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The Beatles 1
(2000)
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The Beatles
Apparently, there was a gap in the Beatles' catalog, after all -- all the big hits weren't on one tidy, single-disc compilation. It's not the kind of gap you'd necessarily notice -- it's kind of like realizing you don't have a pair of navy blue dress socks -- but it was a gap all the same, so the group released The Beatles 1 late in 2000, ...
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1967-1970
(1973)
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The Beatles
Picking up where 1962-1966 left off, the double-album compilation 1967-1970, commonly called The Blue Album, covers the Beatles' later records, from Sgt. Pepper through Let It Be. Like The Red Album, The Blue Album contains a mixture of hits, including singles like "Lady Madonna," "Hey Jude," and "Revolution" that were never included on an LP, ...
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Across the Universe [Original Soundtrack]
(2007)
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Original Soundtrack
As soundtracks to misguided Beatles-inspired movies go, Across the Universe -- the companion piece to Julie Taymor's pseudo-psychedelic fantasmagoria extravaganza, telling the story of the '60s through the tunes of the Fab Four -- isn't too embarrassing. Certainly, it lacks the appalling tackiness of Sgt. Pepper and it's not as stuffy as All This ...
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LOVE
(2006)
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The Beatles
If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new ...
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Past Masters, Vol. 2
(1988)
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The Beatles
Picking up in 1965 where Past Masters, Vol. 1 left off, Past Masters, Vol. 2 collects the 15 non-LP tracks that the Beatles released in the last five years of their career (not counting the singles that were released on Magical Mystery Tour). If Vol. 2 is more eclectic than its predecessor, it isn't quite as thematically consistent, but it does ...
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M.F. Horn, Vol. 2
(1972)
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Maynard Ferguson
During his period on Columbia, Maynard Ferguson showed a willingness (and sometimes even an eagerness) to record pop material. His trumpet playing is frequently brilliant throughout this LP with his English orchestra, but not too many jazz purists will be thrilled with his renditions of "Theme from Shaft," "Spinning Wheel," and "Hey Jude." The ...
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Tripping the Live Fantastic
(1990)
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Paul McCartney
Paul McCartney's return to the stage in 1989 for the Flowers in the Dirt tour was heavily hyped, since it was not only his first extensive tour since the '70s, but also marked the first time he incorporated large portions of the Beatles' catalog into his set list. The double-disc, 37-track Tripping the Live Fantastic documents the tour, and it's a ...
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LOVE [Bonus DVD]
(2006)
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The Beatles
If boiled down to a simple synopsis, the Beatles' LOVE sounds radical: assisted by his father, the legendary Beatles producer George, Giles Martin has assembled a remix album where familiar Fab Four tunes aren't just refurbished, they're given the mash-up treatment, meaning different versions of different songs are pasted together to create a new ...
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The Royal Tenenbaums [Expanded]
(2002)
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Original Soundtrack
Where the soundtrack to Rushmore captured that film's mix of brash and bittersweet through British Invasion obscurities and Mark Mothersbaugh's playfully poignant score, the music for The Royal Tenenbaums -- Wes Anderson's tale of a prodigal patriarch and the brood of child geniuses he left behind -- evokes the film's shabbily genteel New York ...
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The Very Best of Wilson Pickett [Rhino]
(1993)
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Wilson Pickett
Rhino's 1993 collection The Very Best of Wilson Pickett remains the best single-disc anthology of the fiery soul singer's work, choosing 16 of his best tracks for Atlantic and presenting them in excellent remastered sound quality. Pickett never departed all that much from the rough, swaggering vocals that first made his name, but he was utterly ...
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Don Ellis at Fillmore
(1970)
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Don Ellis
This is a crazy and consistently riotous two-disc set that features the Don Ellis Orchestra at its height. The 20-piece orchestra (with trumpeter Ellis doubling on drums along with a regular drummer and two percussionists) often used electronic devices (such as ring modulators) at the time to really distort its sound. When coupled with odd time ...
