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Dias y Flores
(1999)
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by
Silvio Rodriguez
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Frenesi
(1992)
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by
Linda Ronstadt
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Causas Y Azares
(1992)
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by
Silvio Rodriguez
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Unicornio
(1982)
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by
Silvio Rodriguez
Silvio Rodriguez, often called the heart and mind of the Nueva Trova movement, has long been a leading social and political commentator for the Cuban people. Long before his 1981 release Unicornio, Rodriguez had been writing songs inspired by his country's Socialist Revolution in 1959. It was not until this release, however, that his artistry came ...
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Andadas
(1992)
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by
Inti-Illimani
The very fact that Inti-Illimani were able to record Andadas in Santiago, Chile, is encouraging. When the Augusto Pinochet regime was executing numerous people in the 1970s, the exiled members of Inti-Illimani would have been risking their lives by even setting foot anywhere in Chile. Andadas is indeed the work of a very distinctive band. When ...
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The Best of Inti-Illimani
(2000)
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by
Inti Illimani
A greatest-hits compilation from the Chilean supergroup Inti-Illimani. Their four Xenophile releases are documented relatively thoroughly here. The basic foundation of Andean song and music is mixed successfully with everything from ranchero to Afro-Cuban to tango. Given the wide breadth of styles touched upon by the group, the coherence is ...
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Antologia, Vol. 3: 1989-1998
(2005)
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by
Inti Illimani
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Santa Maria de Iquique
(1998)
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by
Quilapayun
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Al Final De Este Viaje
(1995)
more music like this
by
Silvio Rodriguez
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Antologia 1968-1992
(2003)
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by
Quilapayún
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Mi Jardin Azul: Las Canciones Favoritas
(2004)
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by
Linda Ronstadt
Mi Jardin Azul: Las Canciones Favoritas is a collection culled from Linda Ronstadt's three Spanish-language recordings: Canciones de Mi Padre (1988), Mas Canciones (1990), and Frenesi (1992). In addition, it features the self-penned cut "Mi Ranchito" from the 1976 album Hasten Down the Wind. While the compilation contains no new tracks, its issue ...
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Erase Que Se Era
(2006)
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by
Silvio Rodríguez
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Inti-Illimani
(2003)
more music like this
by
Inti-Illimani
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Serie de Oro: Grandes Exitos
(2004)
more music like this
by
Violeta Parra
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Antologia, Vol. 1: 1973-1978
(2005)
more music like this
by
Inti-Illimani
Firmly rooted in the cultural traditions of their Chilean homeland, the ensemble known as Inti-Illimani also came up in solidarity with politically outspoken musicians like Victor Jara and Quilapayún, artists whose anti-fascist songs and messages were made available to North American listeners on Monitor and Americanto LPs. Forced into exile by ...
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Fragments of a Dream
(1987)
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by
Inti-Illimani
Fragments of a Dream is a collaboration between the Andean cultural troupe Inti-Illimani, classical guitarist John Williams, and flamenco guitarist Paco Peña, spawned from a number of ad-lib performances between the various musicians in London. Those performances were essentially Inti-Illimani performing as usual, with guest solos by the ...
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Leyenda
(1990)
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by
Inti-Illimani
Inti-illimani's assortment of wind, string and percussion instruments, in collaboration with the two master guitarists, has now yielded a world music recording which celebrates unity in diversity while managing to communicate the deep-rooted commitment to freedom and human rights at the core of Inti-Illimani's music. Backroads Music/Heartbeats, ...
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El Pueblo Unido
(2003)
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by
Quilapayun
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Serie de Oro: Grandes Exitos
(2004)
more music like this
by
Inti-Illimani
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Revolutionary Songs of Latin America
(1998)
more music like this
by
Soledad Bravo
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Mujeres
(1992)
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by
Silvio Rodríguez
Originally released in 1978, Silvio Rodríguez's Mujeres is often regarded as his masterpiece, representing a great artist at his very best. Instrumentally spare and transparent, the record is sonically crystal clear and shining. Rodríguez's guitar is bright and shimmering, and his voice has a bell-like open tone that would never sound quite as ...
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Lugares Comunes
(2003)
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by
Inti-Illimani
It's a testament to Inti-Illimani's art that they can still sound so inspired this far into their career. In many ways this might be one of their most successful albums to date, seamlessly integrating the Andean sound that's always been at the heart of their music with a view that can be almost classical at times. Both songs and instrumentals fare ...
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Antologia, Vol. 2: 1979-1988
(1980)
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by
Inti-Illimani
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Amar de Nuevo
(1999)
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by
Inti Illimani
When Amar de Nuevo was recorded in Santiago, Chile, in 1998, Inti-Illimani had been together for 31 years. But the Chilean band was showing no signs of losing its freshness. After all those years, Inti-Illimani was still taking chances and continued to experiment with a variety of Latin styles. The music of South American Indians -- Chilean and ...
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Paloma Negra
(2001)
more music like this
by
Soledad Bravo
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