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First Instrument
(1989)
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by
Rachelle Ferrell
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Love Songs
(2003)
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by
Nat King Cole
Released just in time for Valentine's Day 2003, the Capitol compilation Love Songs is a generous collection of romantic ballads sung by Nat King Cole. The compilers have leaned heavily on the Gordon Jenkins-arranged and -conducted albums Love Is the Thing (1957) ("When I Fall in Love," "Stay as Sweet as You Are," "It's All in the Game," "Stardust" ...
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Hymn to Love: All Her Greatest Songs in English
(1996)
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by
Edith Piaf
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The Very Best of Nat King Cole [Capitol]
(2006)
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by
Nat King Cole
This generous anthology, with 28 tracks and close to 80 minutes of music, is one of the best single-disc sets on the market of Nat King Cole's pop side. Spanning over 20 years, from 1943 to 1964, The Very Best of Nat King Cole includes most of his biggest hits for Capitol Records, like 1946's "(Get Your Kicks On) Route 66," 1950s "Mona Lisa," 1951 ...
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The Very Best of Grappelli & Menuhin
(1998)
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by
Stephane Grappelli & Menuhin
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Where Are You?
(1957)
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by
Frank Sinatra
Following the hard-driving A Swingin' Affair, Frank Sinatra released another all-ballads record, Where Are You? The album was the first he recorded at Capitol without Nelson Riddle, as well as the first he recorded in stereo. Where Riddle's down beat albums are stately and sullen, Jenkins favors lush, melancholy arrangements played by large, ...
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Falling in Love Again: Great Songs from the Movies
(1993)
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by
Nana Mouskouri
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Jazz Moods: Sounds of Autumn
(2004)
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by
Various Artists
Jazz Moods: Sounds of Autumn features a selection of warm, romantic, accessible numbers performed by various Concord Jazz recording artists. The songs are mainly standards with fall themes like "Maybe September," "September Song," and "Autumn in New York," highlighted by performances featuring Diane Schuur, Mel Tormé and Rob McConnell, Barney ...
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At Zardi's
(1955)
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by
Oscar Peterson
The group that Oscar Peterson led between 1953-58 with guitarist Herb Ellis and bassist Ray Brown was one of the great piano trios of all time. It was never so much a matter of Peterson having two other musicians accompany him as it was that they could meet the pianist as near-equals and consistently inspire him. And unlike most trios, Peterson's ...
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Hallmarks: The Best of Jim Hall
(2006)
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by
Jim Hall
The double-disc anthology Hallmarks: The Best of Jim Hall collects a nice cross section of material that jazz guitarist Jim Hall recorded for the Concord and Telarc labels from the early '70s onward. Here listeners find the often cerebral but never boring Hall making his unique brand of jazz that finds room for expansive post-bop improvisation as ...
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Hit Parade 1955
(2007)
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by
Various Artists
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One Stormy Night [2004]
(2004)
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by
Mystic Moods Orchestra
This debut recording from the Mystic Moods Orchestra came to be essentially by chance. Brad Miller, who had been recording old steam engine sounds for sound effects recordings, was inspired upon hearing a late-night DJ mix easy listening music with environmental sounds. He solicited arranger Don Ralke to record a series of easy listening songs, ...
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Smithsonian Collection of Jazz Piano, Vol. 4
(1994)
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by
Various Artists
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Compact Jazz: Oscar Peterson
(1964)
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by
Oscar Peterson
Taken from sessions for the Mercury label co-opted by Verve, this 11-tune set has pianist Oscar Peterson in exclusively small-group settings, mostly trios. Trumpeter Clark Terry joins in for the Peterson original "Roundalay" and a spirited "Mack the Knife." There's one other O.P. composition, the pensive "Wheatland," with the rest being a solid ...
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Songs of Love
(1999)
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by
Matt Monro
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The Coasters/One by One
(2004)
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by
The Coasters
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Jackie Gleason Presents Music To Change Her Mind
(1956)
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by
Jackie Gleason
Yes, it's that Jackie Gleason credited as "presenting" the 15 lushly orchestrated pop melodies on the suggestively titled (if not directly intentioned) Music to Change Her Mind (1956). However, to what extent "The Great One" was actually involved with the creation and/or creative processes remains up for debate. By the time this long player ...
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Sings for Two in Love (And More)
(1954)
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by
Nat King Cole
Nat King Cole Sings For Two In Love was Nat King Cole's first album to be specifically for the new 12-inch LP format. Like Frank Sinatra, with whom he shared a record company and a conductor, Nat King Cole made a thematic album with Sings for Two in Love, in this case a set of 12 romantic ballads. (The original version, released on a 10" LP in ...
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Drifting and Dreaming/Dancing Room Only
(2006)
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by
Guy Lombardo
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Music for Romancing/Music for the Fireside
(2003)
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by
Paul Weston
In 2003, EMI released Music for Romancing/Music for the Fireside, which contained two complete albums, Music for Romancing and Music for the Fireside, a pair of mood-music favorites by Mr. Peggy Lee (aka Paul Weston), on one compact disc. John Bush, All Music Guide
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Early Years, Vol. 5: 1950-1962
(1998)
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by
Edith Piaf
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I'll Take Romance
(1992)
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by
George Shearing
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The Best of Miles Davis: The Capitol/Blue Note Years [Blue Note]
(1949)
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by
Miles Davis
Mostly spotlighting Davis' late-'40s and early-'50s tenure at Blue Note, this best-of disc offers a very fine way for newcomers to get familiar with the early output of one of the all-time jazz greats. Not to slight later roundups on Prestige and Columbia, but Davis' Blue Note stretch provides listeners with a chance to hear the trumpeter at the ...
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Best Blue Note Album in the World
(2005)
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by
Various Artists
Best Blue Note Album in the World, Vol. 2 collects nine tracks from one of the most influential independent jazz labels of the 20th century. Boasting legendary performances by Horace Silver, John Coltrane, Lee Morgan, Herbie Hancock, Kenny Burrell, Jimmy Smith, Lou Donaldson, Art Blakey & the Jazz Messengers, and Cannonball Adderley with Miles ...
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Jazz Moods: Cool
(2005)
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by
Chet Baker
This compilation is culled from Sony Legacy's CTI catalog and dates from the mid-'70s, when the perennially troubled Chet Baker was in decent shape and playing not only well, but in many cases the kind of fiery trumpet he hadn't played since he was on the Mainstream label in the late '60s. Most of these sides -- both live and in the studio -- were ...
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