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American Idiot

American Idiot (2004) more music like this

by Green Day

It's a bit tempting to peg Green Day's sprawling, ambitious, brilliant seventh album, American Idiot, as their version of a Who album, the next logical step forward from the Kinks-inspired popcraft of their underrated 2000 effort, Warning, but things aren't quite that simple. American Idiot is an unapologetic, unabashed rock opera, a form that ...

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Sublime

Sublime (1996) more music like this

by Sublime

Sublime's eponymous major-label debut arrived a few months after the band's leader, Brad Nowell, died tragically of a heroin overdose. As a show of sympathy, the album tended to be slightly overrated in some critical quarters, who claimed that Nowell was an exceptionally gifted lyricist and musical hybridist, but Sublime doesn't quite support ...

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This Left Feels Right

This Left Feels Right (2003) more music like this

by Bon Jovi

God knows why Bon Jovi felt the need to recut its best songs in an adult alternative style with Patrick Leonard as the producer. In the thorough liner notes -- presented as an interview between Jon Bon Jovi and guitarist Richie Sambora -- by the suddenly ubiquitous David Wild, Jon claims that the roots of the album derive from a Japanese show he ...

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Dookie

Dookie (1994) more music like this

by Green Day

Green Day couldn't have had a blockbuster without Nirvana, but Dookie wound up being nearly as revolutionary as Nevermind, sending a wave of imitators up the charts and setting the tone for the mainstream rock of the mid-'90s. Like Nevermind, this was accidental success, the sound of a promising underground group suddenly hitting its stride just ...

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Insomniac

Insomniac (1995) more music like this

by Green Day

Dookie gave Green Day success, but it was never really clear whether they wanted it in the first place. However, given the incessantly catchy songwriting of Billie Joe, the success made sense. Green Day were traditionalists without realizing it, learning all of their tricks through secondhand records and second-generation California punk bands. ...

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Greatest Hits

Greatest Hits (2005) more music like this

by The Offspring

Apparently the Offspring could keep 'em separated no longer. Greatest Hits gathers every one of the band's modern rock radio warhorses into one place. It also tacks on a new song called "Can't Repeat," which despite its name is a repeat of the 1998 single "Kids Aren't Alright." After the new opener the set moves chronologically, so its songs are ...

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Smash

Smash (1994) more music like this

by Offspring

The Offspring's second album for Epitaph did the impossible: it landed in the Top Five, unheard of for independent records. The Offspring crossed over due to the raucous, Eastern-tinged single "Come Out and Play," which stopped and started just like Nirvana, only without the Seattle trio's recklessness. The record stayed in the charts because the ...

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Turn the Radio Off

Turn the Radio Off (1996) more music like this

by Reel Big Fish

"I'll never be a rock and roll star," Reel Big Fish's Aaron Barrett sweetly sings out in frustration at his band's inability to reach pin-up proportions on "I'll Never Be." Ah, but that song was written long before the group decided to "Sell Out," and promptly garner the attention Barrett so craved. Their timing was impeccable, for ska was then ...

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Americana

Americana (1998) more music like this

by The Offspring

With integrity intact and a hearty combination of poppy punk and wit throughout, the Offspring's fifth album is a raucous ride through America as seen through the eyes of a weary, but still optimistic, young kid. Riffs on political correctness, '70s radio fodder, and suburban disquiet are spread thick on Americana. If the band's targets seem a bit ...

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American Idiot [US CD]

American Idiot [US CD] (2004) more music like this

by Green Day

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The Warrior's Code

The Warrior's Code (2005) more music like this

by Dropkick Murphys

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...And Out Come the Wolves (1995) more music like this

by Rancid

In the wake of the Offspring's success, Rancid became a hot band, earning a dedicated cult and sparking a major-label bidding war. After flirting with a handful of major labels, the band decided to stick with Epitaph and returned with And Out Come the Wolves. While the title is a veiled reference to the attention the band gained, the album doesn't ...

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Nimrod (1997) more music like this

by Green Day

Following the cool reception to Insomniac, Green Day retreated from the spotlight for a year to rest and spend time with their families. During that extended break, they decided to not worry about their supposedly lost street credibility and make an album according to their instincts, which meant more experimentation and less of their trademark ...

