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Buena Vista Social Club
(1997)
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Buena Vista Social Club
This album is named after a members-only club that was opened in Havana in pre-Castro times, a period of unbelievable musical activity in Cuba. While bandleader Desi Arnaz became a huge hit in the States, several equally talented musicians never saw success outside their native country, and have had nothing but their music to sustain them during ...
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Raise Your Hand
(2007)
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by
Poncho Sanchez
Conguero Poncho Sanchez grew up on salsa and Latin jazz, but his musical influences also included large doses of Stax and Muscle Shoals R&B. So for his latest album, he decided to pay tribute to both traditions: the result is a strange but seriously fun jumble of soul, salsa, son and jazz. Gratefully, he generally avoids trying to fuse them all ...
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A Toda Cuba Le Gusta
(1997)
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Afro-Cuban All Stars
A lively, spontaneous record that manages to sound both relaxed and forceful at the same time, A Toda Cuba Le Gusta shows off the talents of many of Cuba's elder statesmen of Afro-Cuban jazz. Over gently pulsating conga grooves and low-register ostinatos, such luminaries as pianist Ruben Gonzalez and singer Manuel "Puntillita" Licea float dramatic ...
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Lagrimas Negras
(2004)
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Bebo & Cigala
Lágrimas Negras (Black Tears) is a collaborative effort between the octogenarian Cuban piano master Bebo Valdés and the reigning Spanish flamenco cantador, Dieguito El Cigala. Recorded for Fernando Trueba and Nat Chediak's Calle 54 label, the sessions took place in Madrid between September and December 2002. Maestro Valdés (born in 1918), the ...
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Latin Jazz Christmas
(2003)
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by
Various Artists
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Putumayo Presents: Latin Jazz
(2007)
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Various Artists
It goes without saying that the entire history and stylistic diversity of Latin jazz cannot be encapsulated on one ten-track CD. But like all of Putumayo's compilations, that was the task the label was faced with: representing the chosen genre adequately and accurately while understanding that much more would necessarily be omitted than included. ...
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Swing Low, Sweet Cadillac
(1967)
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by
Dizzy Gillespie
A strangely popular album for Dizzy Gillespie, Swing Low, Sweet Cadillac represents a period in his career where he was adapting to the times, keeping his goof factor on board, and individually playing as well as he ever had. This club date, recorded over two days circa May of 1967 from The Memory Lane in Los Angeles, has Gillespie with soon to be ...
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Danzon (Dance On)
(1993)
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by
Arturo Sandoval
Trumpeter Arturo Sandoval comes close on Danzon to cutting the Afro-Cuban masterpiece everyone's awaited since his glorious sound first surfaced. From the animated solos on "Africa," "Tres Palabras," and "Conjunto" to the flowing, crisply articulated lines on "Groovin' High," Sandoval plays with imagination, verve and flair, displaying a more ...
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El Sonido Nuevo: The New Soul Sound
(1966)
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by
Cal Tjader & Eddie Palmieri
This Verve CD reissues the popular collaboration between vibraphonist Cal Tjader and pianist Eddie Palmieri (who provided the arrangements) titled El Sonido Nuevo: The New Soul Sound, along with six other songs taken from a pair of Tjader's other Verve albums. Despite the claims of greatness expressed in the liners ("a landmark in the history of ...
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Congo to Cuba
(2002)
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by
Various Artists
The rhythms originated in West Africa and originally traveled to Cuba on the slave ships. Since then the music has gone back and forth across the Atlantic countless times, changing slightly on each occasion. This well-composed compilation shows how much Africa and Cuba have in common, kicking off with a smoking "Val Carretero" from Cuba's Chico ...
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Hot House
(1998)
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by
Arturo Sandoval
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The Colors of Latin Jazz: Cubop!
(2000)
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by
Various Artists
This CD features songs that merge blistering bebop with red-hot Afro-Cuban rhythms and what you hear is one of the most exciting styles of Latin jazz -- Cubop. This powerful collection, the second in the Colors of Latin Jazz series, spotlights essential performances by both Latin jazz pioneers and contemporary innovators that have recorded for ...
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Sentir
(2002)
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by
Omar Sosa
On Sentir, the globetrotting, Cuban-born pianist Omar Sosa is joined not by a full band, but rather by a host of percussionists and vocalists. Sosa remains focused on communicating a kind of ecstatic, multicultural religiosity -- most of these tracks are dominated by fervent chanting in one of several languages, underscored by rolling percussion ...
