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So

So (1986) more music like this

by Peter Gabriel

Peter Gabriel introduced his fifth studio album So with "Sledgehammer," an Otis Redding-inspired soul-pop raver that was easily his catchiest, happiest single to date. Needless to say, it was also his most accessible, and, in that sense it was a good introduction to So, the catchiest, happiest record he ever cut. "Sledgehammer" propelled the ...

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Achtung Baby

Achtung Baby (1991) more music like this

by U2

Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. The crashing, unrecognizable distorted guitars that open "Zoo Station" are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music. Drawing equally from Bowie's electronic, ...

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On and On

On and On (2003) more music like this

by Jack Johnson

It took Jack Johnson two years to break mainstream with his debut album, Brushfire Fairytales, and by the time it went platinum in early 2003, his star power was unstoppable. Twentysomethings and college kids across the globe often compared Johnson's comfortable approach to the fiery Ben Harper, so when it came time to make a second album, Johnson ...

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Fields of Gold: The Best of Sting 1984-1994

Fields of Gold: The Best of Sting 1984-1994 (1994) more music like this

by Sting

Early in his solo career, Sting defined himself as a man of taste, choosing to work with jazz musicians instead of rockers. Inevitably, this meant he walked the thin line between sophisticated pop and adult contemporary, but he did it with grace from 1985's Dream of the Blue Turtles to 1993's Ten Summoner's Tales. Unfortunately, Fields of Gold: ...

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War

War (1983) more music like this

by U2

Opening with the ominous, fiery protest of "Sunday Bloody Sunday," War immediately announces itself as U2's most focused and hardest-rocking album to date. Blowing away the fuzzy, sonic indulgences of October with propulsive, martial rhythms and shards of guitar, War bristles with anger, despair, and above all, passion. Previously, Bono's attempts ...

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The Joshua Tree

The Joshua Tree (1987) more music like this

by U2

Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey ...

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The Best of Talking Heads

The Best of Talking Heads (2004) more music like this

by Talking Heads

Rhino's -- or, more accurately, Sire/Warner/Rhino's -- Best of Talking Heads follows 2003's box set Once in a Lifetime by a year, and it features the same remastering from that set. It also shares part of a title with the 1992 U.K. compilation The Best of Talking Heads: Once in a Lifetime, which was released the same year as the American double ...

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Best of Chris Isaak

Best of Chris Isaak (2006) more music like this

by Chris Isaak

In many ways, Chris Isaak is a perfect candidate for a "best-of" compilation: he has been consistent over the years, not only in the quality of his output but in his music, which hasn't strayed much from the sweetly moody retro-pop -- part Elvis, a large part Roy Orbison, a small part early Neil Diamond -- he essayed on his 1985 debut, Silvertone. ...

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U218 Singles

U218 Singles (2006) more music like this

by U2

U2's first two greatest-hits albums neatly divided themselves by decade, with the first covering the '80s and the second summing up the '90s. Their third hits comp, 2006's U218 Singles, is at once more ambitious and more concise, offering an overview of their first 26 years on a single disc comprised of 18 tracks -- and since two of those are new ...

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Hounds of Love

Hounds of Love (1985) more music like this

by Kate Bush

Kate Bush's strongest album to date also marked her breakthrough into the American charts, and yielded a set of dazzling videos as well as an enviable body of hits, spearheaded by "Running Up That Hill," her biggest single since "Wuthering Heights." Strangely enough, Hounds of Love was no less complicated in its structure, imagery, and extra ...

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Rain Dogs (1985) more music like this

by Tom Waits

With its jarring rhythms and unusual instrumentation -- marimba, accordion, various percussion -- as well as its frequently surreal lyrics, Rain Dogs is very much a follow-up to Swordfishtrombones, which is to say that it sounds for the most part like The Threepenny Opera being sung by Howlin' Wolf. The chief musical difference is the introduction ...

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Greatest Hits (2001) more music like this

by The Cure

The Cure were never afraid of artistically defining themselves. They had their own sound, an eerie glamour surrounding a dark whimsicality, yet fans flocked to them throughout the '80s and '90s. Commercial or cult favorites, they're impressive as being one of the '80s' seminal bands who culled more than 30 critical singles. Compilations like 1986 ...