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The Young and the Hopeless (2002) more music like this

by Good Charlotte

Good Charlotte's The Young and the Hopeless is punk-pop déjà vu. Rehashing worn clichés aplenty on each track, cuts such as "The Anthem" emerge exactly as the title overtly implies: a high-velocity, guitar-driven reason to lash out against the usual growing pains inflicted by parental authority and high-school drama. Grafting the widely ...

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A Fever You Can't Sweat Out (2005) more music like this

by Panic! at the Disco

A Fever You Can't Sweat Out revealed the state of pop-punk/emo in 2005: it was hip to be self-aware. "Dear studio audience," Panic! at the Disco vocalist Brendon Urie quavers in "The Only Difference Between Martyrdom and Suicide Is Press Coverage." "I've an announcement to make/It seems the artists these days are not who you think." He goes on to ...

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Second Hand Smoke (1997) more music like this

by Sublime

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Robbin' the Hood (1994) more music like this

by Sublime

Pieced together rather quickly, Robbin' the Hood wasn't really intended to be the follow-up to Sublime's debut, 40 Oz. to Freedom, but what is shocking is how much better the record is from its predecessor. Boasting a wider range of influences -- including elements of reggae and old-school hip-hop -- the record is a loose, infectious blend of ...

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Ocean Avenue (2003) more music like this

by Yellowcard

Yellowcard makes its major-label debut with Ocean Avenue. This SoCal punk-pop fivesome slightly softens the edges found on its previous two albums in what is an attempt to win over the TRL crowd. Regardless of the reasons why, Yellowcard works with that familiar formula of spastic, crunchy guitar licks, emo-inspired lyrics, and vocals tailored for ...

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40 Oz. to Freedom (1992) more music like this

by Sublime

With their debut, 40 Oz. to Freedom, Sublime attempt to have it both ways. The group wants to appeal to alterna-punks, but they want to cut a little deeper and make some sort of social statement, both with their lyrics and their self-consciously eclectic music. Since the group has a knack for combining dancehall reggae with hardcore punk, the ...

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Rancid [1993] (1993) more music like this

by Rancid

This is where it all starts. Without any reminiscing about their former band, Operation Ivy, Matt Freeman (bass) and Tim Armstrong (guitar/vocals) blast through their debut without any hints of ska or blatant Clash plagiarizing. On the contrary, this album rips through 15 tracks of high-energy punk that's accompanied by heavy bass leads and ...

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Veni Vidi Vicious (2000) more music like this

by The Hives

Rousing, stompin' garage rock from these Swedes, with plenty of mod and frantic punk energy to keep you grooving along. "Party Party!" they seem to be saying, and you just want to join. This is definite change-up from the usual hyperspeed pop-ska-punk dross offered on Epitaph. Perhaps this arises from the fact that these guys are only distributed ...

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The Mark, Tom and Travis Show (The Enema Strikes Back) (2000) more music like this

by blink-182

Power punk funny guys blink-182 capture their witty stage presence on the limited-edition release The Mark, Tom and Travis Show (The Enema Strikes Back). Celebrating the quick success of their major-label debut, 1999's Enema of the State, The Mark, Tom and Travis Show showcases playful live cuts and previously unreleased tracks and, in keeping ...

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Social Distortion (1990) more music like this

by Social Distortion

With Prison Bound, Social Distortion began to metamorphasize from a rather ordinary L.A. hardcore band into a roots rock band willing to make with more than their share of the attitude, and this process continued on their self-titled third album (which was also their major-label debut). Musically, Mike Ness and company had learned to split the ...

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Drunken Lullabies (2002) more music like this

by Flogging Molly

Flogging Molly boasts a feisty Irish heart and pub rock influences aplenty on Drunken Lullabies, an boisterous collection of hyper-energetic songs rendered in a rush of patriotic frenzy. Lead singer Dave King leads an raucous army of guitars, violins, whistles, and accordions through torrid tales of freedom, political struggle, love found, and ...

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Sing the Sorrow (2003) more music like this

by AFI

Sing the Sorrow, their DreamWorks debut, isn't the wholesale departure from AFI's roots that some longtime fans griped about. It is merely the next step on a path that began with 1999's Black Sails in Sunset, the first album to feature guitarist Jade Puget. Assuming the role of principal songwriter, Puget wrapped vocalist Davey Havok's gothic ...

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