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Mi Sangre
(2004)
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by
Juanes
Mi Sangre is the awaited follow-up to the hugely successful Un Día Normal, the multi-Latin Grammy-winning and best-selling Latin album of 2003, which made Juanes a star. Although he has a different background than many Latin stars, now it's hard to tell the difference between him and the rest. His music and words sound more conventional than ever. ...
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Revolución de Amor
(2002)
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by
Maná
Like English-language rock, the rock en español field has its superstars and its more underground artists. Superstars like los Fabulosos Cadillacs and Shakira can easily fill a huge soccer stadium in Mexico City or Buenos Aires, while the more underground artists perform in Latin America's small clubs. Maná falls into the supergroup category; in ...
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La Radiolina
(2007)
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by
Manu Chao
European superstar Manu Chao has long gotten by on writing simple repetitive melodies with simple repetitive lyrics, making it, if nothing else, easy for his international audience to sing along, no matter their native language. So it is not particularly surprisingly he follows the same pattern on his fourth studio full-length, Radiolina, ...
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Grandes Exitos
(2003)
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Jarabe de Palo
This album honors the band's major hits during its EMI/Virgin years. All the songs that helped establish it on the scene are here, like "La Flaca," "De Vuelta y Vuelta," and "Depende." But there are also other songs that, although not as popular, are good proof of the band's talent, such as "Agua," "Bosque de Palo," and "Grita." Some surprises -- ...
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Amar Es Combatir
(2006)
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by
Maná
Arriving a long four years after Revolución de Amor (2002), which had been the band's most accomplished album to date, and a Grammy winner to boot, Amar Es Combatir confirmed Maná's continuing designation as the world's standard-bearing Spanish-language mainstream rock band. Amar Es Combatir's lead single, "Labios Compartidos," was an overnight ...
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Don't Mess with the Dragon
(2007)
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by
Ozomatli
Never a band afraid to push their sound further, to try new things, Ozomatli has been developing their songs past the salsa-inspired, hip-hop-infused rock they played on their self-titled debut for a while now. On Don't Mess with the Dragon, they continue to do this, moving even further from the Latin music around which they formed and into R&B, ...
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Limón y Sal
(2006)
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by
Julieta Venegas
A couple years removed from her mainstream breakthrough album, Sí (2002), and its string of perfect pop hits, Julieta Venegas returned with a similar album, Limón y Sal. It's difficult to fault her for doing so. Certainly, her earlier rock en español work -- Aquí (1998) and Bueninvento (2000) -- was critically acclaimed and remains well regarded. ...
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Clandestino
(1998)
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by
Manu Chao
The first solo album released by the former frontman of Mano Negra, Clandestino is an enchanting trip through Latin-flavored worldbeat rock, reliant on a potpourri of musical styles from traditional Latin and salsa to dub to rock & roll to French pop to experimental rock to techno. Chao's voice tends to be a bit nasally, but the best songs ( ...
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Sigo Siendo Yo: Grandes Exitos
(2006)
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by
Marc Anthony
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Todo Cambió
(2006)
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by
Camila
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Senderos de Traicion
(1990)
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by
Heroes del Silencio
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Bonito
(2003)
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by
Jarabe de Palo
Jarabe de Palo's debut on Warner Bros. is simply -- and optimistically -- titled Bonito (Lovely). Pau Donés, the band's leader and singer, is someone who tends to be among the "politically correct" people and he's fully loaded with good intentions. He knows that the world is going wrong (especially for the Latin American people who seem to be the ...
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Depende
(1998)
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by
Jarabe de Palo
The title track of Jarabe de Palo's debut album, La Flaca, which won the prestigious Spanish Ondas Award for Best Song and Best New Artist kudos for lead singer and songwriter Pau Donés, was just so darn irresistible, so convincingly authentic, so undeniably sincere in its longing for a skinny girl glimpsed dancing in Havana, that it was hard to ...
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La Vida...Es un Ratico
(2007)
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by
Juanes
By the time of his fourth album, La Vida...Es un Ratico, it was difficult to imagine Juanes being any more acclaimed or popular. He'd already won trophy cases of awards, from numerous Grammys to France's highest cultural honor, L'Ordre des Arts et des Lettres, and he'd already topped charts in a diverse range of countries, including not only the ...
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Tiempo Transcurrido: The Best of Café Tacuba
(2001)
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by
Café Tacuba
This album compiles the most popular songs from Café Tacuba's first four albums released between 1992 and 1999. This album also closes the Warner contract that lasted for four albums. Ordered chronologically (but inversed, starting from the newer material), this 22-track selection contains all of the hits that helped to increase the band's ...
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La Vida...Es un Ratico [CD/DVD]
(2007)
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by
Juanes
By the time of his fourth album, La Vida...Es un Ratico, it was difficult to imagine Juanes being any more acclaimed or popular. He'd already won trophy cases of awards, from numerous Grammys to France's highest cultural honor, L'Ordre des Arts et des Lettres, and he'd already topped charts in a diverse range of countries, including not only the ...
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Donde Jugaran los Niños?
(1994)
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by
Maná
Maná enjoyed some success with their first album, Falta Amor, but it was their second, Donde Jugaran los Niños?, that made them such an international sensation, establishing them as one of the top Latin pop/rock acts of the '90s. The album is quite solid, maintaining a consistently strong standard of songwriting throughout, and the production is ...
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El Espiritu del Vino
(1993)
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by
Heroes del Silencio
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El Nervio del Volcan
(1994)
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by
Caifanes
The last album released before Caifanes changed their name to Los Jaguares is a triumph of progressive pop-metal entwined with Latin ideas. Though the group is often compared to U2 the two have never sounded less similar; the band developed a harder style here that comes close to early Metallica territory at times. Though Saul Hernandez is a near ...
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Nil Lara
(1996)
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Nil Lara
Nil Lara accomplishes an innovative lyricism rooted in traditional, Latin rhythms in this self-titled follow-up to his debut album My First Child. His Cuban heritage serving as catalyst, Lara weaves English and Spanish lyrics to communicate universal themes. From the first song, "Money Makes the Monkey Dance," which reflects upon the struggles and ...
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Sueños Liquidos
(1997)
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by
Maná
A harmonically wise and confident band capable of loosely wound Latin pop/rock, Maná has returned with some of their best songs of their career stuck to a midday high-gloss finish. No twitchy tokenism here -- it would be ridiculous to lump this music along with the patronizing Latin pop stars crossing over into America's gaze -- but the album's ...
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Embrace the Chaos
(2001)
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by
Ozomatli
Not many people heard Ozomatli's 1998 debut, but those who did loved its fearless blend of hip-hop, Latin rhythms, jazz, and rock. There was a long wait between that record and its 2001 successor, Embrace the Chaos, and while that prolonged gestation period may have not resulted in a radical new direction for the collective, it did give them time ...
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Puta's Fever
(1989)
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by
Mano Negra
The highly influential Puta's Fever opened the door for a flood of young rock bands outside the English-speaking music world to fashion new hybrids that reflected their own musical cultures blended with popular worldwide sounds like rock and reggae. Manu Chao and company started from patchanka, a fast-paced French music hall style that sounds like ...
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MTV Unplugged
(1999)
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by
Maná
The unplugged trend of the 1990s could be quite revealing. If a band used amplification to mask its deficiencies, going acoustic could easily expose them. But when artists who had a lot going for them -- everyone from Aerosmith and Bruce Springsteen to L.L. Cool J -- went unplugged, they had a lot of strong material to rely on and triumphed in an ...
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Cuando los Angeles Lloran
(1995)
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by
Mana
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