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Breathing Under Water
(2007)
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Anoushka Shankar and Karsh Kale
Breathing Under Water is a different animal altogether. The pair co-wrote eight of the 13 cuts together. Another, "Easy," was co-written with Norah Jones -- Anoushka Shankar's half sister -- and sung by her. Ravi wrote a two-part tune with his daughter and appears on the album as well. The other big name guest is Sting (it's a payback for Shankar ...
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The Darjeeling Limited
(2007)
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Original Soundtrack
For fans of director Wes Anderson, a new movie from the bespectacled auteur means the materialization of a quirky new soundtrack as well. While 1999's British Invasion-heavy audio companion to Rushmore remains the unofficial fan fave, each collection of music (Bottle Rocket, The Royal Tenenbaums, and The Life Aquatic with Steve Zissou) has been a ...
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Roots and Wings
(1990)
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Sheila Chandra
Her newest album is the product of her five-year hiatus, during which time she continued to refine her vocal techniques. In many respects Roots and Wings represents the quintessence of Sheila Chandra's music, stripped down to its essential core. The instrumentation is greatly simplified. Gone are the piano, sitar, and the synthesizers, hitherto ...
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Wanderlust
(2007)
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Kiran Ahluwalia
Here's something decidedly different, and quite enchanting. The second album from the Canadian-Indian singer revolves around the romantic ghazal form, but takes it to unimagined places, adding electric guitar to the mix at several points, and also, on three tracks, mashing up fado and ghazal quite beautifully. That seems an unlikely alliance, but ...
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Brink
(2001)
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by
Dave Stringer
The ever-growing genre that finds classical Indian instrumentation and hymns being used by Western musicians can basically be traced back to the Beatles' 1968 trip to India. Fast-forward 30 years and you find that artists like Krishna Das broke further ground by making kirtan or chanting music popular amongst the minor masses of hatha yoga ...
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Quiet
(1984)
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by
Sheila Chandra
This was truly the album where Chandra broke away from the pop structures underlying much of Monsoon's work. As Chandra began to write much of her material (in collaboration with Martin Smith and producer Steve Coe), the dance rhythms of her debut were virtually eliminated, although the emphasis on Indian instrumentation remained intact. The music ...
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Salt Rain
(2001)
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by
Susheela Raman
Opening Salt Rain is an invocation to the Hindu deity Lord Ganesh, remover of obstacles. In the Indian tradition, it's always a good idea to get Ganesh's blessings at the beginning of any new venture. Susheela Raman may toss in bass, drums, and other Western flourishes, but she also knows when to stick with the tried and true practices of her ...
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Hold the Rain
(2007)
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by
Pura Fe
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Traditional Music of India
(1995)
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by
Ustad Ali Akbar Khan
Along with Ravi Shankar, Ali Akbar Khan stands out as a musician whose work caused America and the West to pay attention to Indian classical in the 1960s. This disc combines two albums from 1965: Traditional Music of India and The Soul of Indian Music, both originally on Prestige. The re-release offers Michael Gold's informative and occasionally ...
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Weaving My Ancestors' Voices
(1992)
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by
Sheila Chandra
Although Chandra had been recording for over a decade when Weaving My Ancestors' Voices was released, this may be the album where she truly found her creative voice. Most vestiges of the pop/dance/rock rhythms of Monsoon, and some of her early albums, are absent. Chandra is now a virtuoso of the voice, offering almost avant-garde presentations of ...
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Gaya of Wisdom
(2005)
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by
Guy Sweens
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Boogie for Hanuman
(1997)
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by
Antigravity
Most fusions of Indian music and jazz have served merely to add Asian accents to pieces that are distinctly Western. Often they have even been timid as jazz, aiming at pretty and soft moods that are as authentic as 1950s albums of Hawaiian music with a full orchestra. Most have employed Indian instruments playing in European time signatures rather ...
