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Chronicle, Vol. 1
(1976)
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Creedence Clearwater Revival
Chronicle, Vol. 1 contains every one of Creedence Clearwater Revival's original 19 hit singles -- including "Proud Mary," "Bad Moon Rising," "Green River," "Down on the Corner," "Travelin' Band," "Up Around the Band," and "Have You Ever Seen the Rain" -- plus "I Heard It Through the Grapevine," which became a hit at the same time this double ...
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Dirt Farmer
(2007)
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by
Levon Helm
During the Band's original run (from 1968 to 1976), Robbie Robertson may have been the group's strongest songwriter and the idea man behind most of their best work, but Levon Helm was truly the group's heart and soul with his tough, sinewy Arkansas vocals and his indomitable, loosely tight drumming. Robertson' solo work since leaving the Band has ...
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Revival
(2007)
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John Fogerty
Not long after the 2004 release of his fifth solo album, Deja Vu All Over Again, John Fogerty parted ways with DreamWorks -- but perhaps a more important label development for the singer/songwriter was that his old home Fantasy Records, the place where he cut all his classic Creedence Clearwater Revival albums, was sold to Concord Records. He had ...
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Best of Chris Isaak
(2006)
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Chris Isaak
In many ways, Chris Isaak is a perfect candidate for a "best-of" compilation: he has been consistent over the years, not only in the quality of his output but in his music, which hasn't strayed much from the sweetly moody retro-pop -- part Elvis, a large part Roy Orbison, a small part early Neil Diamond -- he essayed on his 1985 debut, Silvertone. ...
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Centerfield
(1985)
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John Fogerty
"Put me in coach, I'm ready to play." These are lines familiar to any baseball fan, for John Fogerty's "Centerfield" has become the unofficial song of our national pastime. Those lines also signaled Fogerty's return to the music business after a ten-year absence. The music is mighty familiar, as Fogerty works the same terrain he mined for gold ...
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The Long Road Home: The Ultimate John Fogerty/Creedence Collection
(2005)
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John Fogerty
The Long Road Home: The Ultimate John Fogerty/Creedence Collection is the first compilation to feature both Fogerty's classic Creedence Clearwater Revival hits and his solo recordings of the '80s and '90s. This was released on the occasion of his return to Fantasy Records, the label where he began his career, in 2005. He may have started his ...
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World Without Tears
(2003)
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Lucinda Williams
While many considered Car Wheels on a Gravel Road and Essence as definitive statements of arrival for Lucinda Williams as a pop star, she "arrived" creatively with her self-titled album in 1984 and opened up a further world of possibilities with Sweet Old World. The latter two records merely cemented a reputation that was well-deserved from the ...
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Robbie Robertson
(1987)
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Robbie Robertson
Robbie Robertson was once asked why he waited 11 years after the breakup of the Band to release a solo project, and he replied, "I wasn't so sure I had something to say." One can hear a bit of this thinking in Robertson's self-titled solo debut; it's obvious that he didn't care to revisit the country- and blues-flavored roots rock that had been ...
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Copperhead Road
(1988)
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Steve Earle
Steve Earle and Nashville had had just about enough of one another once it came time for him to cut his third album in 1988. Earle's first two albums, Guitar Town and Exit 0, had sold well and earned enthusiastic reviews, but his stubborn refusal to make nice, his desire to make more rock-influenced albums, and the faint but clear Leftism in his ...
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Heart Shaped World
(1989)
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by
Chris Isaak
When filmmaker David Lynch backed a disquieting scene in Blue Velvet with Roy Orbison's "In Dreams," he demonstrated the eerie atmosphere behind its pre-'60s innocence. Orbison disciple Chris Isaak played those qualities to the hilt in his shimmering, spare "Wicked Game," so it was no surprise when Lynch included the ballad in Wild at Heart. What ...
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Words & Music: John Mellencamp's Greatest Hits
(2004)
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John Mellencamp
John Mellencamp has been in need of a thorough, career-spanning compilation for a while, and Island/UTV's 2004 release Words & Music: John Mellencamp's Greatest Hits finally fills that gap. His previous hits collection, 1997's The Best That I Could Do, was too short, since he had more hits than could fit on a brief 14-track disc. Words & Music ...
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Transcendental Blues
(2000)
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Steve Earle
Steve Earle is a rebel. Not in the Hollywood/James Dean/Easy Rider/rebel-against-society sense, but rather in a real and personal way. Throughout his life and career he has rebelled against the very industry that surrounded him and did not find the freedom he sought until he started his own label, E-Squared. He rebelled against his common sense ...
