Your search: Music » Song title: Illinois Blues [James]
(19 matching music titles)
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Territory
(1998)
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Alvin Youngblood Hart
Hart is so determined to display his stylistic dexterity that he winds up wandering all over the map: country swing, blues, reggae, gutbucket rock. Each selection is worthy, although a more consistent thematic thread would make the album more listenable. Tim Sheridan, All Music Guide
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Hard Time Killing Floor Blues
(2003)
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Skip James
Hard Time Killing Floor Blues was the first session Skip James recorded following his rediscovery by John Fahey and Henry Vestine in the mid-'60s. Though he had not played the blues for more than 20 years, his skills were largely undiminished, and he turns in a fantastic set here. James was the pinnacle of the Bentonia (Mississippi) sound, which ...
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Cypress Grove Blues
(2004)
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Skip James
With his high, eerie falsetto and haunting guitar tunings, Skip James sounds like no other country blues player. Although his lyrics were generally drawn from the floating bag of clichés that showed up in countless blues songs, his atmospheric recordings, done in 1931 for Paramount, gave James' songs the appearance of poignancy, and his sad, ...
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Devil Got My Woman
(1968)
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Skip James
Skip James made his original reputation with 17 recordings that he cut during February 1931, when he was 28. Although fluent on both the guitar and (to a lesser extent) the piano, James was most notable for his storytelling lyrics, his haunting high-pitched voice, and his distinctive interpretations of the Delta blues. James was rediscovered 33 ...
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Homemade
(1999)
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Cephas & Wiggins
Homemade might fall just short of the peaks of Cool Down, Cephas & Wiggins' first album for Alligator Records, but it has a similar rustic, laid-back charm that is equally engaging. Cephas & Wiggins may not be breaking any new ground with this record, but they're performing at a high standard, which is enough to make Homemade enticing for any fan ...
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She Lyin'
(1964)
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by
Skip James
By the time James had been rediscovered in the 1960s, he was still capable of playing entrancing, dynamic music, but was much less consistent and not as striking a vocalist. It was a testimony to his greatness that he still managed to make compelling records, and he was among the best storytellers and dramatic singers in the traditional realm. ...
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I'd Rather Be The Devil: The Legendary 1931 Session
(2007)
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Skip James
They've been reissued as a piece before, and no doubt they'll be reissued together in the future. But here they are again on this 2007 compilation: all 18 surviving tracks that Skip James recorded in February 1931 for Paramount Records, which in fact represented the totality of his output on disc before he was rediscovered in the '60s. It's gotten ...
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Illinois Blues
(2004)
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by
Skip James
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Hard Time: Best of Skip James
(2003)
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Skip James
Skip James' fame rested initially on a handful of 78's recorded in 1931, and with his eerie falsetto and odd guitar tunings, not to mention his utterly unique piano style, he was that rarest of bluesmen, a maverick performer with a completely original and singular approach to the blues. His rediscovery in the 1960s, with all his skills still ...
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If You Take Me Back: Document Shortcuts, Vol. 2
(2005)
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by
Various Artists
Document Records has nearly 900 titles in its catalog and is easily the largest purveyor of American vernacular music, with titles featuring vintage American blues, jazz, boogie-woogie, gospel, old-timey, and country, all drawn from commercially released 78s and rare field recordings. If You Take Me Back is one of a series of samplers Document has ...
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The Complete 1931 Recordings
(2005)
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by
Skip James
Skip James recorded 18 songs for Paramount Records in Grafton, WI, in 1931, a session that yielded some of the greatest and most unique sides in the history of country blues. These tracks have been issued in their entirety by several labels, including Yazoo, Document, and Body & Soul, each of which has transferred them from surviving 78s. In the ...
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The Complete Early Recordings of Skip James
(1994)
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Skip James
The Complete Early Recordings CD showcases a true guitar virtuoso who was no slouch on the piano either. His break on "Illinois Blues" is almost off-putting in the nonchalance with which he twists the notes around, and "How Long 'Buck'" features him giving forth some funky piano in an almost playful manner. This is a remastered edition of an ...
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Complete Bloomington Indiana Concert, Vol. 2 (3/30/68)
(1999)
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by
Skip James
This is the second half of a show Skip James gave in Bloomington, IN, on March 30, 1968. He is in fine form here, with his high, haunting vocals and delicate guitar work sounding wonderfully intimate as he delivers solid versions of "Illinois Blues," "Cypress Grove Blues," and "Catfish Blues" before closing things off with a handful of spirituals, ...
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Legends of Country Blues
(2003)
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by
Various Artists
JSP's Legends of Country Blues compiles five CDs of performances by Son House, Skip James, Bukka White, Tommy Johnson, and Ishman Bracey. These historic prewar recordings have been remastered, and according to the packaging, feature "unprecedented listening quality." While that claim is a bit of a stretch, the majority of this material does sound ...
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Heroes of the Blues: The Very Best of Skip James
(2003)
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Skip James
Skip James' soft eerie falsetto and odd guitar tunings place him apart from other Delta blues players, and when he took a turn at the piano, that, too, was unique. His reputation rests on a dozen or so sides recorded in the late '20s and early '30s, but when he was rediscovered in the 1960s, his skills were still intact and he recorded for several ...
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King of the Blues, Vol. 8
(2003)
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by
Skip James
With his high, eerie falsetto and haunting guitar tunings, Skip James sounds like no other country blues player. Although his lyrics were generally drawn from the same bag of floating clichés that showed up in countless other blues songs, his atmospheric recordings, done in 1931 for Paramount, gave James' songs the appearance of tremendous ...
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Suitcase Full of Blues
(1995)
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by
Various Artists
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Live: Boston, 1964 & Philadelphia 1966
(1994)
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by
Skip James
These recordings, made in coffee houses during the folk boom and James' comeback after 30 years of obscurity, find him still in remarkable control of his talents. His guitar and piano playing are agile and sensitive and his high tenor still sends a shiver down the spine. The sound is very good (save for the occasional drop out), but more ...
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The Great Bluesmen at Newport '59
(1976)
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by
Various Artists
This two-LP, single-CD compilation offers up 21 songs recorded live between 1959 and 1965 at the Newport Folk Festival. This is a killer selection of cuts by rediscovered '30s blues legends, many rising to the occasion to perform in front of thousands of people at once. A lot of comebacks and late-in-life careers were sparked by the performances ...
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