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Night and Day (1982) more music like this

by Joe Jackson

1982 will forever be known as the year that the punks got class -- or at least when Joe Jackson and Elvis Costello, rivals for the title of Britain's reigning Angry Young Man -- decided that they were not just rockers, but really songwriters in the Tin Pan Alley tradition. (Graham Parker, fellow angry Brit, sat this battle out, choosing to work ...

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Tracy Chapman (1988) more music like this

by Tracy Chapman

Arriving with little fanfare in the spring of 1988, Tracy Chapman's eponymous debut album became one of the key records of the Bush era, providing a touchstone for the entire PC movement while reviving the singer/songwriter tradition. And Tracy Chapman is firmly within the classic singer/songwriter tradition, sounding for all the world as if it ...

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Automatic for the People (1992) more music like this

by R.E.M.

Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. ...

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The Trinity Session (1988) more music like this

by Cowboy Junkies

Who says you can't make a great record in one day -- or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which ...

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Sign 'O' the Times (1987) more music like this

by Prince

Fearless, eclectic, and defiantly messy, Prince's Sign 'O' the Times falls into the tradition of tremendous, chaotic double albums like The Beatles, Exile on Main St., and London Calling -- albums that are fantastic because of their overreach, their great sprawl. Prince shows nearly all of his cards here, from bare-bones electro-funk and smooth ...

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I Do Not Want What I Haven't Got (1990) more music like this

by Sinéad O'Connor

I Do Not Want What I Haven't Got became Sinéad O'Connor's popular breakthrough on the strength of the stunning Prince cover "Nothing Compares 2 U," which topped the pop charts for a month. But even its remarkable intimacy wasn't adequate preparation for the harrowing confessionals that composed the majority of the album. Informed by her stormy ...

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Greatest Hits [Warner Bros] (2003) more music like this

by Red Hot Chili Peppers

The Red Hot Chili Peppers' Greatest Hits is a compelling listen, culling tracks from the band's 1989 breakthrough, Mother's Milk, to its melodic 2002 release, By the Way. In some ways, one could view this as the best of the John Frusciante years, charting most of the band's work with the talented guitarist after the death of original member Hillel ...

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The Whole Story (1986) more music like this

by Kate Bush

The first compilation of highlights from Kate Bush's work is still one of the better ways of getting introduced to her music, even 20-plus years after its original release. Bush made a special effort on behalf of this collection -- originally an LP -- by re-recording and remixing her debut hit "Wuthering Heights"; she felt that her teenaged vocal ...

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Pretty in Pink (1986) more music like this

by Original Soundtrack

As the auteur of post-punk suburban adolescence, director John Hughes appropriately enhanced his '80s movies with relatively harmless new wave soundtracks. Where earlier films like The Breakfast Club and Sixteen Candles included the occasional Wang Chung or Simple Minds track, though, 1986's Pretty in Pink boasted a full lineup of "rock of the ...

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Singles 45's and Under (1982) more music like this

by Squeeze

Above all, Squeeze were a great singles act -- among the finest of the era -- and Singles 45's and Under offers proof of that fact, giving a chronological survey of their biggest hits from their early, pre-breakup period. Most of the songs can be found on the actual albums, aside from the slightly different single version of "Goodbye Girl" and the ...

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Stunt (1998) more music like this

by Barenaked Ladies

By trying to mask their smart-ass humor in a big pop production, the Barenaked Ladies attempt to set themselves up for the big crossover that they nearly achieved with such past singles as "Be My Yoko Ono" and "Brian Wilson." Nothing on Stunt, the group's fourth studio album, is so clearly jokey (although "Alcohol" comes close), but they still ...

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The Dream of the Blue Turtles (1985) more music like this

by Sting

The Police never really broke up, they just topped working together -- largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, ...

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October (1981) more music like this

by U2

U2 sounded so confident and assured on their debut that perhaps it was inevitable they would stumble slightly on its follow-up, October. The record isn't weaker than its predecessor because it repeats the formula of Boy. It's because the band tries too hard to move forward. Bono, in particular, tries too hard to make big political, emotional, and ...

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