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Best of the Bee Gees, Vol. 2
(1973)
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The Bee Gees
This album, which originally appeared on LP in several slightly different versions and song lineups in different countries, came out at an unlikely moment. The group's first best-of album had coincided with the trio's split in mid-1969, a point when they had more than enough hits worldwide (a couple of which had never been on album) to justify and ...
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Number Ones
(2004)
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by
The Bee Gees
The problem with the recent spate of "number one" collections from the pop elite -- the Beatles, Michael Jackson, and now the Bee Gees -- is that they're consistently marketed as "greatest-hits" collections. The conceptual weight of "number one" singles for the average listener is about as heavy as the slabs of wax they came out on, and compiling ...
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Anthology
(2004)
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by
Tavares
Very few groups need to be anthologized less than Tavares. That's not to say that they don't deserve to be anthologized at all; that's to say that they've been anthologized far too much, often in the form of poorly packaged budget-bin jobs. By the time this two-disc package was released through Capitol's The Right Stuff, the number of Tavares ...
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Best of the 70's
(2000)
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by
Tavares
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Dark-Eyed Lady
(1978)
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by
Donna Fargo
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The Very Best of Daniel O'Donnell [DPTV]
(2006)
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by
Daniel O'Donnell
DPTV's Very Best of Daniel O'Donnell collection features 20 tracks from the popular country-pop vocalist. O'Donnell's renditions of Irish, country and spiritual classics such as "Danny Boy," "Old Rugged Cross," and the "Wedding Song" are as schmaltzy as the day is long, but like a Sunday morning buffet, you can't help but eat yourself into a coma. ...
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Ballroom Dances [Casa de Musica #1]
(2006)
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by
Various Artists
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Heartbreakers
(2002)
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by
Daniel O'Donnell
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Number Ones [Bonus Tracks]
(2005)
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by
The Bee Gees
The problem with the recent spate of "number one" collections from the pop elite -- the Beatles, Michael Jackson, and now the Bee Gees -- is that they're consistently marketed as "greatest-hits" collections. The conceptual weight of "number one" singles for the average listener is about as heavy as the slabs of wax they came out on, and compiling ...
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Instrumental Bee Gees
(2003)
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by
Various Artists
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I Need You/Don't Forget to Remember
(2002)
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by
Daniel O'Donnell
In 2002, Rosette Records released I Need You/Don't Forget to Remember, which contained two albums -- I Need You (1986) and Don't Forget to Remember (1987) -- by Irish mainstream crooner Daniel O'Donnell on a two-disc set. Tim Sendra, All Music Guide
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Cucumber Castle
(1970)
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by
The Bee Gees
An overlooked work in the Brothers Gibb catalog, Cucumber Castle is an excellent album that plays to the Bee Gees' strengths of melody, arrangement, and craftsmanship. Though at times one may miss the distinctive trembling vocals of Robin Gibb (the brothers had split up at this point), Barry and Maurice carry on with 12 cuts that continue in the ...
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Capitol Gold: The Best of Tavares
(1996)
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by
Tavares
As prolific as Tavares was during the latter half of the '70s and the early half of the '80s, its compilations outnumber its proper studio albums. It's nearly impossible to consider all of the band's compilations without getting cross-eyed and confused, but Capitol Gold: The Best of Tavares -- released in 1996 -- remained the best of the crop ...
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Very Best of the Bee Gees
(1998)
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by
The Bee Gees
Polydor wised up with this 1997 expanded version of their 1990 set, The Very Best of the Bee Gees, in that they took the collection and added nine tracks (from 12 to 21), intensifying the study of the impressive depth and breadth of the Bee Gees catalog. The collection runs chronologically from the group's late-'60s folk-pop period through their ...
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Their Greatest Hits: The Record [Japan Bonus Tracks]
(2002)
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by
The Bee Gees
Their Greatest Hits: The Record stands as the best Bee Gees hits package available, assembling both vital European and American hits from their early-'60s period all the way through to 2001. Disc one includes their major '60s and early-'70s hits, up to "You Should Be Dancing." Included are their major American hits, such as "New York Mining ...
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Tales from the Brothers Gibb
(1990)
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by
The Bee Gees
This four-CD set is very good, but it also isn't quite all it could have been, mostly because the makers were hamstrung by the peculiar nature of the Bee Gees' audience. In the United States, their 1967-1977 output, embracing sounds from psychedelic pop to disco, is the biggest-selling part of their catalog, but those hits were already represented ...
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The Very Best of the Bee Gees [1997]
(1997)
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by
The Bee Gees
This collection runs chronologically from the group's late-'60s folk-pop period through their legendary disco contributions, thus tracing the arc of the Gibbs Brothers' diverse career via their influence on pop culture and vice versa. The collection is then topped off by two late-'80s cuts which sit alongside the collection remarkably well, and ...
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Leland Martin
(2005)
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by
Leland Martin
Singer/songwriter Leland Martin has had a somewhat sporadic career, releasing only four albums on three different labels in the course of a decade and a half, but the Missouri native is a rough-edged, expressive singer in a traditional honky tonk style. The production here is old-fashioned in the best possible sense, with pedal steel and fiddle ...
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I Still Believe in Tomorrow
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by
John and Anne Ryder
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Tavares Live [Classic World]
(1999)
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by
Tavares
These same 13 tracks, sequenced differently, first surfaced on Waxworks Records. Live album lovers will enjoy this one; live album haters will not. Live recordings lack the dynamics of studio sessions, and many can only appreciate a live recording if they were at the taping, and that doesn't happen often. Unlike most soul groups who cut live ...
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Rumba
(1996)
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by
Ray Hamilton Orchestra
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The Very Best of Daniel O'Donnell [Rosette]
(1991)
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by
Daniel O'Donnell
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