at the Wigmore Hall, London
(1997)
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by
Phil Woods/Gordon Beck
Although alto saxophone great Phil Woods made several duo sessions with pianists during the 1990s, this concert with Gordon Beck, one of the pianists from his European Rhythm Machine (the other was George Gruntz), is easily the best of the lot. The musicians take their time stretching out on timeless standards like Cole Porter's "Everything I Love ...
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Storm Before the Calm
(2000)
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by
The New England Jazz Ensemble
The New England Jazz Ensemble saw the light of day in June of 1991. Its formation was prompted by musicians who had taken one too many sentimental journeys and trips on the "Skyliner." At the same time, these musicians wanted to continue to experience the excitement of a big-band setting. There's nothing as invigorating emotionally and musically ...
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Joe Henderson: Inner Urge
(2004)
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by
Jamey Aebersold
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Third Wish
(2008)
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by
Mike Moreno
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Tangria Jazz Group
(2008)
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Tangria Jazz Group
Tangria Jazz Group's third CD is an impressive date, mixing fresh arrangements of familiar jazz classics, along with compelling originals. Simon Rochester's roundabout, well-disguised solo piano introduction to "Nature Boy" also has a bit of Latin flavor as the trio enters, plus an inventive bass line by Justin Hellman. John Carisi's "Israel," a ...
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The Reunion Band
(1980)
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by
John Dentz
An overlooked independent label session from 1980 that featured drummer John Dentz leading a band with premier players Chick Corea and Ernie Watts, plus bassist Andy Simpkins. Although he didn't dominate the session, Dentz wasn't overwhelmed by Watts and Corea, both of whom played with their usual excellence. Ron Wynn, All Music Guide
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