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Call Me Irresponsible
(2007)
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by
Michael Bublé
More than any of his contemporaries, vocalist Michael Bublé has bridged the gap between standards-oriented vocal pop and more contemporary pop vocals. Having perfected the mix on his superb 2003 effort, It's Time, which found the Frank Sinatra-influenced singer covering both "I've Got You Under My Skin" and Leon Russell's R&B ballad "A Song for ...
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At the Village Gate
(1961)
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Herbie Mann
Remarkably few of flutist Herbie Mann's recordings are available on CD, but fortunately this one did get reissued. Mann's hit version of "Comin' Home Baby" from this live set became his first big hit. Composer Ben Tucker plays second bass on that cut, and Mann's other sidemen include vibraphonist Hagood Hardy, bassist Ahmed Abdul-Malik, drummer ...
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Green Onions
(1962)
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Booker T. & The MG's
There's not a note or a nuance out of place anywhere on this record, which was 35 of the most exciting minutes of instrumental music in any category that one could purchase in 1962 (and it's no slouch four decades out, either). "I Got a Woman" is the single best indicator of how superb this record is and this band was -- listening to this track, ...
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Time Again
(2003)
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by
David Sanborn
Master saxophonist David Sanborn makes an astounding label debut with Time Again, and once again reminds his fans that he is firmly established as one of jazz's best alto saxophonists. Joined by an all-star ensemble of master musicians that includes Russell Malone on guitar, Steve Gadd on drums, Christian McBride on bass, Mike Mainieri on ...
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Cocktail Mix, Vol. 2
(1996)
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by
Various Artists
Certainly the best of Rhino's Cocktail Mix series, focusing on the most dance-oriented aspects of space age pop. This 18-song compilation could be said to stretch the boundaries of that recently coined genre a bit. After all, Mose Allison, Cal Tjader, Brother Jack McDuff, and Pucho & the Latin Soul Brothers were not so much cocktail musicians as ...
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Call Me Irresponsible [Bonus Track]
(2007)
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by
Michael Bublé
More than any of his contemporaries, vocalist Michael Bublé has bridged the gap between standards-oriented vocal pop and more contemporary pop vocals. Having perfected the mix on his superb 2003 effort, It's Time, which found the Frank Sinatra-influenced singer covering both "I've Got You Under My Skin" and Leon Russell's R&B ballad "Song for You ...
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The Evolution of Mann: The Herbie Mann Anthology
(1994)
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by
Herbie Mann
This two-disc anthology doesn't cover Mann's bop or swing origins, instead concentrating on Mann's evolution from the 1960s to the 1990s. The first disc has more interest for jazz fans; it includes the influential "Memphis Underground" and "Coming Home Baby," showing his early flirtations with Latin and African music, as well as live workouts and ...
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Rendezvous With the Blues
(2002)
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by
Melvin Taylor
Rendezvous With the Blues marks another step in the normalization of Melvin Taylor. With Lucky Peterson on keyboards, Taylor is much more the featured lead guitarist in a straight-band context that too often finds him fighting for room to move in the full arrangements. He takes a jazzy lead on the opening "Coming Home Baby," but that runs counter ...
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Opalescence
(1988)
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by
Herbie Mann
This release by flutist Herbie Mann for his Kokopelli label is a disappointment. With a few exceptions (a remake of "Comin' Home Baby" and the bossa nova "Sir Charles Duke"), most of the Brazilian-based originals are rather forgettable and the interpretations by Mann and his five-piece rhythm section often border on easy-listening music. The ...
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Quincy Jones' Finest Hour
(2000)
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Quincy Jones
It has been questioned whether Quincy Jones will best be remembered as a producer of pop hits (Thriller) or for his massive jazz output. After an unsuccessful early attempt as a jazz trumpeter, Jones focused on the challenges of his main interest, arranging and conducting. As part of the Finest Hour series from Verve, 15 of Jones arrangements from ...
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Talkin' Verve
(2001)
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by
Quincy Jones
The Talkin' Verve series was a huge set of recordings by individuals who had recorded for the label and were responsible for the funky, jazzy lounge music that was so revered again in the '90s, as well as the pioneers of the soul-jazz movement of the '60s. This volume, with Quincy Jones leading a big band, has all the elements of cool, ...
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Comin' Home Baby!
