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Can't Quit the Blues
(2006)
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by
Buddy Guy
Legend status came late to Buddy Guy, so it shouldn't be surprising that this is the first box set devoted to the blues giant's work. Yet it is still a bit of a shock, because Guy, it seems, has always been a part of the modern blues scene, ubiquitous even in the late '60s at the era's high-profile rock and folk festivals, playing the hippie ...
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Alone & Acoustic
(1991)
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by
Buddy Guy/Junior Wells
The classic pairing of Buddy Guy and Junior Wells has been captured many times on vinyl, cassette, and disc over the years, but rarely with such intimacy and subtle, restrained energy as on this wonderful collection. Buddy Guy plays mostly 12 string guitar, and Junior laces his signature lines through the songs, engaging Guy in the kind of musical ...
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Pee-Wee Get My Gun
(1997)
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by
T-Model Ford
Ford fits snugly into what has become the Fat Possum house sound: repetitive, raw electric guitar riffs, going off on one or two-chord vamps with stream-of-consciousness, improvised-sounding lyrics. The effect can be hypnotic or tedious, depending upon your taste. It's got more of a boogie, down-home feel that the usual Fat Possum release though, ...
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The Earthshaker
(1978)
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by
Koko Taylor
Koko Taylor's Alligator encore harbored a number of tunes that still pepper her set list to this day -- the grinding "I'm a Woman" and the party-down specials "Let the Good Times Roll" and "Hey Bartender." Her uncompromising slow blues "Please Don't Dog Me" and a sassy remake of Irma Thomas' "You Can Have My Husband" also stand out, as does the ...
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Bring 'Em In
(2005)
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by
Buddy Guy
Buddy Guy's career and discography have been marked by inconsistency. Especially since his high-profile comeback in the early '90s, it seems he's been all too willing to turn over creative control on his albums, both for better and worse. Even just looking at the covers of those albums bears this out. 1991's Damn Right, I've Got the Blues has him ...
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Storm Warning
(1994)
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by
Tinsley Ellis
A powerful blues guitarist and an excellent vocalist, Tinsley Ellis dominates his fourth Alligator CD as a leader. His backup band (guitarist Oliver Wood, bassist James Ferguson, drummer Stuart Gibson and occasional organist/pianist Stuart Grimes) does a fine job of inspiring the leader, while slide guitarist Derek Trucks and Albey Scholl on ...
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Deja Blue
(1998)
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by
Angela Strehli
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A Lot of Bottle
(1970)
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by
Climax Blues Band
This album starts out promisingly (and interestingly, and misleadingly) with a cool acoustic number, "Country Hat," before the amplification gets cranked up and a lot of subtlety goes out the window. Still, this is generally an exciting album, if not always an interesting one. The band plays hard enough on grinding, crunchy shouters like "Reap ...
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Blues for Mr. B
(2004)
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by
Gary Smith
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The Brooklyn, Bronx & Queens Band
(1983)
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by
The B.B. & Q. Band
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Every Road Ends Somewhere
(1999)
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by
Jimmy Johnson
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Cut You Loose!
(1967)
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by
James Cotton Blues Band
One of Cotton's earlier solo efforts. Bill Dahl, All Music Guide
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West Side Chicago Blues
(2003)
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by
Various Artists
One of four simultaneously released bargain priced compilations celebrating the Delmark label's 50th anniversary in 2003, West Side Chicago Blues is the most logical. Delmark, after all, was home to Magic Sam, possibly the most popular of all West Side acts, and arguably the most influential. There's only one track from Sam here, but it's also one ...
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Best of the Vanguard Years
(1999)
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by
James Cotton
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Vanguard Visionaries
(2007)
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by
James Cotton
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Don't Play Me Cheap/It's Gonna Work Out Fine
(2004)
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by
Ike & Tina Turner
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New Beats from the Delta
(2000)
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by
Various Artists
Fat Possum Records continues to push the blues and rap envelope by releasing an entire disc mixing hip-hop with Delta blues. New Beats From the Delta sets the gritty blues of Junior Kimbrough, Johnny Farmer, and Cedell Davis to hip-hop beats incorporated by producers including Organized Noize and Camp Go Gittas. This hybrid was tried on R.L. ...
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Revelator
(2005)
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by
Scott Holt Band
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It's Gonna Work Out Fine
(1963)
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by
Ike & Tina Turner
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Rockin' and Rollin' [Laserlight]
(1995)
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by
Ike & Tina Turner
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I Want to Boogie
(1998)
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by
Eddie Cusic
Eddie Cusic is the Mississippi bluesman who taught a young Little Milton Campbell to play. But until this 1998 debut, Cusic had amazingly gone unrecorded. This field recording, done live at Cusic's house, rectifies that situation and consequently brings another fine acoustic blues artist to the light. Cusic's music is pure Mississippi blues, and ...
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Underground
(2007)
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by
Luther Allison
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The Price for Love
(1993)
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by
The Loved Ones
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Rebirth of the Heavy
(2002)
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by
Various Artists
Compiled by independent rag Bully Magazine in association with Music Cartel, Rebirth of the Heavy is a collection showcasing some of the new millennium's most overlooked underground rock talent. True to the mission stated in its liner notes (to prove that there are plenty of good bands out there if you just look hard enough), maximum commercial ...
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Live at Seventy Five
(2007)
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by
Big George Brock
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