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Don't Look Back

Don't Look Back (1978) more music like this

by Boston

The follow-up to Boston's mega-hit first album, Boston, Don't Look Back took two long years to complete, and it's hard to figure out why because it's almost exactly the same as their debut. The guitars still sound like they are being fed through computers and stacked into great walls of sound by robots, lead singer Brad Delp still sounds like he ...

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Definitive Collection

Definitive Collection (2007) more music like this

by Robert Cray

Robert Cray's musical strengths, which include an economic, elegant and melodic guitar approach and a soulful and unthreatening vocal style, have led many blues purists to question his authenticity in the genre, but to his credit, Cray has ignored all that and fashioned an approachable legacy that treats the blues as a vital ingredient in a kind ...

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Man at Work

Man at Work (2003) more music like this

by Colin Hay

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Greatest Hits

Greatest Hits (1992) more music like this

by TKA

In the 1980s and early '90s, TKA was the top male group in the genre termed "freestyle" and "Latin hip-hop." The latter is a definite misnomer, for this type of music isn't hip-hop per se, but rather dance music with hip-hop and Latin elements. Boasting such club smashes as "One Way Love," "Tears May Fall," "Scars of Love" and "Come Get My Love," ...

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Mya

Mya (1998) more music like this

by Mya

Mya's eponymous debut is a smooth, sultry collection of well-crafted contemporary urban soul that is actually richer than the average urban record the late '90s. Part of its success lies with the teenage Mya, who has a voice that is at once innocent and knowing, and part of it lies with her excellent team of producers and songwriters. Executive ...

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Ultimate Air Supply

Ultimate Air Supply (2003) more music like this

by Air Supply

In 1999, Arista released an 18-track Air Supply anthology called Definitive Collection. Four years later, Arista/BMG Heritage released an 18-track Air Supply anthology called Ultimate Air Supply. What is the difference between the two collections? Five tracks (plus new liner notes, including track-by-track recollections by Graham Russell and ...

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The Complete Stax-Volt Singles 1959-1968

The Complete Stax-Volt Singles 1959-1968 (1991) more music like this

by Various Artists

At nine discs and 244 tracks, The Complete Stax-Volt Singles: 1959-1968 is far too exhaustive for casual fans, but that's not who the set is designed for -- it's made for the collector. Featuring every A-side the label released during those nine years, as well as several B-sides, the set is a definitive portrait of gritty, deep Southern soul. Many ...

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The Truth

The Truth (1993) more music like this

by Aaron Hall

It was Aaron Hall's vocals that powered tracks like "My Fantasy" and "Jam" during his tenure as the lead singer of Guy. After Guy split in 1990, it was inevitable that Hall would go on to a solo career. Released in 1993, The Truth hit the shelves sounding dated in spots, due in part to the ever-changing style of early-'90s urban contemporary. Over ...

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Perfect Self

Perfect Self (2001) more music like this

by Stereomud

By the end of the '80s, hair metal -- the most popular form of hard rock on the market -- had become a profitable formula, with record companies cranking out band after band that sold albums in direct proportion to how well they epitomized the formula that hair metal's core audience had come to expect. Although the sound and philosophy of ...

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Ten

Ten (1990) more music like this

by Y&T

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Juice [Original Soundtrack] (1992) more music like this

by Original Soundtrack

This soundtrack boasts a lineup that stands as a veritable who's who of early-'90s hip-hop. Heavyweights such as Naughty by Nature, Salt-N-Pepa, and Cypress Hill all check in with stellar contributions to this remarkably consistent collection. In addition, respected pioneers of the genre also lend their talents to the album, with Eric B. & Rakim's ...

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Babylon the Bandit (1986) more music like this

by Steel Pulse

Biting, frequently riveting protest material from Steel Pulse. The title track is one of several anthemic numbers punctuated by the remarkable David Hinds. Only Aswad compares to them among British reggae bands, and they've never produced any roots or political tracks superior to routine Steel Pulse material. Ron Wynn, All Music Guide

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Ticket to Ride (1969) more music like this

by The Carpenters

The Carpenters' first long-player, cut in 1969 (and originally released as Offering ) amid the breakdown of America's postwar social contract, the Vietnam War's soaring to a crescendo of bloodshed, the coming apart of the Beatles, and the final flowering (and wilting) of the youth rebellion of the prior four years. And in the middle of all of ...

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Faith (1995) more music like this

by Faith Evans

Faith Evans had written songs for a variety of new jack and hip-hop artists (including Mary J. Blige, Al B. Sure!, Pebbles, and Christopher Williams) before releasing her first album, Faith. The record proves that she is as powerful in the spotlight as she is behind the scenes. Evans builds on a basic, hip-hop-influenced funk, alternating between ...

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More Than a Feeling [Collectables] (2002) more music like this

by Boston

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Rock and Roll Band (1998) more music like this

by Boston

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Gotta Get the Groove Back (1999) more music like this

by Johnnie Taylor

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Now and Forever (1982) more music like this

by Air Supply

Now and Forever was Air Supply's last platinum album in America. Like all of the duo's albums, the best songs were the singles -- "Even the Nights Are Better" and "Two Less Lonely People in the World" -- but the duo delivers the weaker material convincingly, making the album enjoyable for dedicated fans of the group. Stephen Thomas Erlewine, All ...

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Sibling Rivalry (2000) more music like this

by The Doobie Brothers

With an impressive string of Top Ten hits from the early to mid-'70s, the Tom Johnston-era Doobie Brothers worked a good-natured, if vapid, country boogie groove to popular advantage over the course of four albums, before the group evolved into keyboardist/vocalist Michael McDonald's more urbane, occasionally brilliant, white-soul pop unit. On ...

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Psycho-Sonic (1993) more music like this

by Sonics

Everyone would agree that the Sonics reached their peak on their 1964-65 recordings for Etiquette. This 29-track compilation has everything they recorded for the label, extended not just to everything from their singles and two albums, but also with an alternate take of "The Witch" and live recordings of "Psycho" and "The Witch." Consequently, it ...

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Why the Long Face (2004) more music like this

by Suzzy & Maggie Roche

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Boom (1966) more music like this

by The Sonics

The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll. Sandwiched in between the abrasive classics of "Cinderella" and "Don't Be Afraid of the Dark" (with the Wailers on backing vocals), the funk sass of "The Hustler" and "Shot Down," the demonic "He's Waitin'," and the ...

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His All Time Golden Classics (1995) more music like this

by Ronnie Dyson

Collectables Records are correct this time; these 23 selections will satisfy the late Ronnie Dyson's most fanatic fan. The collection includes his career-breaking hit "(If You Let Me Make Love to You Then) Why Can't I Touch You?," as well as a slew of charters and remakes: "I Think I'll Tell Her," "When You Get Right Down to It," and remakes of ...

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Don't Be Afraid of the Dark (1988) more music like this

by Robert Cray Band

With 1986's Strong Persuader, guitarist and vocalist Robert Cray stepped to the front of the line as a smooth and intelligent practitioner of the blues genre. Strong Persuader almost worked as well as a greatest hits set, with the brilliant Willie Mitchell-influenced "I Guess I Showed Her" being best of a perfect ten. With that standard being set, ...

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Don't Be Afraid of Love (2002) more music like this

by Lo Fidelity Allstars

It's never easy to sum up a scene even years after its peak, but with their second album, Lo Fidelity Allstars produced an all-encompassing statement on contemporary dance right in the midst of said scene. Shoved along the path to re-creating themselves by virtually imploding on the eve of a big 1999 tour, Lo Fis returned with a statement of ...

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