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Coltrane's Sound
(1960)
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John Coltrane
This is one of the most highly underrated entries in Coltrane's voluminous catalog. Although the same overwhelming attention bestowed upon My Favorite Things was not given to Coltrane's Sound upon its initial release, both were actually recorded during the same three-day period in the fall of 1960. So prolific were those recording dates, they ...
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The Heavyweight Champion: The Complete Atlantic Recordings
(1959)
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by
John Coltrane
The Heavyweight Champion is a box set that lives up to its title. Collecting all of John Coltrane's Atlantic recordings, including a fair number of unreleased takes as well as an entire disc of alternate tracks and studio chatter, the seven-disc box set documents a pivotal moment in Coltrane's career, as he was moving from hard bop and sweet ...
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Here
(2006)
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by
Eric Reed
Eric Reed's trio meeting with bassist Rodney Whitaker and drummer Willie Jones III covers a lot of musical ground. Starting with a dash through Benny Golson's "Stablemates," a playful interpretation full of quotes and detours into Monk-like chords and classical-flavored runs, Reed works effortlessly to keep the most familiar songs sounding new. ...
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Quartets: Live at the Village Vanguard
(1994)
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by
Joe Lovano
Named Jazz Album of the Year by readers of Downbeat Magazine, this double CD features tenor saxophonist Joe Lovano during two appearances at the Village Vanguard recorded ten months apart. Other than the leader, the pair of quartets are completely different and they bring out two sides of Lovano. The earlier session features the leader in a ...
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Room to Grow
(2007)
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by
Omer Avital
Bassist Omer Avital put together a very unusually lineup for these live sessions recorded at Smalls in New York City, combining three different tenor saxophonists (Grant Stewart, Charles Owens and Gregory Tardy), alto saxophonist Myron Walden and drummer Joe Strasser into an explosive small group full of possibilities. One can hear the influence ...
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Trio East Stop-Start
(2005)
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by
Rich Thompson/Clay Jenkins/Jeff Campbell
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Rodrigo Ferrari-Nunes Presents: The Bias Project, Vol. 1
(2005)
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by
Rodrigo Ferrari-Nunes
In the jazz world, the electric bass is almost always used to play fusion, jazz-funk or crossover jazz -- not hard bop, post-bop, cool jazz, swing, classic jazz, third stream or Dixieland. There is a great deal of "acoustic snobbery" among jazz purists, who would have us believe that the late electric bass virtuoso Jaco Pastorius was really a rock ...
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Mark Turner
(1998)
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by
Mark Turner
The young tenor saxophonist's second effort as a leader is impressive, particularly because he had the guts to invite earlier tenor sax wunderkind Joshua Redman to join him on three tracks. Mark Turner's "Mr. Brown" is a pulsating blues vehicle for the two inspired reedsmen. Lennie Tristano's slippery bop anthem "327 East 22nd Street" is also an ...
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A Touch of Evil
(2003)
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by
Windmill Saxophone Quartet
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Mad 6
(2002)
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by
Ravi Coltrane
Anytime that the son of a jazz great not only follows his father into the business but also plays the same instruments, the difficulty in overcoming the shadow must be incredible. Yet Ravi Coltrane has displayed a great deal of maturity throughout his career, unafraid of covering his father's compositions or songs that he recorded, while ...
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The Coltrane Legacy
(1959)
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by
John Coltrane
When this LP was released in 1970, it debuted some valuable Coltrane recordings covering a two-year period. Three of the selections are alternates taken from his Atlantic album with vibraphonist Milt Jackson, "Original Untitled Ballad" (later titled "To Her Ladyship") is from the session that resulted in Coltrane's Ole album with Eric Dolphy and ...
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The Jaunt
(1996)
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by
Steve Davis
Trombonist Steve Davis, who was 28 at the time of this recording, makes his debut as a leader on The Jaunt. A veteran of both Art Blakey & the Jazz Messengers and Jackie McLean's sextet, Davis has a hard bop style reminiscent of Curtis Fuller and J.J. Johnson. He swings throughout this excellent quintet/sextet session, which also features tenor ...
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Trilingual
(1999)
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by
OAMTrio
OAM Trio are an international ensemble hailing from Barcelona, Jerusalem, and Boston. All of the band's members had played in each other's ensembles for years, but had never played together as a trio. Pianist Aaron Goldberg, drummer Marc Miralta, and bassist Omer Avital chose to brief each other in the weeks before the session, but never rehearsed ...
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Gifts and Givers
(2007)
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by
Jimmy Greene
Saxophonist Jimmy Greene's fifth effort as a leader sees him in tandem with fellow tenor man Marcus Strickland, but this is not a tenor battle à la Gene Ammons and Sonny Stitt. A mainstream neo-bop modernist, Greene presents seven selections that display his broad range of acumen, as a player, composer, and rearranger. Strickland, a slightly ...
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Going Somewhere
(2002)
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by
Avi Rothbard
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Countdown To Giant Steps
(2000)
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by
Various Artists
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John Coltrane, Vol. 2
(2000)
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by
Various Artists
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Introduction
(1998)
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by
Jochen Rueckert
To introduce himself as a bandleader to jazz fans around the world, this young drummer chose to explore the music of his obvious influences. Through tunes like Coltrane's "Satellite" and Sonny Rollins' "Pent Up House," Reuckert showcases his considerable talent, holding unorthodox compositional structures together with compelling percussion. With ...
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Pastels
(1996)
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by
Victor Juris
A good quartet release, featuring Juris on guitar, Phil Markowitz on piano, Jay Anderson on bass, and Matt Wilson on drums. Juris' originals range from the angular free bop of "Mergatroid" to the breezy jazz waltz of "Sim 95," to the dark balladry of "Berlin" and the intriguing 7/4 syncopation of "Bravo Rio" (the latter two performed beautifully ...
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Soul Eyes
(1997)
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by
Keith Oxman
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