Your search: Music » Song title: Brontosaurus [Wood]
(13 matching music titles)
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Omnibus: The 60s Singles As and Bs
(1999)
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The Move
Subtitled "The 60s Singles As and Bs," here's almost all the Move you'll ever need. If you're a fan of '60s British pop with alternating heavy dashes of pyschedelia and '50s retro-rock thrown in, the Move were the perfect embodiment of that odd blend. For newcomers, this is the group that Jeff Lynne later joined which permutated into the Electric ...
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Complete Singles Collection and More
(2001)
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The Move
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Flowers in the Rain
(2001)
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The Move
Flowers in the Rain is a collection of the Move's biggest hits. Although the band never made that big of a splash in America, the album includes most of their biggest hits in England. The up-tempo psychedelic rock found here is quite good; it has aged well despite how many bands would adopt a similar sound since the album came out. The title track ...
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Looking On
(1970)
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The Move
Probably their weakest album, finding the group trying to blend progressive elements with lumpy hard rock boogie on obscure, extended tracks. The songs do look forward to the Electric Light Orchestra, for good or ill, in the helium-like high harmonies and the wide palette of instruments. Most of the multi-instrumentation is provided by Roy Wood, ...
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Greatest Hits, Vol. 1
(1978)
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by
The Move
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Fire Brigade
(1971)
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The Move
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The Collection
(1995)
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The Move
Since the late '80s, there's been a steady stream of Move compilations, reissues, and repackagings in response to renewed interest in the band. Like a number of those releases, The Collection focuses on the Move's 1967-1970 period, featuring the group's A-sides plus a few other album tracks. Listening to the singalong mod pop of "Flowers in the ...
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Singles
(1995)
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by
Roy Wood & Wizzard
If there's anything wrong with Repertoire's Singles A's & B's, it's that Wizzard peaked early, albeit brilliantly, and their B-sides never capitalized on their dazzling, Spector/Beach Boys-tinted rock & roll. It's no coincidence that those B-sides were written by everybody else in the band but Wood, and that most of those were instrumentals. Some ...
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Looking On [Repertoire Bonus Tracks]
(1998)
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The Move
Looking On has never enjoyed a strong reputation among Move fans, mostly because it's neither fish nor fowl -- too self-consciously heavy in texture to slot in with their pop/rock or trippy psychedelic past, but not deeply embedded enough in progressive rock to do more than hint at the band's reincarnation as the Electric Light Orchestra, it ended ...
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Anthology 1966-1972
(2008)
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The Move
Apparently, the Move's discography is so complex that not even a lovingly compiled, rarities-laden, career-spanning box set like Salvo's 2008Anthology 1966-1972 can fit everything within the confines of four discs. The devil is in the licensing, as it always is, something that always plagues Move compilations because their last album, Message from ...
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Baby Talk
(1997)
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Cheap Trick
Despite his strong anti-commercial stance (in the '80s anyway), indie-icon Steve Albini holds an obvious affinity for subversive pop patrons Cheap Trick. His band Big Black even ran through the cheap chestnut "He's a Whore." Prodded by alternative music critic Ira Robbins, Albini produced two cuts for a Sub Pop vinyl single (both also on the ...
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Hits, The Singles A's & B's & Rarities
(2002)
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by
The Move
Hits & Rarities/ Singles A's & B's is a nicely put together double-CD set from Repertoire Records -- it's actually a more expansive version of Edsel Records' Omnibus: The 60s Singles A's & B's issued that same year, assembling the Move's 40 official U.K. single releases (or, more properly, non-LP releases, since there are some EP sides represented ...
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Looking On [Salvo Bonus Tracks]
(2008)
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by
The Move
Looking On has never enjoyed a strong reputation among Move fans, mostly because it's neither fish nor fowl -- too self-consciously heavy in texture to slot in with their pop/rock or trippy psychedelic past, but not deeply embedded enough in progressive rock to do more than hint at the band's reincarnation as the Electric Light Orchestra, it ended ...
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