Your search: Music » Song title: Is It Love That We're Missing
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Q's Jook Joint
(1994)
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by
Quincy Jones
The multi-talented Quincy Jones has excelled at idiomatic combinations in his albums since the '60s, when his mix-and-match soundtracks for television and films alerted everyone that he'd switched from a pure jazz mode to a populist trend. Q's Jook Joint blends the latest in hip-hop-flavored productions with sleek urban ballads, vintage standards, ...
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Ultimate Collection
(2002)
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Quincy Jones
In 1974, Quincy Jones, who already had a wide range of musical credits behind him, opted to enter the R&B mainstream by hiring vocalists and overseeing recordings in a commercial vein released under his name. The first of them was Body Heat, which went gold, and Jones followed with a series of records including 1981's million-selling The Dude and ...
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Strawberry Letter 23: The Best of the Brothers Johnson
(2003)
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The Brothers Johnson
Released in 2003, A&M's Strawberry Letter 23: The Best of the Brothers Johnson more or less renders 1996's Greatest Hits obsolete. Containing virtually the same material, plus a selection that includes five more songs -- not to mention 24-bit remastered sound -- it thusly tops all the other anthologies that have come out of the U.K. and the U.S. ...
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20th Century Masters - The Millennium Collection: The Best of the Brothers Johnson
(2000)
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The Brothers Johnson
The Millennium Collection: The Best of the Brothers Johnson features 13 of the duo's '70s and '80s hits, including "Get the Funk out Ma Face," "Strawberry Letter 23," "Ain't We Funkin' Now," and "I'll Be Good to You." "Is It Love That We're Missin'" from Quincy Jones' Mellow Madness, "Light Up the Night," and "Runnin' for Your Lovin'" are some of ...
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Mellow Madness
(1975)
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Quincy Jones
Released not long after Quincy Jones was operated upon for life-threatening brain aneurysms, the music community was glad to have this album around (you can almost sense Q's own relief as he holds his forehead on the cover). Basically, though, it continues the polished, percolating soul direction that Q initiated with Body Heat, alienating purists ...
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I Heard That!
(1969)
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Quincy Jones
This two-LP set was supposed to contain a monumental suite tracing the evolution of black music but since Jones needed more time to work on it (it has yet to emerge!), he put out this stopgap set. One LP contains new material, the other is a retrospective of his previous A&M albums. The first LP is dominated by the generic soul vocals of a Quincy ...
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Smooth Grooves: Jazzy Soul, Vol. 1
(2000)
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by
Various Artists
Rhino's Smooth Grooves series continues with Jazzy Soul, Vol. 1, a collection of jazzy soul hits from Loose Ends, Miki Howard, Kashif, and Shirley Jones. Al Jarreau's "Mornin'," Maze's "Golden Time Of Day," Bill Withers' "Lovely Day," and the Blackbyrds' "Walking In Rhythm," set the tone for this sophisticated R&B set, which also includes songs by ...
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Classics, Vol. 3
(1987)
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Quincy Jones
This collection was released during the time of A&M's 25th anniversary. Also at the time CD technology was still a new thing. That might explain the near-scientific title. Two of Jones' more quirky arrangements, "Gula Matari" and the "Sanford and Son Theme," show up here. In a surprise move, Jones' graceful and apt cover of Stevie Wonder's "You've ...
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Greatest Hits
(1996)
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by
Quincy Jones
Greatest Hits contains a selection of Quincy Jones' greatest pop hits of his work for A&M, including tracks from hit albums like The Dude, Body Heat, and Smackwater Jack. For jazz purists, this isn't a worthwhile purchase, but for fans of R&B hits like "Just Once," "Is It Love That We're Missin'," "Ai No Corrida (I-No-Ko-ree-da)" and "Stuff Like ...
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