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Hey Jude
(1970)
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The Beatles
Kind of a catch-all record, Hey Jude was released very late in the Beatles' career, and it collects several singles and B-sides that never made it onto "official" albums. As a record though, it works quite well, and given the Beatles' genius, especially in the area of creating exquisite and ultraprogressive singles, it comes as no surprise. ...
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An Anthology
(1972)
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Duane Allman
Duane Allman's greatness was apparent on his recordings with the Allman Brothers, yet there was another side to the superb guitarist. For many years, he was a highly respected session musician, playing on cuts by Wilson Pickett, Aretha Franklin, King Curtis, Boz Scaggs, Delaney & Bonnie, and Clarence Carter, among others. By including those ...
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The Greatest Hits of the Beatles: Classical Style
(2005)
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Various Artists
The Beatles had an exceptional ability to graft both high and low art into brilliantly melodic packages, creating classic songs that are among the most durable (and versatile) in pop history, and thanks to those amazingly flexible melodies, covers of Beatles songs have been attempted in almost every style under the sun. This brief Compendia ...
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Tenderly
(1998)
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James Last
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The Beatles Tapes [Two-CD Interview]
(1996)
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The Beatles
This two-CD set of interviews might have a worse reputation than it deserves, for when it was first released in 1976, some fans assumed from the title that it might contain some Beatles music, perhaps previously unreleased. There isn't any Beatles music here, however; it's a collection of interviews done by British journalist David Wigg with each ...
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Songs of the Beatles
(1981)
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Sarah Vaughan
Depends strictly on your feeling regarding The Beatles. Ron Wynn, All Music Guide
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Hey Jude
(1969)
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Wilson Pickett
Wilson Pickett and the Muscle Shoals session crew with whom he cut most of his best work thankfully had the good sense to not try to go psychedelic when the pop charts went all day-glo in the late 1960's, but that's not to say they didn't make an effort to change with the times. On Hey Jude, Pickett and producer Rick Hall decided to throw a couple ...
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Cloud Nine/Puzzle People
(2000)
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The Temptations
Part of Motown's European remastering series of its classic albums, this single-CD compilation of the two LPs Cloud Nine and Puzzle People runs circles around any existing domestic CD of either title for sound quality. Representing much of the group's output for the year 1969, the two albums show the group advancing in the face of adversity -- ...
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Elvis Now
(1972)
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Elvis Presley
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Back in the U.S.
(2002)
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Paul McCartney
Another album, another tour, another live album souvenir of the tour. Paul McCartney has essentially followed this pattern since his 1989 return to arenas for the supporting tour for Flowers in the Dirt and each of the records are essentially the same: the big solo hits, some of the big Beatles songs, plus a few tunes from the latest solo album. ...
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Cello Submarine
(1995)
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The 12 Cellists of the Berlin Philharmonic
This disc may be easier to find in the classical section (this reviewer found it filed under "McCartney" as a composer), but it's worth the search. There have been lots of attempts at applying serious classical virtuosity to the Beatles' music, but Cello Submarine is one of the strangest and most delightful. The 12 cellists of the Berlin ...
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Suspicious Minds [1999]
(1999)
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Elvis Presley
Elvis Presley's comeback recordings from the late '60s are generally regarded as some of the finest music he ever made, not only because they proved he could still be exciting, but because they're musically diverse and emotionally rich. That was evident on From Elvis in Memphis, the first record released from his landmark sessions of 1968 and 1969 ...
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Let's Go
(2005)
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The Guess Who
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The 20 Greatest Hits
(1982)
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The Beatles
EMI had a problem. They had the rights to the biggest group in the world ever, the Beatles, and the only way to make any new money out of them was to either rely on steady but unspectacular sales of all their catalog albums or put together a new version of a greatest-hits. When, in 1966, there was a gap in the Christmas market between Revolver and ...
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