Using the textured sonics of The Unforgettable Fire as a basis, U2 expanded those innovations by scaling back the songs to a personal setting and adding a grittier attack for its follow-up, The Joshua Tree. It's a move that returns them to the sweeping, anthemic rock of War, but if War was an exploding political bomb, The Joshua Tree is a journey ...
Reinventions rarely come as thorough and effective as Achtung Baby, an album that completely changed U2's sound and style. The crashing, unrecognizable distorted guitars that open "Zoo Station" are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music. Drawing equally from Bowie's electronic, ...
As one of the most popular bands of the '80s, U2 didn't quite fit into any particular category. They were a post-punk band that quickly found acceptance from a hard rock audience, a group that made fully formed albums but often made their best statements on individual songs, especially during the '80s. Consequently, they're a very hard band to ...
U2's first two greatest-hits albums neatly divided themselves by decade, with the first covering the '80s and the second summing up the '90s. Their third hits comp, 2006's U218 Singles, is at once more ambitious and more concise, offering an overview of their first 26 years on a single disc comprised of 18 tracks -- and since two of those are new ...
The story goes like this: poised on the brink of disappearing in their own earnestness in the wake of the Rattle and Hum, U2 revitalized themselves with Achtung Baby, embracing irony and modern music in a garish celebration of pop culture that effectively distracted attention from the wounded, broken heart at its center. Basking in the acclaim of ...
In many ways, Chris Isaak is a perfect candidate for a "best-of" compilation: he has been consistent over the years, not only in the quality of his output but in his music, which hasn't strayed much from the sweetly moody retro-pop -- part Elvis, a large part Roy Orbison, a small part early Neil Diamond -- he essayed on his 1985 debut, Silvertone. ...
Expanding the latent arena rock sensibilities that peppered Kiss Me, Kiss Me, Kiss Me by slowing them down and stretching them to the breaking point, the Cure reached the peak of their popularity with the crawling, darkly seductive Disintegration. It's a hypnotic, mesmerizing record, comprised almost entirely of epics like the soaring, icy ...
It took Jack Johnson two years to break into the mainstream with his debut album, Brushfire Fairytales, and by the time it went platinum in early 2003, his star power was unstoppable. Twentysomethings and college kids across the globe often compared Johnson's comfortable approach to the fiery Ben Harper, so when it came time to make a second album ...
Turning away from the sweet pop of Out of Time, R.E.M. created a haunting, melancholy masterpiece with Automatic for the People. At its core, the album is a collection of folk songs about aging, death, and loss, but the music has a grand, epic sweep provided by layers of lush strings, interweaving acoustic instruments, and shimmering keyboards. ...
In contrast to the directness of Green and Document, this may seem like a return to the abstractness of the early years, but that isn't the case. Out of Time is among R.E.M.'s best work -- a mature, balanced, graceful collection of pop songs quite different from Murmur and Reckoning. Buck, Berry, and Mills switch instruments frequently, keeping ...
Early in his solo career, Sting defined himself as a man of taste, choosing to work with jazz musicians instead of rockers. Inevitably, this meant he walked the thin line between sophisticated pop and adult contemporary, but he did it with grace from 1985's Dream of the Blue Turtles to 1993's Ten Summoner's Tales. Unfortunately, Fields of Gold: ...
When it was recorded, nobody knew that MTV Unplugged would be 10,000 Maniacs' last album with Natalie Merchant. As it stands, it's a quiet, gentle way for her to bow out, offering no new revelations but several solid versions of the group's signature songs (mainly concentrating on Our Time in Eden) and a cover of Patti Smith's "Because the Night." ...
Six years after the commencement of a major Elvis Costello reissue campaign at Rhino, his catalog transferred over to Universal, which had been releasing new Elvis music since 1998's Painted from Memory. Like every one of his previous two big catalog shifts -- a campaign with Rykodisc/Demon in 1994, a jump to Rhino in 2001 -- the 2007 series is ...
Who says you can't make a great record in one day -- or night, as the case may be? The Trinity Session was recorded in one night using one microphone, a DAT recorder, and the wonderful acoustics of the Holy Trinity in Toronto. Interestingly, it's the album that broke the Cowboy Junkies in the United States for their version of "Sweet Jane," which ...
When filmmaker David Lynch backed a disquieting scene in Blue Velvet with Roy Orbison's "In Dreams," he demonstrated the eerie atmosphere behind its pre-'60s innocence. Orbison disciple Chris Isaak played those qualities to the hilt in his shimmering, spare "Wicked Game," so it was no surprise when Lynch included the ballad in Wild at Heart. What ...
Substance is a double-disc set collecting New Order's singles, including several songs that were never available on the group's albums, at least in these versions. While there are a couple of re-recordings of earlier singles, most of Substance consists of 12" single mixes designed for danceclub play. Arguably, these 12" mixes represent New Order's ...
On their major-label debut, Flood, They Might Be Giants exchange quirky artiness for unabashed geekiness and a more varied and polished musical attack. Although the album contains two of the group's finest singles in "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)," the overall record is uneven, since the group's hooks aren't quite as ...
Canada's beloved funny guys the Barenaked Ladies have proved to be more than just a novelty act. Four albums into their wavering career, Stunt was golden for American fans and BNL found themselves chiefing the mainstream scene during the late '90s. So to issue a greatest-hits collection might be appropriate for those fans who caught on late, but ...
Despite its title, Amplified Heart is one of Everything but the Girl's more acoustic works. A simple instrumentation of guitars and keyboards, augmented here and there by British folk-rock veterans like Richard Thompson, Danny Thompson, and Dave Mattacks, serves to set up a series of songs of romantic disillusionment. Declaring "my life is just an ...
Although Jane's Addiction's 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing's Shocking. Produced by Dave Jerden and Jane's Addiction vocalist Perry ...
The musical transition that seemed to have just begun with Fear of Music came to fruition on Talking Heads' fourth album, Remain in Light. "I Zimbra" and "Life During Wartime" from the earlier album served as the blueprints for a disc on which the group explored African polyrhythms on a series of driving groove tracks, over which David Byrne ...
As debut albums by young bands go, Shooting Rubberbands at the Stars is nearly flawless. With a slight southern twinge in her voice, the 23-year-old Brickell churned out brilliant lyrics and captivating vocal performances, backed by the solid and innovative players that comprised the original New Bos -- Kenny Withrow, Brad Houser, John Bush, and ...
The Police never really broke up, they just topped working together -- largely because they just couldn't stand playing together anymore and partially because Sting was itching to establish himself as a serious musician/songwriter on his own terms. Anxious to shed the mantle of pop star, he camped out at Eddy Grant's studio, picked up the guitar, ...
Isaak's well-known surfing fixation had been referenced here and there on past album art before, but Baja Sessions gives him a chance not only to bring that out in the open but to consciously aim for a much more relaxed, gentle follow-up to the harrowing Forever Blue. Returning to the calmer but still potent romantic angst and celebration familiar ...
Recurring Dream is a 19-track collection which assembles most of the band's singles and adds three new studio tracks to entice fans -- "Not the Girl You Think You Are," "Instinct," and "Everything Is Good for You." As a career summary, the collection works fairly well, though the nonchronological sequencing makes for a slightly confusing listen. ...
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