(1962)
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by
Mel Tormé
One of his biggest hits ever, though Tormé loathes both the song and his Atlantic Records period. Ron Wynn, All Music Guide
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Softly
(2006)
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by
Romero Lubambo
Romero Lubambo has been one of the most impressive South American guitarists to arrive on the jazz scene. He's appeared on numerous recordings and also been a part of the group Trio da Paz, but this date for Maxjazz is a special project that he had long sought to do, consisting of individual parts on different guitars mixed together, including ...
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Savannah Presents Jazz
(1998)
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by
Various Artists
Don't let the amateurish layout of the CD booklet of Savannah Presents Jazz fool you with its numerous typographical errors. This is an enjoyable studio date led by veteran bassist Ben Tucker; joining him are pianist John Colianni and drummer Teddy Lindner. With arrangements by either Tucker or Colianni, the trio offers a hard-driving take of ...
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Jazz for the Open Road [32 Jazz]
(1998)
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by
Various Artists
This single CD (a 1998 reissue) has ten selections taken from the Muse and Landmark catalogs of the 1970s, '80s and early '90s. The ten selections all feature different straight-ahead jazz players, and reissue producer Joel Dorn considers each of the performances ideal to listen to while driving, although obviously one can enjoy these sounds while ...
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Calendar Girls [Original Score]
(2003)
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by
Patrick Doyle
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Whatever's Fair!/All Time Great Instrumental Hits
(2001)
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by
Howard Roberts
In 2001, Euphoria released Whatever's Fair!/All Time Great Instrumental Hits, which combined two albums by guitarist Howard Roberts on one compact disc: Whatever's Fair! and All Time Great Instrumental Hits, both originally issued on Capitol in 1966. Tim Sendra, All Music Guide
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The Viceroys at Granny's Pad
(2004)
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The Viceroys
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Mojo Workout
(2000)
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by
Paul Revere & the Raiders
Though this is to the Raiders later, greater catalog what With the Beatles is to Revolver, it's another piece of hard evidence that the Pacific Northwest was the tough, balls-out, kicking-and-screaming early-'60s rock & roll region of America. Again, long before and right through the onslaught of the British Invasion, these guys and their bill ...
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Super Mann/Yellow Fever
(2001)
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by
Herbie Mann
In 2001, Collectables reissued two albums (originally released by Atlantic) from the ever-stylish Herbie Mann in one CD set: The disco-flavored, Patrick Adams-produced Super Mann (1978) and Yellow Fever (1972, complete with a cover of Lou Reed's "Walk on the Wild Side"). Rob Theakston, All Music Guide
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Atlantic Jazz: Best of the '60s, Vol. 1
(1994)
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by
Various Artists
Atlantic Jazz: Best of the '60s, Vol. 1 features some of the finest performances from the label's roster of jazz greats, including John Coltrane's "Equinox," Charles Mingus' "Ecclusiastics," and Ornette Coleman's "Una Muy Bonita." Roland Kirk's "Volunteered Slavery," the Modern Jazz Quartet's "Summertime," and Herbie Mann's "Comin' Home, Baby" are ...
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Redneck Jazz
(1978)
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by
Danny Gatton
The guitar album of the '70s and the '90s worth unparalleled praise is Danny Gatton's 1978 release Redneck Jazz. This album showcases Danny on guitar and banjo, with such stellar talent as Buddy Emmonds on pedal steel, pianist Dick Heintze and guitar/vocal support from Evan Johns. This was the work that earned Gatton the title World's Greatest ...
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The Best of Lollipop Records
(1990)
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by
Various Artists
The Best of Lollipop Records contains 15 tracks from the disco and soul label's vaults, including P.J. Proby's "Witch Queen of New Orleans," Disco Circus' "Over and Over," Mascara's "I'm Comin' Home Baby," Johnny Rock's "California Sun," Ronnie Jones' "Soul Sister," two songs from Galaxis ("Space Ranger," "At the Discotheque"), three songs from ...
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Atlantic Jazz: Legends
(1993)
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by
Various Artists
While, in the final analysis, Atlantic will not occupy the same hallowed ground as other jazz labels like Blue Note and OJC (Prestige, Riverside, Contemporary, etc.), it can still boast of some of the most important jazz sides from the late '50s up through the early '70s. This sampler brings the good news with 15 high-profile tracks by the likes ...
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Waterbed
(1975)
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by
Herbie Mann
If you need an example of how jazz critics and soul/funk audiences didn't see eye to eye in the 1970s, you need look no further than Herbie Mann. Many jazz critics hated commercial Mann LPs like Discotheque and Waterbed with a passion, and saw them as examples of a gifted virtuoso dumbing his music down in order to sell more records. But young ...
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