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Sublime
(1996)
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Sublime
Sublime's eponymous major-label debut arrived a few months after the band's leader, Brad Nowell, died tragically of a heroin overdose. As a show of sympathy, the album tended to be slightly overrated in some critical quarters, who claimed that Nowell was an exceptionally gifted lyricist and musical hybridist, but Sublime doesn't quite support ...
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Tragic Kingdom
(1995)
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No Doubt
Led by the infectious, pseudo-new wave single "Just a Girl," No Doubt's major-label debut, Tragic Kingdom, straddles the line between '90s punk, third-wave ska, and pop sensibility. The record was produced by Matthew Wilder, the auteur behind "Break My Stride" -- a clever mainstream co-opting of new wave quirkiness, and, as such, an ideal pairing. ...
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Rock Steady
(2001)
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No Doubt
Five years separated Tragic Kingdom and its 2000 follow-up, Return of Saturn. About 15 months separated Saturn and its sequel, Rock Steady -- a clear sign that No Doubt was getting back to business, but it's really a more accurate reflection of Gwen Stefani's stature in 2001. Once Saturn started slipping down the charts -- apparently, the kids ...
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...And Out Come the Wolves
(1995)
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Rancid
In the wake of the Offspring's success, Rancid became a hot band, earning a dedicated cult and sparking a major-label bidding war. After flirting with a handful of major labels, the band decided to stick with Epitaph and returned with And Out Come the Wolves. While the title is a veiled reference to the attention the band gained, the album doesn't ...
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Second Hand Smoke
(1997)
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Sublime
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The Young and the Hopeless
(2002)
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Good Charlotte
Good Charlotte's The Young and the Hopeless is punk-pop déjà vu. Rehashing worn clichés aplenty on each track, cuts such as "The Anthem" emerge exactly as the title overtly implies: a high-velocity, guitar-driven reason to lash out against the usual growing pains inflicted by parental authority and high-school drama. Grafting the widely ...
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The Singles 1992-2003
(2003)
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No Doubt
A band like No Doubt was made for an album like The Singles 1992-2003. While they made good albums -- and each of their albums had its own character -- they shined as a singles band, which is only appropriate for a band raised on new wave, the last golden era of singles. Unlike the grunge and indie bands that populated the first two waves of the ...
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Floored
(1997)
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Sugar Ray
Sugar Ray's second album, Floored, is a noticeable improvement from Lemonade and Brownies. The group's fusion of metal, funk, reggae, and rap is seamless and confident, partially because Sugar Ray now emphasize the groove, not the guitars. The group still has difficulty writing a consistent batch of songs, but its hooks are stronger than ever, as ...
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Rancid [1993]
(1993)
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Rancid
This is where it all starts. Without any reminiscing about their former band, Operation Ivy, Matt Freeman (bass) and Tim Armstrong (guitar/vocals) blast through their debut without any hints of ska or blatant Clash plagiarizing. On the contrary, this album rips through 15 tracks of high-energy punk that's accompanied by heavy bass leads and ...
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Let's Face It
(1997)
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The Mighty Mighty Bosstones
With No Doubt and Sublime having dominated the pop airwaves in 1996, it wasn't too much of a stretch for the Mighty Mighty Bosstones to hope for similar success, even if their sound was louder and heavier overall -- after all, they had been arguably the best-known ska band in the American underground for some time and had laid much of the ...
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Return of Saturn
(2000)
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No Doubt
Return of Saturn is an almost defiantly mature record about two things: Stefani's exploration of a troubled romance and her own romantic ideals, plus a serious attempt by the group to not only keep new wave alive, but to make that adolescent music relevant to an older audience. It's a high concept, but Return of Saturn is filled with satisfying ...
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Rancid [2000]
(2000)
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Rancid
After several fine, if rather derivative, albums of ska-inflected punk rock, and after years of being criticized for relying unduly on gestures lifted from the Clash, Rancid has come roaring out with the harshest and most consistent album of their career. It wouldn't be entirely accurate to say that they've left their influences behind; rather, ...
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Indestructible
(2003)
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Rancid
Rancid's sixth album, Indestructible, starts off with a melodic blast of punk intentions, "Indestructible," and doesn't back down until the last chords of "Otherside," a heartbreaking ode to the late brother of Lars Fredericksen, fade away. In between are 17 songs that live up to the glorious reputation of one of the great punk bands of any era. ...