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At Newport
(1957)
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by
Dizzy Gillespie
This CD features Dizzy Gillespie's second great big band at the peak of its powers. On the rapid "Dizzy's Blues" and a truly blazing "Cool Breeze," the orchestra really roars; the latter performance features extraordinary solos by Gillespie, trombonist Al Grey, and tenor saxophonist Billy Mitchell. In addition to fine renditions of "Manteca" and ...
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Havana Cafe
(1991)
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by
Paquito D'Rivera
This excellent all-round session features Paquito D'Rivera on alto, clarinet, and soprano with his sextet, which is comprised of either Fareed Haque or Ed Cherry on guitar, the great pianist Danilo Perez, bassist David Finck, drummer Jorge Rossy, and percussionist Sammy Figueroa. The program has some strong group originals (such as "Havana Cafe," ...
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An Electrifying Evening with the Dizzy Gillespie Quintet
(1961)
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Dizzy Gillespie Quintet
Dizzy Gillespie (along with altoist Leo Wright, pianist Lalo Schfrin, bassist Bob Cunningham, and drummer Chuck Lampkin) were in peak form for this live performance. Their versions of "Kush," "Salt Peanuts," and "The Mooche" are all excellent, but it is "A Night in Tunisia," with its absolutely stunning trumpet break (which lasts half a chorus), ...
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KCRW Presents: Sounds Eclectico
(2005)
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by
Various Artists
The performances on Sounds Eclectico are all live recordings related to KCRW, the Santa Monica public radio station that's a vital and varied musical resource for the curious, the fans, and the Hollywood music supervisors. Morning Becomes Eclectic host Nic Harcourt produces the set, and provides notes to each selection. As you might expect, ...
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Rumba Palace
(2007)
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by
Arturo Sandoval
There's something about Cuban music that makes you wonder, whenever you listen to it, why it is that you spend so much of your life doing things other than listening to it. And the same goes for the great Cuban trumpeter Arturo Sandoval -- whenever you hear him do something other than play Cuban music, you wonder why on Earth he's doing whatever ...
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Afro-Cuban Fantasy (Cabildo)
(1998)
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by
Poncho Sanchez
Our resident Latin jazz classicist comes up with a good concept -- evoking the memories of non-Latino Afro-Cuban music pioneers Stan Kenton, Shorty Rogers and Cal Tjader -- and better still, delivers great music unfettered by any hint of routine. The Sanchez octet does so by simply being itself, without trying to imitate its subjects (if anything, ...
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Flight to Freedom
(1991)
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by
Arturo Sandoval
In July 1990, after playing trumpet in his native Cuba for 28 of his 41 years, Arturo Sandoval had the opportunity to defect from Cuba along with his family. A brilliant virtuoso, Sandoval finally was able to play whatever music he wanted without having to satisfy a dictator, and his potential was enormous. On his American debut, Sandoval mostly ...
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La Onda Va Bien
(1979)
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by
Cal Tjader
It was only fitting that vibraphonist Cal Tjader launched the Concord Picante label with this release for Tjader did a great deal to popularize Latin-jazz. This was not his strongest effort (the solos of Tjader and flutist Roger Glenn are not all that substantial) but the drumming of Vince Lateano and the percussion of Poncho Sanchez keep the ...
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Panamonk
(1996)
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by
Danilo Perez
This is one of the more interesting Thelonious Monk tribute albums of the 1990s. Pianist Danilo Perez does not really sound much like Monk except in a couple places on purpose, but he has clearly learned from Monk's music, particularly in his use of space and quirky dissonances. The trio performances range from respectful ballads and Latinized ...
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Una Sangre (One Blood)
(2004)
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Lila Downs
Una Sangre (One Blood), Lila Downs' fourth album for the Narada label, is her most restless. Downs is best known to American audiences for her appearance in the film Frida (about the legendary Mexican painter Frida Kahlo) and her major contribution to the film's soundtrack. She has long been in the trenches knitting the indigenous music of her ...
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The Essential Tito Puente
(2005)
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by
Tito Puente
An essential collection for most artists would consist of 12 or perhaps even 20 songs. For the man described as "El Rey," however, a man who recorded over 100 LPs during a career that touched seven decades, the parameters need to be widened significantly. And so comes this two-disc, 40-track collection from RCA/Legacy, focusing on Puente's prime ...
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Kenya: Afro-Cuban Jazz
(1958)
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by
Machito
Classic Afro-Cuban jazz albums are not so plentiful that any can escape being called "essential." By 1958 the idiom had lost its original spontaneity and excitement, but new life had come from the recording possibilities of high-fidelity stereo. Kenya belongs to the style typified by Tito Puente's great work for Victor in this period. There are ...
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