Your search: Music » Song title: I Can't Hold Out [James]
(19 matching music titles)
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461 Ocean Boulevard
(1974)
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Eric Clapton
461 Ocean Boulevard is Eric Clapton's second studio solo album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean ...
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461 Ocean Boulevard [Deluxe Edition]
(2004)
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by
Eric Clapton
Polydor/Chronicles' 2004 deluxe edition reissue of Eric Clapton's 461 Ocean Boulevard -- long considered one of Clapton's best solo albums, ranking alongside Eric Clapton and Slowhand as one of his finest studio efforts -- expands the original ten-track album to two discs. The original album is supplemented by five session outtakes on the first ...
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Let's Work Together
(2001)
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by
Canned Heat
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Live and Burning
(1978)
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by
Son Seals
Live and Burning lives up to its billing. Seals' smoking set, caught live at Chicago's long-gone (and definitely lamented) Wise Fools Pub, finds him attacking a sharp cross-section of material -- Detroit Junior's deliberate "Call My Job," Elmore James' "I Can't Hold Out," his own "Help Me, Somebody" -- with an outstanding band in tow, featuring ...
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The Complete Blue Horizon Sessions: 1967-1969
(1999)
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Fleetwood Mac
A six-CD set of everything Fleetwood Mac recorded for the British Blue Horizon label. Wait, you're saying, didn't they only do two albums for Blue Horizon before leaving the company in early 1969? True, but there were also the non-LP singles that comprised the bulk of the U.K. compilation The Pious Bird of Good Omen, the two albums of blues jams ...
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Live at the BBC
(1995)
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by
Peter Green's Fleetwood Mac
If you've ever wondered what the original Fleetwood Mac really sounded like, these BBC Recordings give a very good idea. They're one part blues band, one part oldies act, one part serious, and one part tongue very much in cheek. Any band that could play Elmore James and B.B. King blues with absolute precision and passion one minute and become a ...
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Bad Habits
(1995)
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by
Colin James
Canadian blues guitarist Colin James turns in a fine set of both original and cover material. Paring back the sound of his previous effort to the basic guitar, bass and drums, James uses horns and keyboards to color and accentuate certain tracks rather than overwhelm. He works his blues magic on such covers as Robert Johnson's "Walkin' Blues" and ...
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Fever for the Bayou
(2005)
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by
Tab Benoit
Tab Benoit's latest release on Telarc, Fever for the Bayou, continues in what has become Benoit's signature territory, a funky, ragged blend of Louisiana swamp blues and East Texas guitar, with hints of funk, soul, and country thrown in to give the gumbo just the right spice. If it sounds like a formula, well, Benoit's jagged guitar playing and ...
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Boston Blues
(2000)
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by
Fleetwood Mac
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Live in Boston, Vol. 1
(2003)
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by
Fleetwood Mac
Recorded during a legendary extended weekend stand in 1970, these live recordings from the three guitar lineup of Fleetwood Mac have existed in various shoddy, uneven and sometimes sloppy configurations, but were finally sorted out and released as a triple disc box, (also available individually) in 1999. First generation source tapes were utilized ...
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Fleetwood Mac in Chicago
(1975)
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Fleetwood Mac
A two-record set culled from sessions the Peter Green/Danny Kirwan/Mick Fleetwood/John McVie edition of the band held at Chess Studios in Chicago in January 1969 with such blues legends as Otis Spann and Willie Dixon. Despite their awe, the Brits hold their own on a set of standards. (Reissued on CD under the title In Chicago 1969 on April 26, ...
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Chronicles: 461 Ocean Boulevard/There's One in Every Crowd/E.C. Was Here
(2005)
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by
Eric Clapton
Polydor's 2005 set Chronicles is a budget-line box set repackaging of three Eric Clapton albums from the mid-'70s: 461 Ocean Boulevard, There's One in Every Crowd, and E.C. Was Here. Although these three albums were released sequentially between 1974 and 1975, their grouping together three decades later seems nearly random since, apart from 461 ...
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Blues Masters: The Very Best of Elmore James
(2000)
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by
Elmore James
A good 16-song compilation, but a puzzling one. It essentially duplicates The Sky Is Crying: The History of Elmore James, but must be judged as slightly inferior, as that other compilation has 21 tracks. The puzzle is that The Sky Is Crying, like The Very Best Of, is also on Rhino, and was still in print when this compilation was released in 2000. ...
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Man of the World
(1978)
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by
Fleetwood Mac
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Blues from the Heart of Dixie: A Collection of Contemporary Blues Songs, Vol. 1
(2005)
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by
Various Artists
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461 Ocean Boulevard [Hybrid SACD]
(2004)
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by
Eric Clapton
461 Ocean Boulevard is Eric Clapton's second solo studio album, arriving after his side project of Derek and the Dominos and a long struggle with heroin addiction. Although there are some new reggae influences, the album doesn't sound all that different from the rock, pop, blues, country, and R&B amalgam of Eric Clapton. However, 461 Ocean ...
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Juanita
(1997)
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by
Homesick James
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The Sky Is Crying: The History of Elmore James
(1993)
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by
Elmore James
With the confusing plethora of Elmore James discs out on the market, this is truly the place to start, featuring the best of his work culled from several labels. Highlights include James' original recording of "Dust My Broom," "It Hurts Me Too," "T.V. Mama" (with Elmore backing Big Joe Turner), and the title track, one of the best slow blues ever ...
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Blues Jam in Chicago, Vol. 1
(1969)
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by
Fleetwood Mac & Otis Spann
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