Sister Sweetly (1993) more music like this

by Big Head Todd & the Monsters

With guitars remaining firmly in the forefront, Colorado's Big Head Todd And The Monsters ease into their album Sister Sweetly with a laid-back gait. The best of this loping stuff - like "It's Alright" - makes for catchy, radio-ready fare, as does the more rollicking "Bittersweet." Todd Park Mohr's vocals drawl smoky and inviting. But it's not ...

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Southland Tales (2007) more music like this

by Original Sountrack

Director Richard Kelly's soundtrack to his hyperactive end-of-the-world satire Southland Tales echoes the filmmaker's schizophrenic vision, relying on alternative rock giants like Jane's Addiction and the Pixies, country legend Waylon Jennings, Northern Soul crooner Bertha Tillman, and bespectacled electronic auteur Moby to flesh out what was ...

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Live Monsters (1998) more music like this

by Big Head Todd & the Monsters

College-circuit faves Big Head Todd & the Monsters save the best for first, opening their overlong live disc Live Monsters with their best track, "Bittersweet." Several other tunes approach the melodic hook of this great song. Tim Sheridan, All Music Guide

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Whatever: The '90s Pop and Culture Box (2005) more music like this

by Various Artists

Given the success of their box sets celebrating the pop culture and music of the '70s and '80s, it was inevitable that Rhino would release a set devoted to the '90s, so it was no great surprise when the label released the seven-disc set Whatever: The '90s Pop and Culture Box in late July, 2005. Some might say that 2005 is a little early to dive ...

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Live at the Fillmore (2004) more music like this

by Big Head Todd & the Monsters

Still slogging it out in the jam band asylum, Big Head Todd & the Monsters, like Blues Traveler, had that one uncharacteristic big hit ("Bittersweet") that gave them a taste of the big time, but didn't allow them to keep basking in its glory. That said, the band has a loyal following that's large enough to warrant it playing San Francisco's ...

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