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The Poison

The Poison (2006) more music like this

by Bullet for My Valentine

Bullet for My Valentine hails from the same stomping grounds in South Wales as peers Funeral for a Friend, thus sparking comparisons between the Welsh acts that go further than a fondness for dark, morose band names. It's hard to deny a certain likeness to their Funeral friends throughout The Poison -- check out the dynamics of "Suffocating Under ...

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Deliverance

Deliverance (1994) more music like this

by Corrosion Of Conformity

With guitarist Pepper Keenan now at the helm as lead singer and principal songwriter, COC abandoned most of the punk influences of their crossover past and turned into a full-fledged Sabbath-inspired metal band with 1994's Deliverance. Most of the songs on the album are built on monolithic power chords which range from ferocious speed on "Heaven's ...

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America's Volume Dealer

America's Volume Dealer (2000) more music like this

by Corrosion of Conformity

After making headway into the '90s alternative metal scene with a grungy, slowed-down version of their trademark punk-metal, COC (now the band's official name, instead of just a widely accepted nickname) moved into the new millennium looking to keep up their momentum. Since their last album, 1996's Wiseblood, the rap-metal subgenre had taken over ...

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Under the Knife

Under the Knife (2000) more music like this

by Hatebreed

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The Art of Rebellion

The Art of Rebellion (1992) more music like this

by Suicidal Tendencies

On the group's earliest albums, vocalist Mike Muir specialized in intense, angst-ridden rants, harrowing but one-dimensional. He has since developed into a rock-solid vocalist, his voice a powerful and fluid instrument. Muir still delivers emotionally ferocious spoken-word segments on "Nobody Hears" and "I Wasn't Meant to Hear This," but the ...

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The Best of Atreyu

The Best of Atreyu (2007) more music like this

by Atreyu

Atreyu's acerbic approach to metalcore -- merging Alex Varkatzas' caustic gutturals and Brandon Saller's melodic underpinnings with thrashing hardcore and continuous double-bass shots to the gut -- rocketed the guys straight to the top of the underground scene. The genre may have quickly become saturated, but Atreyu managed to remain a head above ...

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Suicidal Tendencies

Suicidal Tendencies (1983) more music like this

by Suicidal Tendencies

Fast, furious, and funny, Suicidal Tendencies' self-titled debut owed much more to hardcore punk than to the later hardcore/heavy metal hybrid they would become known for, but it's still quite possibly their best album. Mike Muir proves himself an articulate lyricist and commentator, delving into subjects like alienation, depression, and ...

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U.S.A. for M.O.D.

U.S.A. for M.O.D. (1987) more music like this

by M.O.D.

The first offering from S.O.D. (Stormtroopers of Death) vocalist Billy Milano's M.O.D. (Methods of Destruction), U.S.A for M.O.D. follows the S.O.D. formula with precision. The music on this debut is similar to the N.Y. hardcore-influenced metal made famous by Anthrax (with whom M.O.D. had close ties). Milano doesn't seem to be taking things very ...

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Join the Army

Join the Army (1987) more music like this

by Suicidal Tendencies

The band incorporates a little more metal influences on this one and includes "Possessed to Skate." John Book, All Music Guide

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Lead Sails Paper Anchor

Lead Sails Paper Anchor (2007) more music like this

by Atreyu

Atreyu's Lead Sails Paper Anchor is a decent album. The problem? It would be a much more consistent and stronger one if producer John Feldmann had settled on one sound -- slick or raw -- because it can't be both. (For the record, the rougher moments on the album do give Atreyu more vitality.) It isn't even a case of different songs having ...

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Dedication (2002) more music like this

by Raised Fist

Much like the alternative rock landscape in 2002, the metal world has also had its fair share of Scandinavian bands arrive in the U.S. with authentic, vital contributions to the genre. One such band is Raised Fist, a gleefully vicious outfit that mixes the brutal production and speed-oriented brutality of death metal with the songwriting structure ...

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How Will I Laugh Tomorrow When I Can't Even Smile Today (1988) more music like this

by Suicidal Tendencies

Suicidal Tendencies regrouped successfully for one of its best efforts, How Will I Laugh Tomorrow When I Can't Even Smile Today. The band's thrashy fusion of its hardcore roots with speed metal was fully developed by this point, and Mike Muir's social commentary and self-analysis were as ragingly compelling and by turns amusing as ever. Highlights ...

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Too Bad You're Beautiful (2001) more music like this

by From Autumn to Ashes

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Rhythm of Fear (1992) more music like this

by M.O.D.

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The Awakening (2007) more music like this

by Caliban

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The Serpent (2007) more music like this

by Still Remains

Boy, the term ‘melodic metal' certainly has changed over the years. Back in the 1980's, the style was best suited for glam hams that were all about pontificating about (in the immortal words of the Cruiser from ‘Stripes') ‘fast cars and fast women.' Come the 21st century, some may consider a group like Still Remains a melodic metal band, but that ...

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Kezia (2006) more music like this

by Protest the Hero

Apart from the fact that the members of Protest the Hero were in their late teens when they wrote it, Kezia (pronounced keh-zai-yah) is an impressive album that greatly exceeds typical expectations. Protest frantically meld metal, punk, hardcore -- and a touch of emo -- into ten frenetic songs that often resemble a late-night metal show with ...

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When I Am God (2007) more music like this

by Oh, Sleeper

Aside from the fact that it recycles all five songs from the band's 2006 EP, The Armored March, there's little cause for complaint over Oh, Sleeper's solid full-length debut, When I Am God, which actually brings a little bit of hope to the much discredited post-hardcore scene. Like obvious influences such as Norma Jean and As Cities Burn, this ...

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A Lethal Dose of American Hatred (2003) more music like this

by Superjoint Ritual

Note one of Superjoint Ritual's A Lethal Dose of American Hatred greets your ears like a steel-tipped boot does a mud puddle. From this satisfying splat, to the looped, warped finale of "Absorbed," it's obvious that the band cares as much for studio gloss as they do about being polite (a typically subtle lyric: "I want to kill your family/I want ...

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Goodbye to the Gallows (2007) more music like this

by Emmure

Is it hardcore or is it death metal? No, this isn't some warped play on the famous Memorex ad slogan, but rather a very valid question after listening to Emmure's debut album, 2007's Goodbye to the Gallows. Like many modern-day metal bands, Emmure vocalist Frank Palmeri can shapeshift his voice to resemble a death metal growler, a hardcore barker, ...

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Storm the Gates of Hell (2007) more music like this

by Demon Hunter

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Holding a Wolf by the Ears (2007) more music like this

by From Autumn to Ashes

From Autumn to Ashes has always thrived on the screaming guy/singing guy dynamic between Ben Perri and Francis Mark. Consequently, it was interesting to see what would happen following lead shrieker Perri's nicely timed 2006 departure, which occurred right before vocals were due to be tracked for Holding a Wolf by the Ears, the Long Island crew's ...

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Of Love and Lunacy (2005) more music like this

by Still Remains

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Thrash Zone (1989) more music like this

by D.R.I.

Although the opening title track is a celebration of life in the mosh pit, D.R.I.'s fifth album is pretty much straightforward metal with little of the band's hardcore punk roots in its unapologetically slick sound. That said, Thrash Zone is an immense improvement over its immediate predecessor, the weak and unfocused Four of a Kind. Kurt Brecht's ...

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Four of a Kind (1988) more music like this

by D.R.I.

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