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Avalon Blues: The Complete 1928 Okeh Recordings
(1996)
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Mississippi John Hurt
Mississippi John Hurt's latter-day recordings after his rediscovery have somewhat obscured the importance of these debut sides -- the ones that made his rediscovery an idea initially worth pursuing. Archival recordings such as Avalon Blues: The Complete 1928 Okeh Recordings are the collector's items that made his rep in the first place, and stand ...
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1928 Sessions
(1988)
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Mississippi John Hurt
The 13 original 1928 recordings of Hurt. Justifiably legendary, with gentle grace and power on these understated vocal and fingerpicking masterpieces. These are the ones to hear, although all Hurt is worth listening to. Michael Erlewine, All Music Guide
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D.C. Blues: Library of Congress Recordings
(2004)
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by
Mississippi John Hurt
Mississippi John Hurt was easily the most accessible of all the 1920s bluesmen rediscovered still alive and in playing condition in the early 1960s. His easy, gentle singing voice and deft guitar picking abilities were still intact and undiminished, and where some of his hard-living contemporaries suffered from alcoholism, Alzheimer's, or just ...
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O Brother: The Story Continues
(2002)
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by
Various Artists
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Avalon Blues
(1963)
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by
Mississippi John Hurt
This is the first in a multiple-volume series devoted to the Piedmont recordings Hurt made upon his rediscovery in the early '60s. They capture him with his playing and singing still intact, untouched by the world around him, a world that had changed so much since he initially recorded back in the '20s. Many of his best-known tunes are here -- ...
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Songs of Mississippi John Hurt
(1999)
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by
Bill Morrissey
As Morrissey's rep is built solidly on the fine storytelling abilities so well-crafted in his original songs, it may come as a surprise to hear him in this setting, turning in equally compelling takes on Mississippi John Hurt material. Utilizing various settings and lineups to recast the material in terms other than the typical solo-acoustic ...
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Candy Man Blues
(2004)
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by
Mississippi John Hurt
With an intricate, delicate guitar style and a soft, gentle voice, Mississippi John Hurt benefited mightily from the recording technology of the day when he recorded 20 tracks for OKeh Records in three sessions (one in Memphis and two in New York City) in 1928. In a genre known for slashing bottleneck stylists and gruff-voiced shouters suited to ...
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The Essential Collection
(2004)
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by
Bill Morrissey
Rounder's celebration of Bill Morrissey's 20th anniversary as a recording artist, dubbed The Essential Collection, is a hearty 20-track collection culling at least one track from each record he's released over the years, except for the duet album with Greg Brown, Friend of Mine. The label did a fine job assembling the tracks with a comfortable ...
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Those Pleasant Days: The Transatlantic Anthology
(2005)
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by
Stefan Grossman
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Library of Congress Sessions
(2000)
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by
Mississippi John Hurt
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Memorial Anthology
(1993)
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Mississippi John Hurt
Mississippi John Hurt's mid-'60s performances were usually distinctive and sometimes staggering. His guitar work was crisp, attractive and frequently brilliant, although his vocals were the real hook. Hurt's narratives, storytelling ability and general communicative powers were at their peak on this two-CD set, which has languished in a vault for ...
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Southern Country Blues, Vol. 2
(2001)
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by
Various Artists
Southern Country Blues, Vol. 2 features three discs of music, each filled to the brim with legendary country blues performers from the South. There's no shortage of big names here: Memphis Minnie, Robert Johnson, Muddy Waters, Leadbelly, and many others. It's somewhat of a letdown to discover that each performer only gets one song on the ...
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Never Let the Same Bee Sting You Twice
(2005)
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by
Various Artists
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