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Masterpieces by Ellington [Bonus Tracks]
(1950)
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by
Duke Ellington & His Orchestra
Amazingly, it took Columbia Records until the very end of 1950, two years into the LP era and the transition from disc to magnetic tape recording, to get Duke Ellington & His Orchestra into the studio to cut a long-playing record. For the first time in his recording career, Ellington was able to forego the three-minutes-and-change restrictions in ...
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Women in Technology
(1997)
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White Town
Jyoti Mishra's second full-length album under the "band" name White Town continues the move away from the indie guitar pop of his earliest releases, first seen on 1996's Abort Retry Fail? EP. Simply recorded, mostly on a Macintosh computer in Mishra's bedroom, with Mishra playing everything except four tracks' worth of guitar, there's a pleasantly ...
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The Majestic
(2001)
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by
Original Soundtrack
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Honkytonk University
(2005)
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by
Toby Keith
Snicker all you want at Toby Keith's shoutout to his "boys in Afghanistan and Baghdad City" in the chorus of "Honkytonk U" -- Keith may pander, but that doesn't mean he doesn't deliver the goods. And deliver he does on Honkytonk University, his 2005 follow-up to 2003's hit Shock'n Y'all and the second album he's released since 2002's Unleashed ...
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35 Biggest Hits
(2008)
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by
Toby Keith
For many mainstream listeners, Toby Keith first appeared on their radar in 2002 with "Courtesy of the Red, White and Blue (The Angry American)," the blistering counterpoint to Alan Jackson's sorrowful "Where Were You When the World Stopped Turning" that turned Keith into a talk radio phenomenon and a genuine American star. Like many overnight ...
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Mo'Hawk
(2003)
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by
Alan Hawkshaw
Like many an active British session player in the 1960s and 1970s, Alan Hawkshaw, in addition to playing on many records by stars, did some recording as part of studio-only bands and for music library albums. Mo'Hawk selects 20 such tracks from 1967-1975, emphasizing ones that put his soul-rock-jazz Hammond organ to the fore. Some were credited to ...
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Shades of Blue
(2003)
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by
Madlib
Madlib received a rare opportunity with unfettered access to the storied Blue Note archives and permission to use them as he wished for a remix/interpretation album released on Blue Note itself. The result, Shades of Blue, is really more of a Yesterdays New Quintet album, but Madlib's name is far more recognizable then his alter ego and faux ...
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Penetrate Deeper
(1995)
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by
Deep Dish
Issued on Rob Di Stefano's Tribal America, Deep Dish's Penetrate Deeper mix album was lucky enough to convey both a lush, early-'90s rave awareness and a wide variety of the dark, gaze-inducing elements typically attributed to the then-oncoming progressive house explosion. With the duo's tweaking of the soothing opening arcs of Elastic Reality's ...
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When Fortresses Fall
(1997)
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by
Henry Robinett
Some jazzmen have an either/or mentality -- they believe that either you're a commercial musician who is in it just for the money or you're a true artist who has no hope of reaching pop audiences and is destined to starve and struggle. But anyone who thinks that way is foolish and narrow-minded. Having pop appeal doesn't automatically make you ...
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... and His Mother Called Him Bill [US Bonus Tracks]
(1967)
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by
Duke Ellington
When Billy Strayhorn died of cancer in 1967, Duke Ellington was devastated. His closest friend and arranger had left his life full of music and memories. As a tribute, Ellington and his orchestra almost immediately began recording a tribute to Strayhorn, using the late arranger's own compositions and charts. The album features well-known and ...
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Maximum Norah Jones
(2003)
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by
Norah Jones
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Live at the Blue Note
(1999)
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by
Mac's Smokin' Section
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Golden Greats
(2002)
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by
Duke Ellington
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Cafe Amsterdam
(2005)
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by
Various Artists
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Basie Cally Sammy: The Music of Count Basie and Sa
(2005)
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by
Sammy Nestico & SWR Big Band
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Fabriclive.15
(2004)
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by
Nitin Sawhney
Who knew that Craig Armstrong recorded a track with Photek? Thank goodness for Fabriclive.15, the new mix by British-Asian musician, DJ, artist, and actor Nitin Sawhney, who closes the 16-cut beat epic with the breathtaking ambience from the U.K.'s strongest modern composer and minimalist beatmaker respectively. But that only comes after an hour ...
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Discography
(2001)
by
The Swing Kings
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No Fighting in the War Room [CD/DVD]
(2007)
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by
Harrisons
Say "taut arrangements from a post-punk-inspired band, with clipped guitar riffs and brisk rhythms and a slightly yowling singer," and most, at least in 2007, might fall asleep or look elsewhere without thinking further of it. No question that Harrisons are working in all too familiar a vein these days, whether one talks about Interpol, Bloc Party ...
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The Alternative Takes, Vol. 6: 1937-1938
(2002)
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by
Duke Ellington
The Alternative Takes series is of immense value to consumers of the "French Classics" CD series. These are alternate takes in chronological order of historic jazz (and some blues) with a strong representation of the swing era. The Alternative Takes, Vol. 6: 1937-1938 contains 25 Duke Ellington tracks on a single disc, including two takes of ...
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My Dream is You
(1996)
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by
April Barrows
April Barrows is a very appealing singer who swings and gives just the right amount of emotion to lyrics. What is unusual about this set is that she composed ten of the dozen songs (three of which are co-written with David Hungate who doubles on guitar and trombone) and that they are strong enough to become standards if this CD is discovered by ...
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They Call Me Bruce
(2002)
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by
Bruce Takara
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... and His Mother Called Him Bill [France Bonus Tracks]
(1967)
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by
Duke Ellington
When Billy Strayhorn died of cancer in 1967, Duke Ellington was devastated. His closest friend and arranger had left his life full of music and memories. As a tribute, Ellington and his orchestra almost immediately began recording a tribute to Strayhorn, using the late arranger's own compositions and charts. The album features well-known and ...
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Keys to the Heart
(1987)
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by
Brian Auger's Oblivion Express
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Some Enchanted Evening
(1998)
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by
Bill Kirchner
A fine soprano saxophonist, Bill Kirchner was knocked out of action in 1993 when a spinal tumor was discovered. Fortunately, he has since recovered and returned to playing. This duet set, which was finally released for the first time in 1997, features Kirchner in 1986 interacting with either Marc Copland, Michael Abene, or Harold Danko on piano. ...
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Live from the Cotton Club
(2004)
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by
Various Artists
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