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Turn the Radio Off
(1996)
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Reel Big Fish
"I'll never be a rock and roll star," Reel Big Fish's Aaron Barrett sweetly sings out in frustration at his band's inability to reach pin-up proportions on "I'll Never Be." Ah, but that song was written long before the group decided to "Sell Out," and promptly garner the attention Barrett so craved. Their timing was impeccable, for ska was then ...
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All Star Smash Hits
(2005)
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Smash Mouth
Ask anyone who was there in the halcyon days of Y2K what it was like, what it was really like, to live through the changing of the millennium, and they'll answer you this: you couldn't escape that damned "All Star" song. Anywhere you turned -- radio, TV, movies, movie trailers , advertisements, sports games -- all you heard was Smash Mouth's ...
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Gold
(2005)
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Sublime
Gold is the third official Sublime retrospective, following 2002's 20th Century Masters and Greatest Hits from 1999. But none of it is unreleased, or even very rare. In fact, Gold is really an abstract, an only slightly condensed run through Sublime's three studio albums. It includes hits, fan favorites, and a bunch of album tracks, as well as an ...
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Everything Under the Sun
(2006)
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Sublime
The late-summer 2006 release of the double-disc deluxe edition of Sublime seemed to be the final word on the seminal SoCal ska-punk band, at least to the casual observer. It offered a remastered, resequenced version of the album, restoring it to the version that the band intended to release prior to the tragic death of Bradley Nowell, buttressed ...
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Astro Lounge
(1999)
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Smash Mouth
Based on their infectious summer single "Walking on the Sun," it was easy to dismiss Smash Mouth as a one-hit wonder, since it was hard to believe that they'd be able to top that sun-kissed delight that was easily the highlight of their debut, Fush Yu Mang. Perhaps that's why their second record, Astro Lounge, feels like such a surprise, since it ...
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Don't Know How to Party
(1993)
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The Mighty Mighty Bosstones
A raucous mix of metal and ska, Don't Know How to Party is one of the fiercest party records ever made. David Jehnzen, All Music Guide
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Our Live Album Is Better Than Your Live Album
(2006)
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Reel Big Fish
If any band were going to name its live record Our Live Album Is Better Than Your Live Album, well, it was bound to be ska-punk luminaries Reel Big Fish. And they're not just being audacious -- they're probably right. Two CDs worth of music plus a bonus DVD with an entire live set make this an essential part of any RBF fan's collection. The songs ...
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14:59
(1999)
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Sugar Ray
Sugar Ray lead singer Mark McGrath had proven himself on national television as a walking rock encyclopedia, in a 1998 episode of VH1's Rock and Roll Jeopardy. It was an impressive feat that could explain the divergent styles of Sugar Ray's 1999 album 14:59. Their third album showed an alarming overhaul in their approach, practically moving Sugar ...
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Fush Yu Mang
(1997)
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Smash Mouth
The groovy, '60s soul-funk of "Walking on the Sun" disguises the fact that Smash Mouth is a ska-punk band. With its organ riff and breezy melody, "Walking on the Sun" is a great one-shot single, yet Smash Mouth never come close to replicating its easy charm anywhere on Fush Yu Mang. Regardless, there are some moments that'll satisfy third-wave ska ...
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A Jackknife to a Swan
(2002)
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The Mighty Mighty Bosstones
After working on their ska sound for approximately two decades, the Mighty Mighty Bosstones have released A Jackknife to a Swan, which is unfortunately a day late and a dollar short. With a sound that can best be described as Smash Mouth meets ska, this 13-song album primarily consists of upbeat party songs for a good time. Yes they're fun, happy ...
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Our Newest Album Ever!
(1997)
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Five Iron Frenzy
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Life Won't Wait
(1998)
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Rancid
Rancid never win any points for originality, but originality isn't their goal. Rancid want to be, to quote an old Clash slogan, "the only band that matters." Where the Clash earned that title by mixing genres, blending the old with the new, Rancid decide to be traditional, spiking the Clash's sound with ska-punk and hardcore. Musically, that might ...
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