Your search: Music » Song title: Gemini [Heath]
(15 matching music titles)
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Triple Threat
(1962)
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Jimmy Heath
Jimmy Heath has long been at least a triple threat as a musician (tenor, flute and soprano), arranger and composer. On this 1998 CD reissue, Heath sticks to tenor, performing "Make Someone Happy" and "The More I See You' while joined by pianist Cedar Walton and his two brothers, bassist Percy Heath and drummer Albert "Tootie" Heath. The other five ...
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About Time: Eric Kloss & the Rhythm Section/Love and All That Jazz
(2002)
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Eric Kloss
Eric Kloss was 16 and 17 when he recorded his first two albums, which are reissued in full on this single CD. A brilliant altoist and tenor saxophonist with a sound and a post-bop style of his own, Kloss shows a great deal of potential during these performances, which were originally released as Introducing Eric Kloss and Love and All That Jazz. ...
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Greatest Hits [Milestone]
(1998)
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Cannonball Adderley
"Greatest Hits" in this case means some of Cannonball Adderley's best-known numbers for the Riverside label, all delivered at their glorious, uncut original length, complete with several of Cannonball's ingratiating spoken intros. Since a few of the obvious choices ("Work Song," "Jive Samba," "Sack o' Woe") were sold by Riverside to Cannonball, ...
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In New York
(1962)
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Cannonball Adderley Sextet
In this volume from Concord's Keepnews Collection, the only real addition to this excellent Cannonball Adderley Sextet live date from the Village Vanguard is a new set of reminiscences from producer Orrin Keepnews himself. As always, Keepnews is candid, sometimes self-depreciating but not reluctant to pat himself on the back, uniquely insightful, ...
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Cannonball in Europe
(2005)
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Cannonball Adderley
Cannonball Adderley is in excellent form on this live date recorded on August 5, 1962, at the International Jazz Festival in Comblain-La-Tour, Belgium. The alto saxophonist fronts an amazing band comprised of brother Nat Adderley on cornet, Yusef Lateef on tenor sax and flute, Joe Zawinul on piano, Sam Jones on bass, and drummer Louis Hayes. The ...
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Deluge
(1994)
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by
Michael Mason
One of the frustrating problems with some straight-ahead acoustic jazz (be it hard bop, post-bop, swing, classic jazz, or Dixieland) is what could be described as "the warhorse syndrome" -- in other words, an artist will record an album of nothing but the most overdone standards and approach them in a totally predictable way. That isn't to say ...
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Mostly Monk
(1993)
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Riverside Reunion Band
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Live at the Village Gate
(1963)
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Milt Jackson Quintet
Vibraphonist Milt Jackson's own sessions outside of The Modern Jazz Quartet tend to be hard-swinging jams through attractive chord changes, a mixture of boppish romps and thoughtful ballad statements. Jackson has frequently worked with tenors and Jimmy Heath, who is well-featured throughout this set (a CD reissue that brings back an earlier LP ...
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Jazz in Paris: Guitar Conceptions
(2001)
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Elek Bacsik
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Love and Understanding
(1973)
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Jimmy Heath
This is one of Jimmy Heath's more unusual and versatile records, and fortunately it has been reissued on CD. Heath switches between tenor, soprano and flute on a diverse program (five originals plus Duke Ellington's "In a Sentimental Mood") that ranges from hard bop to light funk and R&Bish jazz. Heath's sidemen (trombonist Curtis Fuller, cellist ...
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Two O'Clock Jazz Band
(1999)
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Two O'Clock Jazz Band
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The Best of Milt Jackson [Riverside]
(2004)
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Milt Jackson
It wasn't hard for Fantasy to put together The Best of Milt Jackson due to their immense collection of master tapes of his work for Riverside and Prestige, including dates as a leader, sideman or musical partner. The hard part was narrowing it down to just 14 tracks from the eight albums surveyed. Jackson's distinctive, very percussive but always ...
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Enchantment
(2003)
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Hilton Ruiz
New York City-reared pianist Hilton Ruiz honed his style while learning from among the best and brightest in jazz. For Enchantment, the artist enhances his already impressive discography, featuring former bandmate, tenor saxophonist Chico Freeman performing on selected tracks. Ruiz states in the liners, "Play the melodies clearly and make them ...
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Sextet in New York
(2008)
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Cannonball Adderley
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Living Soul
(1966)
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by
Richard "Groove" Holmes
Recorded live at Count Basie's in Harlem on April 12, 1966, this is a decent trio set with Gene Edwards on guitar and George Randall on drums. The five tracks tend toward the long side, weighing in at a minimum of five minutes and, on the cover of Jimmy Heath's "Gemini," stretching out all the way to ten minutes. The relative lack of original ...
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