Pete Seeger's Greatest Hits [2002] (2002) more music like this

by Pete Seeger

"Greatest Hits," as Seeger himself wryly wrote in his liner notes, is a misnomer considering that he never had hit singles or huge-selling albums as a solo artist, though actually "Little Boxes" (included here) made the lower reaches of the charts. In reality this 1967 compilation (since reissued on CD) collects the most popular tracks of his 1962 ...

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Abiyoyo (And Other Songs and Stories) (1967) more music like this

by Pete Seeger

What can one say about the father of it all? He has been a staple in this music for a long, long time. His voice and banjo -- and his life -- stand for positive values for people in general, especially on this album. For ages three to seven. Bob Hinkle, All Music Guide

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Pete Seeger's Greatest Hits [1967] (1967) more music like this

by Pete Seeger

"Greatest Hits," as Seeger himself wryly wrote in his liner notes, is a misnomer considering that he never had hit singles or huge-selling albums as a solo artist, though actually "Little Boxes" (included here) made the lower reaches of the charts. In reality this 1967 compilation (since reissued on CD) collects the most popular tracks of his 1962 ...

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Stories and Songs for Little Children (1994) more music like this

by Pete Seeger

This cassette is a collection of Pete Seeger's greatest hits for the younger child. The stories in these tapes are free of violence and sexism and contain beautiful music and sing-alongs such as "Raccoon's Got a Bushy Tail" and "I Know an Old Lady." MusD, All Music Guide

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Monsters in the Bathoom (1985) more music like this

by Bill Harley

Clever and assertive, he takes the child's point of view bravely and unswervingly. Parents also recognize their own foibles in the songs. For ages three to eight. Bob Hinkle, All Music Guide

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Singalong: Live at Sanders Theatre, Cambridge, Massachusetts, 1980 (1992) more music like this

by Pete Seeger

This is not simply a live recording. It is a carefully planned project to document a life's work. Seeger describes it in his own words: "Before my voice, memory and sense of rhythm and pitch were too far gone I decided, at age sixty, to document one of my two-hour 'concerts' such as I have given for over twenty-five years, usually at colleges... ...

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