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No Me Quites Tu Amor
(2007)
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El Potro de Sinaloa
José Eulogio Hernandez, aka El Potro de Sinaloa, has always focused on regional Mexican music, but like Ezequiel Peña, he is a Mexican singer who has refused to focus on one style of Mexican music exclusively. El Potro has recorded plenty of norteño, but he has also made his share of recordings that have favored what is perhaps best described as a ...
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Mujeres y Mentiras
(2007)
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Banda Jerez
Most banda albums do not have or need a "parental advisory: explicit content" warning on the front cover, but many of Banda Jerez's albums have had them -- and Mujeres y Mentiras (Women and Lies) is no exception. The "parental advisory" warning that appears on the front cover of Mujeres y Mentiras is appropriate because this 2007 release, like ...
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Billete Verde
(2005)
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Banda Jerez
There was a time when many younger Mexicans considered banda old-fashioned; it was, like mariachi, music that abuelito (grandpa) listened to while his nietos (grandchildren) were off in another room cranking Carlos Santana. But the banda boom of the '90s and 2000s gave banda a younger, hipper, more modern and cutting-edge image -- and one of ...
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Gracias Mujer
(1995)
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Banda Machos
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La Carretera del Amor
(2007)
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El Coyote y su Banda Tierra Santa
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Thalia [English]
(2003)
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Thalía
Thalía's string of Latin albums were calculated and executed for maximum appeal -- 2000's Arrasando was, after all, named after a popular Mexican soap opera. While the sounds were predictable, they were also immediately danceable, and smartly showcased the delectable Thalía herself. Given all of this, it's not surprising that the Latin superstar's ...
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Mas Fuerte Que Nunca
(2006)
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La Banda el Recodo de Cruz Lizárraga
In 2006, Banda el Recodo celebrated their 68th anniversary, and they didn't do it by acting like a "ghost band"; instead, Joel and Alfonso Lizárraga (the youngest sons of the late Recodo founder Don Cruz Lizárraga) kept the Mexican institution moving ahead musically. "Ghost band" is a term that jazz musicians use to describe bands that employ the ...
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3 Grandes de la Banda
(2004)
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by
Various Artists
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Mi Vida Loca
(2007)
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by
Jenni Rivera
Thanks to Ricky Martin, a lot of folks who don't speak Spanish (at least not fluently) found out what the term " vida loca " means in 2000. " Vida loca " is Spanish for "crazy life," and after Martin's single "Livin' la Vida Loca" (the English-language version) became a smash hit, the term was often used by English speakers to describe large doses ...
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30 Gruperas de Coleccion
(2003)
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by
Various Artists
Univision Records' straightforwardly named 30 Gruperas de Coleccion offers 30 grupero tracks by nine well-known banda artists, including Los Bukis' "Triste Imaginar," Los Bondadosos' "Estas Matando Mi Amor," Grupo Mojado's "No Puedo Vivir Sin Ti," and Industria del Amor's "Si Te Quedaras." Tracks by Los Yonic's, Los Rehenes, Los Freddy's, and Los ...
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Thalia
(2002)
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Thalia
By the time Thalía entered the studio to record what would become her self-titled album, she was a gigantic, supernova-size star in the Latin media world. Her previous album, Arrasando, had spun off not a couple, nor a few, but rather a whopping five hit singles, including the chart-topping "Entre el Mar y una Estrella." And of course, she was ...
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Lobo Domesticado
(2007)
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by
Valentin Elizalde
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Amor a la Mexicana
(1997)
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by
Thalia
Essentially, Amor a la Mexicana is a more fully fledged version of Thalía's previous album, En Extasis, which was her EMI debut and her first noteworthy, internationally successful release. The highlights of that album were the ones written and produced by hitmakers, namely songwriter Kike Santander and producer Emilio Estefan, Jr., the duo ...
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Vivir Sin Ella
(2000)
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by
Banda Machos
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Besos y Copas Desde Hollywood
(2006)
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by
Jenni Rivera
2006 was a very good year for bad girls in regional Mexican music. It was the year that Gloria Trevi (who became famous for rock en español and Latin pop) made her mariachi/ranchera debut with her hit "Ingrato" (which was much more in-your-face than the norteño version by Ninel Conde), and it was a year in which the equally atrevida Jenni Rivera ...
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En Extasis
(1995)
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Thalia
En Extasis is Thalía's debut album for EMI as well as a huge stride forward for her career. Her preceding series of albums for Fonovisa were fairly successful in Mexico, but more so because of her celebrity than because they were especially good albums. In particular, they were weighed down by assembly-line pop schmaltz -- poorly written and even ...
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Thalia's Hits Remixed
(2003)
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Thalía
Thalia's Hits Remixed is just that -- a collection of her numerous hits, remixed ideally for club play. As such, it's one of her least listenable albums, but it served as a good stopgap release in 2003 when she was on top of the world after having released her smash self-titled album. For fanatics only. Many of these remixes would later be ...
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Soy Asi
(2005)
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by
Valentin Elizalde
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Vencedor
(2006)
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Valentin Elizalde
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Greatest Hits
(2004)
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by
Thalía
Far from the first greatest-hits collection for Thalía yet notably the first to compile hits from her EMI years, Greatest Hits is a nonstop pleasure. There's a bounty of music -- 16 songs here, drawn from five albums, two of the inclusions previously unreleased -- and it's a well-balanced sample of the Latin pop star's many hits from the mid-'90s ...
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En Vivo
(2000)
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Banda Pequeños Musical
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Junto al Rey
(2007)
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by
Javier Torres
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A Toda Banda
(2006)
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by
Erasmo
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El Rey de las Cantinas
(2005)
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by
Lupillo Rivera
It certainly isn't unheard of for a regional Mexican singer to excel at both mariachi and banda; Ezequiel Peña, just to give one example, is widely regarded as an expert in both areas. But the way in which Lupillo Rivera compartmentalizes mariachi and banda on his two-CD set El Rey de las Cantinas (The King of the Bars) is truly a rarity. Both CDs ...
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Muy Dentro de Mi
(2007)
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Banda Viejo Oeste
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