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The Definitive Collection [Hip-O]
(2006)
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by
John Lee Hooker
What can be said about yet another John Lee Hooker greatest-hits collection!? Not only is the music consumer loaded down with these discs, but frankly, most are very similar in content. The main thing to look for when purchasing a compilation of "The Hook" is a trust worthy label. Hip-O's Definitive Collection provides one such example, complete ...
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The Very Best of John Lee Hooker [Rhino]
(1995)
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by
John Lee Hooker
This 16-track collection sweats down Rhino's two-disc anthology to a lean, mean and essential single disc. Here are the earliest recordings that established Hooker as a major blues artist -- "Boogie Chillen," "Hobo Blues," "I'm In the Mood," "Crawlin' Kingsnake," and "Huckle Up Baby" -- and they sound better here than on most other collections, ...
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The Best of John Lee Hooker [GNP]
(1973)
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by
John Lee Hooker
Here's 20 of John Lee Hooker's Vee-Jay recordings. It's a mixed batch of full-band sides -- some that work, some that don't -- a couple of live solo tracks (dubbed from noisy vinyl, too), and some solo studio tracks that include re-cuts of his early hits like "Boogie Chillun" and "I'm in the Mood." As Hooker collections go, this one's not bad, but ...
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I'm in the Mood [Pazzazz]
(2005)
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by
John Lee Hooker
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I'm John Lee Hooker
(1960)
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by
John Lee Hooker
Winding through the literally hundreds of titles in John Lee Hooker's catalog is a daunting task for even the most seasoned and learned blues connoisseur. This is especially true when considering Hooker recorded under more than a dozen aliases for as many labels during the late '40s, '50s, and early '60s. I'm John Lee Hooker was first issued in ...
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Blues Kingpins
(2003)
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by
John Lee Hooker
If John Lee Hooker hadn't existed, the blues would have had to invent him, because he provides a perfect bridge between prewar country blues from the south and the urban electric blues that took form in Chicago and other Northern cities following the war. Hooker's first big hit, the primeval "Boogie Chillen'" from 1948, is a case in point, with ...
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Live at Newport
(2002)
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by
John Lee Hooker
Live at Newport is an addition to the already huge pile of archival John Lee Hooker releases (one that will surely continue to grow as licenses to Hooker's myriad recordings for different labels exchange hands). What differentiates this release from many of the others is that it focuses on a pair of acoustic performances from the bluesman, a ...
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Alone
(1976)
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by
John Lee Hooker
Because he's so loose and improvisatory -- and because he loves to twist the 12-bar format into so many different shapes and sizes -- John Lee Hooker can present a major challenge to sidemen. More than a few times, Hooker has done without sidemen altogether and gone it alone with thrilling results. That's exactly what happens on Alone, an ...
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Blues at Newport
(1991)
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by
Various Artists
Blues at Newport -- Newport Folk Festival 1959-64 offers fine performances by John Hurt, Skip James, Rev. Gary Davis, Robert Wilkins, and others. Mark A. Humphrey, All Music Guide
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Down Child
(2007)
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by
John Lee Hooker
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Golden Legends [Direct Source]
(2000)
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by
John Lee Hooker
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Forever Gold
(1999)
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by
John Lee Hooker
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The Best of John Lee Hooker [EMI-Capitol Special Markets]
(2001)
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by
John Lee Hooker
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Rock with Me
(2003)
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by
John Lee Hooker
There are literally dozens of John Lee Hooker compilations out there. Many of them come from far more important eras than the stuff here. That said, this is one recording for Hooker collectors. The material comes form the 1960s and '70s, all of it with a band. But the real thing to recommend this set over others -- for hardcore fans -- is the 18 ...
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Great
(1996)
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by
John Lee Hooker
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Boogie Chillen [Indigo]
(2001)
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by
John Lee Hooker
This 20-track compilation is taken solely from 1948-49 sessions, an era that has been drawn from repeatedly for Hooker anthologies. If anyone ever assembles a comprehensive Hooker discography that delineates not only his original releases, but where and when these have been reissued, he or she deserves a government grant or something, because it's ...
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The Gold Collection [Retro]
(2000)
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by
John Lee Hooker
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Most Famous Hits: The Album
(1997)
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by
John Lee Hooker
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The Real Blues Brothers
(1987)
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by
Various Artists
This is a nice Vee-Jay collection with representative cuts from Pee Wee Crayton, John Lee Hooker, Jimmy Reed, Lightnin' Hopkins, Billy Boy Arnold, Memphis Slim and a stray track from Brownie McGhee and Sonny Terry. The big ticket for collectors on this one, however, is the inexplicable bonus of a previously unissued Eddie Taylor number, "Leave ...
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My Dusty Roads
(2005)
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by
John Lee Hooker
This collection centers on the prolific John Lee Hooker's recordings for Vee-Jay Records in the late '50s and early '60s. Some of this material is as smooth as Hooker ever got (relatively speaking, of course). Check out "Onions" here to get a glimpse of what Hooker might have sounded like in a parallel universe backed up by Booker T. & the MG's ...
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Hobo Blues
(1990)
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by
John Lee Hooker
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Boom Boom and Other Hits
(2003)
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by
John Lee Hooker
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Boom Boom [Prestige Elite]
(2002)
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by
John Lee Hooker
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Blues from the Motor City
(2005)
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by
John Lee Hooker
This collection centers on the prolific John Lee Hooker's recordings for Bernie Besman at United Sound Studios in Detroit between 1948 and 1952 (these were leased to Modern Records in Los Angeles, although Besman did release some of them on his own Sensation Records imprint). There are countless compilations of Hooker material on the market, ...
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Shades of Blue [Direct Source]
(2000)
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by
Various Artists
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