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Divine Bliss
(1997)
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by
Shri Anandi Ma
A relative newcomer to the Indian tradition of the singer saint, Shri Anandi Ma studied under Shri Dhyanyogiji and composed a huge number of spiritual songs while at a rural temple near Bombay. This album has eight of such songs. The sound is at times vaguely similar to qawwal, with accompaniment from harmonium and bells that mimic the handclaps ...
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Yatri
(2006)
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by
Joshua Prem
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Mālā
(2005)
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by
Dave Stringer
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The Rough Guide to Asha Bhosle
(2003)
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Asha Bhosle
From perhaps the most prolifically recorded artist in worldwide history comes the Rough Guide installment devoted to Asha Bhosle. Bhosle has some 20,000 recordings to her name, making a compilation of 16 a nearly impossible. This compilation was culled from her full archives, with the help of Bhosle herself, as well as her son, so the songs work ...
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Ghazal: Lost Songs of the Silk Road
(1997)
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Ghazal
A fascinating meeting of Persian and Indian musical and cultural influences. Iranian musician Kayhan Kalhor, North Indian virtuoso Shujaat Hussain Khan, and Swapan Chaudhuri playing the kamancheh (spike fiddle), sitar, and tabla, respectively, met in New York for the sessions that led to this album, a melding of related but separate musical ...
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Bhangra Bloody Bhangra: A Tribute to Black Sabbath
(2002)
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Opium Jukebox
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Devotion: Religious Chants from India
(2006)
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by
Various Artists
An intriguing concept, this album contains a devotional chant or two from each of six or so religious sects within India. Hinduism is represented with a pair of chants from Rattan Mohan Sharma, Jainism is represented by its holiest chant, and Sikhism with a nice khyal from the Singh brothers. Islam, and more specifically Sufism, is represented by ...
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Voyager Series: India - Festival Instruments
(2007)
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by
Various Artists
Traditionally sounded during wedding feasts and nocturnal temple celebrations throughout southern India, the double reed nagasvaram is a cousin to the shehnai and the oboe; all are members of the strikingly diverse and wide-ranging Eurasian shawm family. As naga is the ancient Sanskrit word for serpent, this instrument is sometimes casually ...
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Garden of Dreams
(1993)
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by
Ali Akbar Khan
Maestro Ali Akbar Khan and a thirteen-piece East/West orchestra follow up his critically acclaimed Journey, performing classical ragas and Rajasthani folk songs. Combining sarod with Western classical instruments such as the cello, violin, bassoon and oboe, Khansahb brilliantly merges Eastern and Western musical traditions to produce an album of ...
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Palm World Voices: Vedic Path [CD & DVD]
(2005)
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by
Various Artists
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Saradanabu
(1996)
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by
Vishwa Mohan Bhatt
V.M. Bhatt is the younger brother of sitar virtuoso Shashi Mohan Bhatt, who was one of Ravi Shankar's first pupils, and he, his sister, and cousin all went on to study with legendary master. But despite a lifetime steeped in Indian classical music traditions, Bhatt is best known for his fusionary pan-cultural collaborations with Western artists ...
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Tabla Tarang: Melody on Drums
(1996)
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by
Kamalesh Maitra
As volume ten of their World's Musical Traditions set, Smithsonian Folkways released an album featuring Kamalesh Maitra, the last pandit (master) of the tabla tarang, a set of ten to 16 tabla drums (Maitra uses around 11 on this recording), each tuned to a different note, and without the bayan bass drum. The word tarang translates to "waves," ...
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Signature Series, Vol. 2: Three Ragas
(1990)
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by
Ustad Ali Akbar Khan
The Signature Series is a reissue program of Ali Akbar Khan's Connoisseur works, remastered and repackaged with historically updated notes. Khan is accompanied by Mahapurush Misra on tabla, one of his most spirited collaborators. The exemplary recording blends "Medhavi," "Khammaj," and "Bhairavi Bhatiyar." They are performances to return to again ...
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