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Since I Left You
(2000)
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The Avalanches
Endless summers for many youths don't consist of beaches and surfboards. Instead, they're spent on blacktops and jungle gyms. More gritty and halfway between the curb and the hoop than anything celestial, the Avalanches remind you of a point in your life when you could blissfully hang upside down from monkey bars and just dangle. Like recklessly ...
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The Rise and Fall of Butch Walker and the Let's-Go-Out-Tonites
(2006)
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Butch Walker
Butch Walker has been doing the '70s-inspired rock thing for quite a while, and doing it quite well, though without much acclaim from the general public. The music biz has embraced him as a hot producer, though. Working with Avril Lavigne, Pink, Lindsay Lohan, and Tommy Lee as well as on the second season of Rock Star has brought Walker some ...
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Live at Liberty Lunch
(1990)
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by
Joe Ely
The standard issue live album usually works as a "Greatest Hits" disc with some crowd noise in the background, but since Joe Ely has never been blessed with hit records in the traditional sense, for 1990's Live At Liberty Lunch he was able to pull from the cream of his catalog rather than playing favorites, and thanks to his well-documented ...
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The Best of Donald Byrd
(1992)
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Donald Byrd
Given the long period of time that Donald Byrd recorded for Blue Note (from the 1950s through the mid-'70s), it seems more than a little disingenuous to refer to the relatively brief period he spent with the Mizell Brothers as his producers, arrangers, and composers in the '70s as his best work. It is true that it was his most commercially viable ...
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Places and Spaces
(1975)
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Donald Byrd
Reuniting with Larry Mizell, the man behind his last three LPs, Donald Byrd continues to explore contemporary soul, funk, and R&B with Places and Spaces. In fact, the record sounds more urban than its predecessor, which often played like a Hollywood version of the inner city. Keeping the Isaac Hayes, Curtis Mayfield, and Sly Stone influences of ...
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In Full Gear
(1988)
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Stetsasonic
Stetsasonic's acknowledged classic, In Full Gear greatly expanded the musical approach of their debut, making full use of new sampling technology as well as their unique live-band format. It's an ambitious double-LP set that seemingly aims for nothing less than to encompass every stylistic branch of hip-hop circa 1988. Over the course of 17 tracks ...
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Crazy Diamond
(1994)
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by
Syd Barrett
A three-CD box set that enshrines Barrett's complete recorded legacy as a solo artist. Besides including his two 1970 albums, this collection includes the 1989 compilation of unreleased material, Opel. The chief attraction of this set for Barrett fans is no less than 19 previously unreleased alternate takes from throughout his quite brief solo ...
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Mizell
(2005)
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by
The Mizell Brothers
Any jazz purist who hovered over record bins during the '70s knows to stay away from this, as one quick glance is likely to trigger flashbacks of feeling like a vampire shoved into daylight. Some background info: Fonce Mizell established his do-it-all studio career as part of the Corporation, a Motown team that worked for the Jackson 5, Martha ...
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V for Vendetta
(2006)
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by
Dario Marianelli
Composer Dario Marianelli's (Pride & Prejudice, Brothers Grimm) soundtrack for director James McTeigue's controversial adaptation of Alan Moore's best-selling comic V for Vendetta is a sensuous blend of bombastic action cues and atmospheric vocal pop. With a main theme that riffs on everything from Batman to Gladiator, Marianelli paints a taut, ...
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A Night at the Ritz
(2007)
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by
Office
Office quickly establishes itself as a member of the dance rock family on A Night at the Ritz, the group's label debut after self-releasing Q&A in 2005. Office combines the solid beats of Franz Ferdinand with the Bravery's haunting vocal delivery, but more closely resembles the Kaiser Chiefs both musically and lyrically by juxtaposing light, ...
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Blue Break Beats, Vol. 3
(1997)
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by
Various Artists
Blue Note's Blue Break Beats series spotlights songs from their vaults that have been sampled for various hip-hop and techno tracks. As a result, it's been one of their most popular and entertaining series of the '90s, and for good reason -- this funky soul-jazz lends itself to compilations much easier than bop, since the groove is the only thing ...
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Wouldn't You Miss Me?: The Best of Syd Barrett
(2001)
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Syd Barrett
You know the situation is getting desperate when a compilation recycles material from an outtakes collection released a decade prior. Such is the case with Wouldn't You Miss Me?: The Best of Syd Barrett, a package that basically combines the best of Syd Barrett's two proper albums, The Madcap Laughs and Barrett, with a number of previously ...
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Soul Jams [SPG]
(2006)
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by
Various Artists
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Rhythm & Blues Christmas [Hollywood]
(1994)
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by
Various Artists
Despite its poor sound quality and shoddy packaging, Hollywood's Rhythm & Blues Christmas is an entertaining 20-track collection of familiar R&B Christmas numbers, including Charles Brown's "Merry Christmas Baby," Freddie King's "Christmas Tears," Bill Doggett's "Joy to the World" and Hank Ballard's "Santa Claus Is Coming to Town." It's not ...
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Barrett
(1970)
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by
Syd Barrett
On his second solo album, Barrett was joined by Humble Pie drummer Jerry Shirley and Pink Floyd members Rick Wright (organ) and Dave Gilmour (guitar). Gilmour and Wright acted as producers as well. Instrumentally, the result is a bit fuller and smoother than the first album, although it's since been revealed that Gilmour and Wright embellished ...
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Rainbow Connection
(2001)
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by
Willie Nelson
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Uncle Pat
(2002)
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by
Pat McLaughlin
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Hot Rod Race
(2003)
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by
Arkie Shibley
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Robbie Nevil
(1986)
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Robbie Nevil
A reviewer once said of Nevil "he dresses like a member of INXS but sounds like a Caribbean funk machine." He or she might well have added that he's incredibly patient, because he waited two years for producer Alex Sadkin. With the addition of Phil Thornally, they set out to capture the sound of future pop, encompassing marimbas, percussion, and ...
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Lord of the Highway
(1987)
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by
Joe Ely
Lord of the Highway, Joe Ely's sixth studio album, is something of a return to form for him, in both qualitative and stylistic senses. Ely released five albums (four studio sets and the concert recording Live Shots) on major label MCA Records between 1977 and 1981, gradually modifying his style from country to rock. 1984's Hi-Res took the ...
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I Will Wait for You
(1996)
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by
Joseph Vincelli
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Settle for Love
(2004)
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by
Joe Ely
When Joe Ely left MCA for the first time after 1984's Hi-Res, he hid out for a few years before landing with Oakland blues and R&B label High Tone. It was a stretch for the label, and given Ely's new band, proved to be one for him as well. His Lubbock cum Austin country/rockabilly septet (which included Lloyd Maines, Jesse Taylor, and Ponty Bone) ...
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Sick of Love
(2006)
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by
Luca
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High Art
(1998)
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by
Shudder to Think
While their other motion picture soundtrack, First Love, Last Rites, contains more traditionally pop-structured songs, their soundtrack for the film High Art is much more of an authentic movie score. The compositions are mostly ambient, with gentle washes of synthesizers and laid-back hip-hop beats creating airy textures -- in other words, a ...
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The Fog of War
(2003)
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by
Philip Glass
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