Escalator Over the Hill (1968) more music like this

by Carla Bley and Paul Haines

At the time, this was probably the longest jazz-generated work in existence (its length has since been exceeded by recent pieces like Wynton Marsalis' Blood On the Fields), a massive, messy, all-encompassing, all-star ego trip that nevertheless gave Carla Bley an immense cachet of good will among the avant-garde. Bley and librettist Paul Haines ...

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You Are All Diseased (1999) more music like this

by George Carlin

As the years progress, George Carlin only gets angrier -- and, considering that the world is just getting more ridiculous, that may be the only response. Fortunately, his anger keeps him sharp, and that's why he's still fascinating and funny in 1999, when most of his peers have dried up. The key to his success is that he doesn't continue to ...

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The Man Downstairs (1996) more music like this

by The West Section Line

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Days for Days (1998) more music like this

by The Loud Family

Scott Miller, leader of Loud Family, often seems to be torn between his gift for writing superb, intelligently hooky pop songs and his desire to send his work through the wildly fragmented grinder of his trademark editing process, which sometimes makes for a great album (Plants and Birds and Rocks and Things) and occasionally results in a puzzling ...

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Live in a Dive (2004) more music like this

by Subhumans

One of the greatest bands to be featured in Fat Wreck Chords' Live In a Dive series, the Subhumans never fail to deliver the most inflammatory of old-school, pogo punk rock over the course of these 26 songs. The set captures the band's characteristic and influential mix of Sex Pistols crud, hardcore intensity, and ska-punk (perfected by the ...

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Maximum Beastie Boys Interview (2000) more music like this

by Beastie Boys

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Reveal (1987) more music like this

by Fischer-Z

After two solo albums and an album with the Cry, Watts reactivated Fischer-Z without bothering to bring in any other original members. Whether it was a calculated move to shift units or a sign that Watts had rediscovered his original vision is up to the listener, but there's no denying that he remained a distinct and exceptional songwriter. ...

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