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Strangers Almanac
(1997)
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Whiskeytown
1997's Strangers Almanac was Whiskeytown's major-label debut and the album that first introduced Ryan Adams to a wide audience, but at the same time it marked the beginning of the end for the group. When Whiskeytown went into the studio to record Strangers Almanac, the band had undergone the first of what would become a long line of personnel ...
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Little Village
(1992)
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Little Village
Sometimes you just can't get lightning to strike in the same place twice, no matter how hard you try, and the sole album from Little Village serves as proof. In 1987, guitarist Ry Cooder, bassist Nick Lowe, and drummer Jim Keltner backed up singer and songwriter John Hiatt on his album Bring the Family; the album was hailed as an instant classic, ...
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For the Kids [Nettwerk]
(2002)
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Various Artists
VH1's Save the Music Foundation and Nettwerk came together in fall 2002 to support music education around North America. The various-artists collection For the Kids is a delightful way to do it. The 16-track compilation features an assorted mix of classic children's songs and fresh originals sung by some of modern rock's finest artists. For the ...
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Storyville
(1991)
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Robbie Robertson
Robbie Robertson's 1987 solo debut was an ambitious but only intermittently successful attempt to chart a new musical direction for himself 11 years after the Band had publicly called it quits. Four years later, Robertson's second solo set, Storyville, found him in much more familiar musical territory, as he steeped himself in both the music and ...
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Washington Square Serenade
(2007)
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by
Steve Earle
New York City has long been more than America's biggest and most fabled city -- it's a place that symbolizes fresh starts and new opportunities, and there are scores of songs and stories about folks pulling up roots and heading to the Big Apple in search of a better and more exciting life. Steve Earle wrote one such song on his 1997 album El Coraz ...
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The Best That I Could Do 1978-1988
(1997)
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John Mellencamp
The Best That I Could Do is an appropriately self-deprecating title for John Mellencamp's greatest-hits collection, considering that the heartland rocker never seemed too convinced of his own worth. Of course, he had to struggle to get any respect after he was saddled with the stage name Johnny Cougar early in his career, but this 14-track ...
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Baja Sessions
(1996)
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Chris Isaak
Isaak's well-known surfing fixation had been referenced here and there on past album art before, but Baja Sessions gives him a chance not only to bring that out in the open but to consciously aim for a much more relaxed, gentle follow-up to the harrowing Forever Blue. Returning to the calmer but still potent romantic angst and celebration familiar ...
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Shelter
(1986)
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Lone Justice
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These Days
(2006)
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by
Vince Gill
As 2006 nears its end, no one can argue that the world of country music isn't, at this moment, the most adventurous in the mainstream pop music industry and that Nash Vegas is taking more chances on its acts as the rest of the biz relies more on narrowing things into smaller and smaller niches that can easily be hyped and digested. Sure, as always ...
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Social Distortion
(1990)
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Social Distortion
With Prison Bound, Social Distortion began to metamorphasize from a rather ordinary L.A. hardcore band into a roots rock band willing to make with more than their share of the attitude, and this process continued on their self-titled third album (which was also their major-label debut). Musically, Mike Ness and company had learned to split the ...
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Childish Things
(2005)
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by
James McMurtry
Childish Things follows James McMurtry's well-received live album by a little over a year and maintains the high standards set by that release while occasionally upping the stakes. The raw yet full roots rock-sound remains dominated by McMurtry's tough, no-frills guitar chords and longtime backing musicians, drummer Daren Hess and bassist Ronnie ...
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Speak of the Devil
(1998)
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by
Chris Isaak
Speak of the Devil explores the same moody terrain as Chris Isaak's previous records, though the songs are fleshed out with more contemporary touches. The leadoff track, "Please," is unusually hard-hitting, with its acoustic/electric/soft/crash structure, Mellotron, and soundbite lyrics. "I'm Not Sleepy" is a roots rock rave-up (wherein Isaak ...
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Chicken Skin Music
(1976)
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Ry Cooder
Ry Cooder has always believed in the "mutuality in music," and this may be no more evident in his career than with his fifth album, Chicken Skin Music (a Hawaiian colloquialism, synonymous with goosebumps). Even more than usual, Cooder refuses to recognize borders -- geographical or musical -- presenting "Stand By Me" as a gospel song with a norte ...
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