About this title: By 1959, the Kingston Trio had reached mass popularity, won a Grammy, and had even begun to record their music in stereo. While their reign as the world's most popular folk act remained unchallenged, many within the folk community were critical of the group. Writers in magazines like Sing Out! argued that the trio's music had little to do with "real" folk music. Their smooth harmonies and evasion of political controversies placed them at odds with the spirit of Woody Guthrie and the aesthetic of the Anthology of American Folk Music. Like the Weavers before them, however, their fans could have ...
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