About this title: An otherwise fine retrospective of many of Harry Belafonte's best-known performances from the 1950s is spoiled by RCA producer Ethel Gabriel's insistence upon using the disastrous "electronic reprocessing" system (tinny high end on one channel, muffled low end on the other) that destroyed so many reissues in the 1960s and '70s. Although most of the monaural tracks were given the above separation treatment, three, "Hava Nagila," "When the Saints Go Marching In," and "Danny Boy," all from An Evening with Belafonte, were taken from the phony stereo master utilizing the even worse delay between ...
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